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Microsoft Preps 'Janus' Music Copy-Prevention Scheme

An anonymous reader writes "Microsoft is expected to unveil copy-protection software this summer that will for the first time give portable digital music players access to rented tunes from all-you-can-eat subscription services -- a development that some industry executives believe will shake up the online music business." Janus is the Roman god of doorways, gates, passages, preventing people from copying music, etc.

21 of 466 comments (clear)

  1. Are they kidding? by erick99 · · Score: 4, Insightful
    This will get hacked very quickly by folks who would like access to high-quality downloads and the fast download speeds that commercial sites afford. I am assuming that Microsoft and the record labels know this but figure it will be a small problem? It is a shame that my first response to this is not "how cool is this?" but, rather, "this will be hacked." But, since all of this is in response to piracy, I am surprised that these folks will hang their hats on a software solution. Oh, well.

    Happy Trails!

    Erick

    --
    http://www.busyweather.com/
  2. History *will* repeat itself.. by grub · · Score: 5, Insightful


    Pay for time limited, rental media? Has Circuit City's DIVX fiasco taught them nothing?

    If there were a demand for such an item I can see them working on it but the media companies try these silly schemes that have no consumer interest. Naturally they'll end up somehow blaming P2P for this system's inevitable failure.

    --
    Trolling is a art,
    1. Re:History *will* repeat itself.. by bergeron76 · · Score: 4, Insightful

      I think they're trying to duplicate the "NetFlix" phenomenon. You pay a flat rate per month, and you can just listen to any X number of tunes. Once you've reached your "max" number you'll have to either delete some tunes, upgrade your subscription, or "expire / return" some tunes in order to free up some capacity.

      An example would be:
      user pays $20 / month for ANY 20 songs from the library. He picks his favorite 20 songs. A new artist comes out with a PHAT NEW TRACK that he MUST have.

      He can either:
      a) "return" or "expire" one of the tracks that he has oustanding
      or
      b) upgrade his subscription to $25 per month for any 40 songs.

      I think they're trying to lock people into a subscription model because it keeps revenue streams alive (for the company) and it's [relatively] difficult for people to drop subscriptions. For example, if you had to choose between paying your internet bill or buying the latest and greatest X-PS4-Game-Box-Cube; you'll probably be more likely to pay your internet bill (or music bill in this case).

      I'm not certain that's their idea, but it sounds like that's what the business plan is at this point.

      It's kind of brilliant from a business standpoint, but let's just see if the market takes kindly to it.

      --
      Don't think that a small group of dedicated individuals can't change the world. It's the only thing that ever has.
  3. Divx, anyone? by punkass · · Score: 4, Insightful

    Didn't we already learn that people don't want subscriptions, they want the actual media to keep for posterity?

    --
    "Nobody owns the fucking words man." - James Dean
  4. Same ol' Same ol' - confusion by SuperKendall · · Score: 4, Insightful


    So to start with, you'll have to get a different player that supports this "secure clock". Then you have these issues:

    Music service executives said they were still in negotiations with record labels over how to treat the new technology. Allowing people to bring thousands of songs at a time to portable players may wind up costing more than the $10 a month that most subscription services charge today, the executives said.

    Well that's certainly going to help - keep up the level of confusuin with different rate plans based on what you might want to do.

    Nevertheless, some music services are eager to drive more consumers to subscription plans, since per-song download stores have tiny or even nonexistent profit margins.

    Because what always excites the consumer is helping a company make more money.

    I would think artists would not be too fond of subscription services - they must get quite a bit less (if anything?) from such services. As someone who wants to help out an artist why would I want to support a subscription services? Seems like just another refined means of ripping off people who make the music.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  5. Perfect. by tm2b · · Score: 5, Insightful

    A two-faced god that claims to stand between the primitive and civilization, but is in fact just a product of the primitive superstition of a decrepit culture.

    Perfect.

    --
    "It is our blasphemy which has made us great, and will sustain us, and which the gods secretly admire in us." - Zelazny
  6. Seems like a strange thing to name a DRM scheme. by tuxedobob · · Score: 4, Insightful

    "Janus head is a popular phrase for deception, that is, when action does not match speech."

    So says Wikipedia ..or perhaps a very appropriate one?

  7. Re:When will they learn.... by The+Other+White+Boy · · Score: 4, Insightful

    hacker-resistant : hacker-proof :: water-resistant : water-proof

    =)

  8. Why Rent When You Can Own? by dslpwr · · Score: 5, Insightful

    I read the article this morning, and sent to some friends. I have multiple problems with it.

    1) I don't want to "rent" my music. I want to buy.

    2) I don't want my music in crappy WMA format.

