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The Tyranny of Copyright?
Pinky3 writes "The Sunday New York Times Magazine has a long article entitled The Tyranny of Copyright? Views of both supporters of CopyLeft (Lessig and Zittrain) and Copyright (Ginsberg and Goldstein) are laid out. The article constrasts the cultural commons to the 'permission culture" and covers the unintended consequences of various US laws passed long ago." Dear NYT editors: "Copy Left" really shouldn't have a space in it. Thanks.
You don't have to register with the NYT.
With the following procedure, you can read any NYT article:
I suspect this works because the NYT sees google as the referrer.
If only I could come up with a good sig
Dr. Lessig doesn't want to abolish copyright. He merely wants to find some way around the draconian restrictions on derivative works. Such restrictions lead to injustices such as Bright Tunes Music v. Harrisongs Music, 420 F. Supp. 177 (S.D.N.Y. 1976), which held that subconscious copying of a copyrighted work is actionable infringement.
Or do you claim that authors create works in a vacuum?
Ging-gang-google gave me this article from the website of the school of Law at UKMC.
Apparently what happened was that the American Society of Composers, Authors & Publishers (ASCAP) sent letters out in 1996 to camps - including Girl Scout ones - demanding they pay fees for singing any of their copyrighted songs (such as Edelweiss and Puff the Magic Dragon), saying, "They buy paper, twine and glue for their crafts - they can pay for the music, too. If offenders keep singing without paying, we will sue them if necessary."
Later they claimed that they hadn't meant to target Girl Scouts, just other camps - "the sort that bring in bands for square dances, have music by the pool ... and are like sending your kid to a resort."