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EU Passes Nasty IP Law
FireBreathingDog writes "This BBC report details a new European Union law that 'allows companies to raid homes, seize property and ask courts to freeze bank accounts to protect trademarks or intellectual property they believe are being abused or stolen.'" Like any bit of controversial legislation, it can change massively just before being voted upon. This legislation, which originally had DMCA-like provisions (protections for technical protection measures on copyrighted works), seems to have lost them prior to passage. (I'm sure they'll be back in some new piece of legislation.) However, it does make "regular" copyright enforcement much more aggressive in the EU, with companies able to raid, confiscate and freeze the bank accounts of those accused of copyright infringement. More information: IP Justice, FFII, FFII background.
From the article:
"During the debates, the directive was widened to cover any infringement of intellectual property.
The directive allows companies to raid homes, seize property and ask courts to freeze bank accounts to protect trademarks or intellectual property they believe are being abused or stolen."
Time to get some obscure patents or copyrighted material, let it find its way into commercial and government use, and then use the law to raid the business and government offices and seize their assets.
I know exactly what it feels like. I am a practicing illustrator, and copyright is my bread and butter. Until computers transformed anyone with a copy of Photoshop into an "artist" and anyone with an HTML editor a "publisher", your could not exist as a professional without a firm understanding of copyright law. There were few abuses as a result. Since the revolution, theft of images is commonplace. However, as a fledgling illustrator with little to lose but my pride, I braved the web early and learned a lot about intellectual property and business. I learned:
1) Most people are decent and generally ask permission before reproducing my graphics
2) Many people are ignorant of copyright law altogether, but they are not the ones you need worry about
3) Contracts don't mean dink unless you can afford a good attorney
4) The best protection from those who steal intellectual property is your intellect itself. That is, I feel secure that I will survive as an artist even if one of my pieces is reproduced illegally. I can, after all, always make create more work. So I am not militant about copyright enforcement. Trespasses are rare, and do as much to promote my work as they diminish it.
The crooks, on the other hand, need to keep stealing to survive. Those with the most interest in copyright are the non-creators, whose only substinence is their parasitical relationship with creative people. They deal in commodities, exploiting the works of others, and without copyright protection they have no product at all.
Copyright is useful to an artist in the sense that it can permit us to make enough money to do our work full-time. A copyright is actually a bundle of rights, which can be parcelled out to various publishers for far more money than any one publisher is likely to pay. But copyright laws that are two restrictive can also hamper creativity and induce laziness. Personally, I'd love to see the stupid Sonny Bono act (the name says it all) repealed. There is no value in copyrights that last for decades...not to their creators, anyway.
Has it happened to me? Yes, and the law offered me no protection at all. Justice in this country goes to the highest bidder.
Like most parasites, though, I think those who would exploit the creativity of others will soon learn that a good parasite does not suck it's host dry and survive. Already, the RIAA is feeling the backlash of consumers fed up with manufactured music and strongarm tactics. Local animation houses have learned that if Americans can't get quality animation here, they will import it. (Animators are a very exploited breed of artist, who traditionally work long hours for low wages.) Disney is biting at it's own wounds after unwisely deciding that they had no use for traditional artists anymore (Pixar hired most of them...guess whose laughing now?). I think the MPAA and the endless guilds in Hollywood will soon learn that the Independents are numerous, talented and fully capable of distributing their own films, thankyou.
So, how does it feel? It feels lousy, but not nearly as bad signing those rights away to some exploitive corporation who may never get around to cutting you a check anyway.
Screw copyright. Only criminals need rules for morality spelled out on paper.