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The Future of Ghibli US Releases

ChibiOne writes "Nausicaa.net is reporting very interesting news regarding the US release for the works of (Hayao Miyazaki's) Studio Ghibli. Steven Alpert (VP at Tokuma International, parent of Studio Ghibli) spoke after the screening of "Porco Rosso" in New York and revealed several new release plans. AnimeOnDVD has a complete report." It says "every Ghibli feature film should be released in the US by the end of next year" as well as a widescreen re-release of Totoro. Here's hoping!

9 of 168 comments (clear)

  1. Was at the screening on Friday by nyamada · · Score: 5, Informative

    Porco Rosso was stunning and the english dub was really quite decent.

    If any of you get the chance, please try to see Miyazaki's work on screen -- I've seen Porco Rosso before on DVD and it's about 10x better on film --

    1. Re:Was at the screening on Friday by nyamada · · Score: 4, Informative

      1) It's not Miyazaki's last work -- it was released in Japan in 1992. He's currently working on "Howl's Moving Castle", which is slated for release in Japan in July.

      2) The audio was fine -- were you at the same screening I was? -- rich, convincing stereo sound --

  2. Ghibli releases by platypussrex · · Score: 5, Informative

    If you are not familiar with Ghibli, these are some of the finest animated movies out there, and some would even argue some of the finest movies of any kind. Disney did Spirited Away for the US market, so that's what the Disney comments are about (which have been modded off-topic in some cases... mods with no clue).

    Interesting to compare the dubbing done by Disney to the subtitling done by various fans. I have seen at least three sets of subs, all of which vary a bit depending on the translator. Sometimes Disney's dub makes sense, and sometimes it is just plain strange. Hopefully the new realeases will be better translations, although personally I prefer to hear the original language and read subtitles.

  3. Re:Has Studio Ghibli ditched Disney yet? by WIAKywbfatw · · Score: 4, Informative

    i agree that disney has turned into a money greedy corporation, but i am curious. anyone familiar on when exactly this took place? what was it like in the 50s? 60s?

    I can't tell you when it took place but I can tell you that my feelings about Disney have less to do with their marketing and willingness to put their characters on anything that can be sold for a profit and more to do with shit like this.

    Let's face it, George Lucas, Peter Jackson et al don't exactly spurn marketing and sales opportunities but I've never heard of extras playing stormtroopers or uruk-hai having to share smelly, diseased jock-straps and other "previously enjoyed" underwear.

    --

    "Accept that some days you are the pigeon, and some days you are the statue." - David Brent, Wernham Hogg
  4. Re-relase Totoro Please!!! by kyoko21 · · Score: 3, Informative

    I have about 7 region 2 Ghibli DVDs. They are cool. Except for Totoro. The english subtitles were not actually done by Ghibili, but instead, they are the actual scripts for the english audio tracks. The english audio tracks were ok, but unfortunately, the english audio track has added lines in places where there moments in the scene they felt "too quiet" so they added lines in. So when you watch the DVD with the Japanese audio and the english subtitles, you would see lines that you have no audio for. (BTW, this was done by Disney...blah).

    Please Ghibili! Re do the Totoro DVD!!!!

  5. Re:Pretty light on details. by aardvarkjoe · · Score: 3, Informative

    I'm told Tenku no Shiro Rapyuta has the same flaws. So did Mononoke Hime, ...

    You were told incorrectly. There are two sets of subtitles on the DVDs; one is for hearing impaired (literal transcription of the English) and one is a translation of the Japanese, which often differs from the English dialogue quite a bit -- Especially in the case of Laputa, the only Ghibli movie so far which I think that the dub was poorly done.

    --

    How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
  6. Re:Studio Ghibli all region DVD collections by meringuoid · · Score: 3, Informative
    I realise this is /., and I realise what we usually think about large corporations and copyright, especially Disney, but seriously: this is Miyazaki we're talking about. These are pirate.

    So speaketh the man with divx versions of every last Miyazaki film. But I'm buying legit DVDs as they come out, conditional only on there being a decent literal subtitle...

    --
    Real Daleks don't climb stairs - they level the building.
  7. Re:Disney dismay by Robotech_Master · · Score: 3, Informative

    The reason anime lips don't often sync to the Japanese dialogue is that, in many to most cases, animation over in Japan is dubbed exactly the opposite of how it is over here. In America, the voice track is recorded first, so that the animation can be perfectly synced to the mouth movements. In Japan, the movie is animated first, leaving about what they think is enough mouth movements for the dialogue, then the actors have to match their words to the movements as best they can (and most Japanese directors aren't terribly finicky about this. For an example, watch the Japanese making-of documentary on disc 2 of Spirited Away...there's a bit that covers the voice recording--and it's done in a movie theater style auditorium, with the actors matching their movements to the animated images on a big screen!

    --
    Editor Emeritus and Senior Writer, TeleRead.org
  8. Ghibli and Miyazaki by yulek · · Score: 4, Informative
    Miyazaki is just one of the founding members of Studio Ghibli. He's become somewhat of an icon here in the U.S. and as such is attributed as the creator of all Ghibli films.

    Grave of the Fireflies was directed by Isao Takahata who also did Pom Poko, Yamada and Only Yesterday for Ghibli.

    Miyazaki is definitely the driving creative force at Ghibli but it's important to give credit to Takahata. Grave of the Fireflies is one of the most powerful animated films ever made.

    --
    in this age of communication i'm just not getting through