The Tyranny of Copyright?
Pinky3 writes "The Sunday New York Times Magazine has a long article entitled The Tyranny of Copyright? Views of both supporters of CopyLeft (Lessig and Zittrain) and Copyright (Ginsberg and Goldstein) are laid out. The article constrasts the cultural commons to the 'permission culture" and covers the unintended consequences of various US laws passed long ago." Dear NYT editors: "Copy Left" really shouldn't have a space in it. Thanks.
CopyLEFT says: We're going to Maine! and Pennsylvania! and Arkansas! and Ohio! and Michigan! and New Hampshire! aieeeeeaaaaaaaa!!!!!
CopyRIGHT says: duh...We have strategerie ha ha ha
CopyLEFT says: You might think you know where the lockbox is, and maybe you do. Or maybe that's a dummy, or a decoy lockbox. Only me and Tipper and the Secretary of Defense will know for sure.
they actually took the term "copyleft" and modified it, be thankful that they are re-distributing their "copy left" spaced variation for the benefit of the community.
"Dear NYT editors: 'Copy Left' really shouldn't have a space in it. Thanks."
Science, like Nature, must also be tamed, with a view turned towards its preservation.
They have a space in there because they are not talking about "copyleft" as in licensing, but rather "the Copy Left" as in "the Left" as in the political category.
I'm not sure that it's accurate to lump everyone who's opposed to the current copyright schemes together as "leftists," which seems to be the implication. Indeed, one would think that a return to a 14 + 14 "founder's copyright" would be not so much radical as reactionary.
Hopefully this indicates that the media is starting to understand that there can be another way. Free software and truly open standards will never become widely adopted while the mainstream view is "how can anything with little or no copyright restrictions be any good?"
If there were no copyrights, you can bet the NYT would not be putting content on the Internat unless it was protected with DRM.
Do we think anyone but geeks really cares? The public can't be bothered to care about anything that isn't spoon fed to them on Entertainment Tonight or in People magazine. We need to make the fight against excessive corporate copyright an entertaining battle or no one will pay attention. How about getting JLo for a spokesperson?
That's a key point. Without copyrights (rights for the person who created the work to retain it) there would be a serious elitist imbalance of information access. Only trusted individuals would have access to various types of information and some types of information would never be disclosed, or possiblu even recorded. People are human and want recognition for their work and ideas. Copyrights (even to the extreme that they have been taken to today) are the lesser evil in this matter.
The article uses highly emotive words in the headline, "Tyranny" is almost guaranteed to get more than a casual glance, but the body is pretty factual (although sympathetic to the students, for example). Well written - articles like this are the only way that the rights-restrictions will get wider coverage. It's a good thing to have a free-from-tyranny press :-)
Simon
Physicists get Hadrons!
You don't have to register with the NYT.
With the following procedure, you can read any NYT article:
I suspect this works because the NYT sees google as the referrer.
If only I could come up with a good sig
Copyright protection encourages creation.
Lessig maintains that overbroad restrictions on preparing derivative works discourages creation.
Nobody else has any right to works I've created.
What did you draw on when creating works? Or did you claim that you created works in a vacuum?
People are human and want recognition for their work and ideas.
Another human attribute which occurs from time to time is that they don't care about recognition, they just want to spread their ideas for the betterment or enjoyment of all mankind.
MORTAR COMBAT!
Were not NYT writers and editors the imbeciles responsible for irreparably damaging the English language by convincing millions of people that a comma was not needed before the and in a series?
Seeing as Slashdot has kepts its errors rather internal, rather than damaging most of humanity, I'd say they can comment just fine.
Dr. Lessig doesn't want to abolish copyright. He merely wants to find some way around the draconian restrictions on derivative works. Such restrictions lead to injustices such as Bright Tunes Music v. Harrisongs Music, 420 F. Supp. 177 (S.D.N.Y. 1976), which held that subconscious copying of a copyrighted work is actionable infringement.
Or do you claim that authors create works in a vacuum?
If someone copyrights some of their code, they didnt invent the language (eg c) and they didnt invent many of the functions that the program does (eg printing to the screen) and they certainly didnt invent the compiler or the CPU that the program runs under and they had nothing to do even with the storage medium their program is on (hd/cdrom/paper)! Now i can kind of understand the ownership of ideas eg a method of selecting some information which causes relevent information to be revealed, but even that is based on the idea of "information" and human thought so you cant say thats something original. So what exactly denotes something original? and why should you be able to copyright something thats not original for far longer than is needed to create incentive? (eg 70 years after your death!)
This comment does not represent the views or opinions of the user.
