Shawn Fanning's New Venture
prostoalex writes "We've read about Justin Frankel, but what are the other heroes of the MP3 revolution up to? News.com.com.com tells the story of Shawn Fanning's new company. SnoCap (which changed its name from Open Copyright Database) is currently developing file-sharing mechanisms that would allow the music industry to earn money."
He was just some kid who wrote a program primarily designed to trade illicit software.
"It's a pretty well thought-out idea, but the success of it hinges on everybody in the ecosystem getting involved,"
Sounds like all those well thought-out ideas to stop spam, that simply need everyone to agree on something new.
--
In London? Need a Physics Tutor?
American Weblog in London
His lawyers wouldn't let him call it AssCap (get it, poking fun at ASCAP)?
If people are sharing-files in some form of triangle scheme for sharing profits-- who controls the quality of the music bought? I refuse to pay for music that cannot guarantee high-quality bit-rate. And, what happens when only part of a song is downloaded that was paid for and it becomes impossible to resume the download, because the person(s) whom you were grabbing a copy from disconnect?
you would think his website would at least have something to explain what it is going to be... a company called SnoCap from San Franciso, sounds like a snowboarding company
News.com.com.com For when you want news about news.com.com ???
/. is redundant at times, but I thought the guys at CNet were a bit better...
Yes,
alias uptime="echo '5:33pm up 22342352324 days, 6:28, 2124315623 users, load average: 2432.40, 12312.31, 123123.19'"
Shawn Fanning is an idiot. This is not a troll. He releases a PTP system that is so inherently unthought out and stupidly illegal and try to make a go of it. He wrote a program in VB that was what it was because he couldn't implement anything more complex. Sure, some of the beauty of Napster was its simplicity. But this is also the reason we are in a jam with PTP systems like we are today. Without Napster we would not have the RIAA court cases. We would have Gnutella systems, Bit Torrent etc free from lawyers and everyone would be happy.
Napster was a lowest common denominator PTP system. It stole MP3's. Many people thought of simple systems like this that the masses could use but most knew better than to damage PTP credibility before this. Writing a Napster program in VB would take a few days at best. Not that his idea wasn't what counts, it is and simple is usually better. But in his case there was no way around it. Napster was made to steal music. At least with Hotline and similar technologies you could say it had other purposes and in some cases make other purposes for it.
Napster has caused so many problems with legit PTP systems. My problem with it was it was so flagrant. It was a dumb mans PTP system and it brought attention to other areas that otherwise didn't want it.
Now, I probably sound like I am hating on Napster because now it's harder for me to steal things. Well, it's not harder for to steal things so you can rule that out. But, I know systems are being monitored closely now and the general public knows what a PTP system is, well sort of. I download some music I don't own. I use free software so I don't need to pirate that. But now I can get a huge fine if I D/L a song from the wrong person. I blame Napster for this. Not for me D/Ling things, but for being so stupid, flagrant and blatantly illegal about it they fucked it up for everyone.
Given there is a good freely-available format to rip into (OGG), the only way the publishers are going to get rich(er) is by value-add. That's not a terribly strong argument for a product.
:-) If they'd not been so damn greedy at the start, this state of affairs might have been (well, almost) completely avoided....
The fundamental problem is I want to copy the music once I've paid for it. The music industry doesn't want me to do this - because if I can easily move it around, I can move it to my friends house (for visits, you understand
All I can say is, Good Luck - you're going to need it...
Simon
Physicists get Hadrons!
Jonah Hex
Horror & SciFi Erotic Nudes
"It's a pretty well thought-out idea, but the success of it hinges on everybody in the ecosystem getting involved," said one record label executive familiar with Snocap. "The key to its success is the peer-to-peer companies agreeing to participate. If they do participate, it could be phenomenal."
Might as well complete the quote...
The focus here is getting the peer-to-peer companies to participate. The user is going to take the path of least resistance (and money.) As long as there are free and easy to use peer-to-peer systems, projects like this do not stand a chance.
However, projects like this could easily take over... if and only if they include one vital key. The makers of the peer-to-peer software will make more money. Kazza, emule, and all the others will lay down their arms and gladly go to a pay-type system if they can make more money that way.
The problem with that is... there is not enough money to go around. For peer-to-peer to make more that means the music companies are going to have to take less. (They can't rape the artists any more than they already are.)
AC
is currently developing file-sharing mechanisms that would allow the music industry to earn money."
If anyone here thinks the RIAA should get more money please raise your hands...
Yes, yes... I thought so...
how long until
Shawn Fanning is no Justin Frankel. He's not even in the same league. Justin Frankel is a hero, Shawn Fanning is just some dope that got lucky.
this is my sig.
The big elephant in the room, however, is Sean himself. It sounds like SnoCap is trying to sell a "Secure" model to the entertainment industry, from someone the industry does not trust: Sean. This doesn't bode well for the industry. This is someone the industry claims contributed to the decline of CD sales, and yet then they will turn around and work with him to prevent it? Doesn't add up. Further, if well healed security and DRM companies have not suceeded with the industry, why should SnoCap where others have failed? SnoCap doesn't even appear to have any security people on its staff, so where does it get its expertise? Can anyone say "implementation flaw"? It just doesn't add up. DRM from a company and people that don't have any experience with DRM, security or working with the entertainment industry. Yeah, they're gonna get alot of cooperation from the RIAA.
Let us not forget the fact that Sean is not well liked in the entertainement industry, nor are the former investors in Napster. These people have little hope of getting the RIAA onboard. Even if they do manage to gain some ground with the industry, its a steep climb for SnoCap to anything close to sucess.
BTW, why would you want to use a P2P client that has DRM, when you can use something like eMule, Kazaa, GNUNet or any other P2P client that doesn't? Yeah, this will do about as well as Napster would have if they had implemented DRM. Dead in the water.
Python
Do not consider this a troll... (as I am sure your alarms are going off already) but I do not understand why this kid is getting rich as hell, and the makers of OGG are not.
This kid just has an idea for a peer-to-peer system and he already has a large angel investor... the same angel investor that poured large amounts of money into napster. And the system doesn't even exist yet.
On the otherhand, take OGG -- a kickass music format that we all love and cherish. A few advertising wizards could turn it into the standard music format on the internet. Where are the VCs and angel investors for OGG?
OGG is a proven product that rocks. SnoCap is little more than white text on a blue background.
SnoCap will make money because non-tech people remember that napster exploded with potential. SnoCap will make money because investors see that I-Tunes is working.
OGG will struggle because the non-tech investing community doesn't understand the power of a new and better music format.
The world is twisted.
AC
Snocap has been working on ways to identify songs, as they are traded through a file-swapping network, including using a technique called "audio fingerprinting," which monitors the sonic characteristics of music files.
...
...
...
...
shawn $ fingerprint_id_test test_files.txt
LOADING INPUT TEST FILE: beethoven.mp3
Identifying
100% Match: Beethoven, Ludwig Van, classical
LOADING INPUT TEST FILE: coltrane.mp3
Identifying
100% Match: Coltrane, John, Jazz
LOADING INPUT TEST FILE: chembros.mp3
Identifying
100% Match: Chemical Brothers, electronic
77% Match: Daft Punk, electronic
75% Match: Noise, industrial-moise-recording
LOADING INPUT TEST FILE: britspears.mp3
Identifying
100% Match: Spice girls, teenage pop
100% Match: N'Sync, teenage pop
100% Match: Backstreet Boys, teenage pop
100% Match: Hilary Duff, teenage pop
100% Match: Maris Willson, teenage pop
100% Match: Holly Valance, teenage pop
100% Match: Mandy Moore, teenage pop
100% Match: Vitamin C, teenage pop
100% Match: Christina Aguilera, teenage pop
100% Match: Five, teenage pop
100% Match: Jennifer Lopez, teenage pop
100% Match: Aaliyah, teenage pop
100% Match: Rachel Stevens, teenage pop
100% Match: Pink, teenage pop
*** Endless recursion error. Core dumped ***
"A door is what a dog is perpetually on the wrong side of" - Ogden Nash
"Shawn is a smart, articulate guy. That goes a long way," said one source familiar with Fanning's discussions with record labels. "He walks in a world that they desperately want access to."
If I were this group of record companies... I would kill myself and do the world a favor.
Wait...
If I were this group of record companies, I would hire a kid like this in a heartbeat. He is likely to understand the peer-to-peer community much more than the record executives. He's help people do it the free and easy way... and maybe he can transition everybody into a more "legit" method of music transfer.
I don't think the record execs are scared of this guy... I think they are having wet dreams about his re-securing their monolopy on music.
What is this kid likely to do? We'll just have to wait and see. He's probably smart enough that he could sweet talk his way into a lot of vaporware dollars...
AC
Justin recently announced that he has resigned from AOL and Nullsoft:
/home/deadbeef - - - - Shell: /usr/local/bin/tcsh
.plan, but I might find myself updating the .plan of justin@blorp.com.
Trying landoleet.org
Attempting to finger justin@landoleet.org -
Login: justin - - - - - - - - - - Name: Justin
Directory:
Never logged in.