For the moment, let's assume you're a brilliant writer who's just released the best selling book ever written. Because you've got copyright on it until 70 years after you die, you're set for life... hell, your kids will never have to work a day. I hardly see that as encouraging you to create more works, and if you're that good, maybe society would benefit from more than a one-shot.
This sig intentionally left justified.
Ging-gang-google gave me this article from the website of the school of Law at UKMC.
Apparently what happened was that the American Society of Composers, Authors & Publishers (ASCAP) sent letters out in 1996 to camps - including Girl Scout ones - demanding they pay fees for singing any of their copyrighted songs (such as Edelweiss and Puff the Magic Dragon), saying, "They buy paper, twine and glue for their crafts - they can pay for the music, too. If offenders keep singing without paying, we will sue them if necessary."
Later they claimed that they hadn't meant to target Girl Scouts, just other camps - "the sort that bring in bands for square dances, have music by the pool ... and are like sending your kid to a resort."
Misplaced agression.
The problem isn't the existence of copyright, it is the abuse of the idea.
If there were no copyright, there would be no GPL either (the GPL depends on copyright for its ability to force sharing).
Copyrights that run for 7 generations, chilled political debates, supression of even discussions about encryption algorithms, and forcing the removal of entire websites without sending so much as a sniff past a judge are things that would probably leave Jefferson et.al. spinning in their graves.
From the article:
Free Software: Like love, it grows best when given away.
I appreciate the ideas the article is trying to raise in the public consciousness and I am grateful the NYT is helping to put these issues on the political map. Apparently Boynton agrees with RMS that it's important to "spread understanding of the value of freedom" although Boynton wasn't writing with regard to free software. I hope that in the next articles we can get more into specifics about how these ideas were formed because I think people have an easier time grasping useful abstractions when they are grounded in real-world events.
Giving credit where credit is due is intellectually honest. This article and Mark Webbink's recently praised article both chime in on copyleft or ideas built on copyleft without giving any credit to the person or the organization that brought it to our attention--Richard Stallman and the FSF.
Webbink goes so far as to reinvent copyleft without calling it such, thus confirming how valuable the concept is and what the open source movement is missing out on by rejecting software freedom in favor of practical concerns centered on their chief audience--businesses. The NYT article tells us "Copy Left[sic]" (spelled with a space probably to pigeon-hole the concept on the left side of the left-right false political dichotomy) is a borrowed term:
But that would come closer to describing free software. Copyleft is a way to secure the freedoms of free software for a program and its derivative works.
Digital Citizen
Um, this is already partially implemented in Canada. We pay a levy on recordable media, and as a result downloading is legal. Supposedly, the levy is supposed to go to the artists and recording industry. The only thing missing is the "central office", otherwise it is very much like Fisher's concept. And I hardly think Canada qualifies as a second world country.
Yes. It is called "healthy lifestyle". Eating right prevents many health problems and can cure others. But people don't want that. They want to eat junk and then fix the problems later with a magic potion.
Additionally no drug company who spent millions on research is going to want to come out and say "you could pay us thousands for our patented drug but eating oranges would work just as well."
I agree with you. We need more research done with an eye toward bettering mankind over forcing mankind to fork over the bucks.
Coding Blog
I'm not advocating more taxes, but I'm thinking of property tax.
... too low, and the shareholders will revolt, too high, and it gets taxed too much.
The taxes that you're talking about aren't related to ownership, they're translated to sales or profit/loss.
For instance, most people pay property taxes on a house or land they own.
Some states have car taxes. Others have luxury taxes.
If people really thought there was such a thing as "Intellectual Property", then it would have occured to somebody to tax it.
In fact, I can make a pitch that this tax would benefit society at large. Think of it:
1) IP that is generating revenue would have to be fairly valued
2) For IP that is not really worth anything (some old movie that isn't even available), the owner would have to either pay taxes on it, or release it to the public domain.
3) IP owners wouldn't be content to "sit" on something.
Like I said, I'm not advocating taxes, but if we're going to call a copyright, "Intellectual Property", I'm saying we should go all the way and really treat it like property. Taxes and all.
You were mistaken. Which is odd, since memory shouldn't be a problem for you
You are correct. However I have a problem with the *obscene* profits of the pharmaceutical companies.
Yes, as they say in their press releases they spend 100s of millions on their research budgets for drugs that don't pay off, but what their press releases don't say is that they spend MORE that their research budgets on marketing and lobbying. They also don't mention that the sum of the yearly compensation packages of the top ten executives of any pharmaceutical company is usually *at least* 10% of the company's total research budget.
There needs to be a middle ground between no profits and obscene profits that provides the maximum benefit for the society at large.