New mail received Thu Oct 9 15:07 2003 (PDT)
- - Unread since Mon Mar 10 12:28 2003 (PST)
Mail forwarded to: justin@blorp.com
Plan:
Jan 22, 2004
Well, it took a bit longer than I (or likely anybody else expected), but after four and a half years, I've resigned from my position at AOL. Yay/sigh/etc.
This will likely be the last time I update this
peace out.
eof
-
End of finger session
Fortunately, this won't really result in a loss of quality with future Winamp versions. their two main coders, "Francis and Christophe," Will be taking over most of the development. From what I've heard, they did most of the work with Winamp 5. And as most of those who've taken the time to really check out Winamp 5... It really whips the llama's ass.
Next, we'll be teaching fish to swim, birds to fly, and rabbits to reproduce....
there's just one problem with that as well, the systems where there IS NO COMPANY, so 'more profit' is not a motivator.
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world was created 5 seconds before this post as it is.
You know most people here seem to be of the opinion that Napster was an obvious concept and anybody here couldhave come up with it. The Next step in everyone's misguided logid is that Shawn is therefore no smarter than the average slashdot reader..... then jealousy kicks in and people start calling him names for getting all the attention.
Well, at the start of 2002 I ended up out of a job and managed to get a position in Napster, long past the days when they were running the full service. There was the Beta test for the pay service running as well as a few potentially groundbreaking court cases. Turns out I was the last engineer Napster hired.
Anyway, I'd studied the napster setup in great detail and I pretty much had the same opinions - I figured that Shawn was an average geek who had got lucky. I didn't expect he'd much from him, hey, I'd spent 10 years in academia, I'd spent years 'saving the world from killer asteroids' (http://szyzyg.arm.ac.uk/~spm), and....
I'd wrote and released the first mp3 radio software and then watched Justin Frankel and winamp get all the credit for 'inventing' it a year and a half later. I went to napster expecting that Shawn wasn't anything special.
Boy was I wrong, he is a genuinely smart guy, yes he was also lucky - just like I'm a smart guy who wasn't so lucky. I think a lot of technical people underestimate him and sometimes this is working to his advantage.
So, lay off the assumption that luck == stupid - smart people get lucky all the time too.
... physically sick to see Shawn Fanning referred to as a hero.
There are many cold, calculating and ruthless people in the music business. Shawn Fanning is one of them. Please don't ever think for one single second that he was "one of us".
He's not Napster! I'm the real napster. Shawn was my roommate in college, I rote napster and named it that because I was always napping. When I fell asleep one day he stole the program from me and now he gets all the glory.
I hate to feed a troll and be off topic, but it annoys me that people see no reason for record companies. The music industry goes through piles and piles of utter crap to pick one crappy band that might make it to radio. They're an amazing shit filter, the public does NOT want to be inundated with unfiltered bands.
A recording company will help the artists develop their style. I don't mean make overs, they'll hook them up with a producer who will make the band sound like they know how to play so they can have a decent album. The record company will also split the bill for (a) hiring the producer who will make them sound decent, (b) hiring the engineers and renting the space for them to record (usually $50/hr for the room itself, and it takes months to record), (c) produce the actual CDs, market said CDs, make posters, buy ad space in magazines, try to get interviews with the band.
A recording company will also help get the band into venues, which are usually all run by one person in an area and are really hard to get into (the bigger venues, smallers clubs are run independently, sometimes).
Like I said, the whole music industry is a tremendous crap filter. Before a band gets on the radio it has to jump through so many flaming hoops that most don't make it, thankfully. I speak from experience, having been in bands and done much label work. Do I think things should stay this way? No f-ing way, there must be a better way to do it... and I'm out there trying things.
What about MEEPT?!?!
[Nice troll, being a winamp fanboi, i can't help but reply]
Have you actually tried winamp 5 or are you talking out of your ass?
Seriously, winamp 5 is winamp 2 with winamp3 skin support (which is where most of the hogging comes from, and you can even disable it by uninstalling the "modern skins support" plugin) plus ripping and burning support (depending on who you ask -- it was added in an unofficial 2.x version)
On my athlon 2100+ system, winamp5 takes up 2.5 megs of ram while playing with a classic skin and less than 1% cpu (task manager says 0%) and while it jumps up to 15 megs with the default modern skin, cpu use stays the same.
On the new functionality thing, modern skins are a huge plus, as they have better international/ unicode support, they can alpha blend (try always on top + transparency with auto opaque on focus/hover). Also, classic skins feel very very small on 1280x1024 and up. The music library is better too, and the global hotkeys are kind of useful. I personally don't care about ripping and burning but i guess someone could like them.