    3) The tinfoil hat wearer in me sees this as a way for the music/software industries to indoctrinate the next generation of consumers with the idea that you don't "own" anything.

    As the sidebar in the article says "If fans of iPod-like devices can be convinced to drop the idea of owning song files, they could shift to paying a subscription fee for ongoing access ..."

    Pass.

    --
    www.robot-invasion.com smart-assed political news, humor, and commentary
    1. Re:Why Rent When You Can Own? by jimsum · · Score: 4, Insightful

      I want them to let me download music from their out-of-print CDs at a reasonable price, like $5 per disk; I'll pay for the production of the CD. I want the uncompressed CD image naturally; you can keep your crappy compressed music, actual CDs (state of the art 15 years ago!) are barely adequate.

      The record companies are sitting on a goldmine that they don't even recognize. For example, I have spent 15 years looking for a CD of Camel's album, the Snow Goose. I had a cassette copy from a used record I borrowed from a friend; I finally found my used CD copy a few months ago. How on earth does it help the RIAA that I had to search for 15 years to get a legal copy of this album? And I was lucky I found it used for $9 (Canadian) rather than a new $40 import.

      These record companies have already spent the money to record and master these CD; why should it ever go out of print? Surely making $5 is better than nothing; or do they really think I'll buy the latest American Idol CD they are expensively promoting instead?

      --
      -- Pot is safer than Beer
  9. High Cost of DRM... by SuperChuck69 · · Score: 5, Insightful
    It's kind of a naive question, perhaps, but is the cost of creating strong copy protection worth the savings in pirated items?

    Before MP3s were Satan, I had a stereo system (hi-fi for us old folks) that could easily "rip" CDs, records, or tapes to cheap portable media (blank tapes). It didn't seem to be an issue then...

    I would actually be very interested in an all-you-can-eat music subscription, provided it gave me files in the MP3 format. I have an MP3 player in my house, office, car, and person, but I don't have a Janus player anywhere!

    Stop spending all your money trying to stop me from sharing stuff, just sell me stuff I want.

    --
    :wq
  10. Come on, people. by NaugaHunter · · Score: 4, Insightful

    Unless they've already developed a new, proprietary headphone, a high quality 1/8" to RCA cord already circumvents this. Or -hello- get it from the CD. This 'prevention' will only matter if they can actually get exclusive content that people want, and anything that can be listened to can be copied.

    File this under "Too little; too late". If this was here 10 years ago it would have ruled the market, even 2 years ago before iPod/iTunes made legitimate music buying easy* it would have had a chance. Now it's just another unwanted product; at best a footnote in a future history book.

    * I'm thinking specifically of when the iTunes Music Store came to Windows. To head off the 'no ogg/Linux support, so no business from me!' posts, that most assuredly applies to this new product as well and is pointless in a comparison.

    --
    R: That voice. Where have I heard that voice before? B: In about 365 other episodes. But I don't know who it is either.
  11. Guaranteed hard-failure of player? by SuperKendall · · Score: 4, Insightful

    Given that the system relies on a "secure clock" - it must be some kind of chip set with a time and then sealed with a battery. Otherwise, how can it continue to keep time independant of that player loosing battery power or knowledge of time?

    So then - what happens when the power for this embedded secure-clock runs out? Your player needs to go in for repair, as I doubt the "secure clock" is user-servicable.

    Or, perahps the chip just counts up as long as it has power. So if you only use it now and then you might be able to keep the song-embers alive for years as you slow time to the device.

    I guess it won't matter since the system will be cracked before it becomes an issue, but it's kind of like buying a car with a pre-wired explosive charge under the hood set to go off in severeal years. "Not to worry!" the salesman says, "You'll have a different car in seven years anyway!".

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  12. Fits MS perfectly by Bendebecker · · Score: 4, Insightful

    Janus, the two faced god. They claim to help the users and then stab them in the back for the sake of the corporations.

    --
    There's a growing sense that even if The Future comes,
    most of us won't be able to afford it.
    -- Lemmy
  13. Subscription Models suck.. by nurb432 · · Score: 4, Insightful

    I would never get a subscription to view TV.. err... Ok i would never get a subscription to listen to satellite radio.. ummmmm

    well id never get a subscription to drive my errr ummm car.... or live in my apartment..

    The general public is used to subscriptions ...its all around them.... i doubt they will balk about this..

    *we* may refuse .. but the general public is used to not being able to own anything anymore, to them its just one more monthly fee to 'get stuff'......

    --
    ---- Booth was a patriot ----
  14. Re:Serious question by barthrh2 · · Score: 5, Insightful

    Steve Jobs knew this from the outset. Accorting to a Fortune article, he went to the labels and said "Look, we have some really smart people who know this drm stuff down cold, and you can't stop it. What makes it worse, is that once you have the key you can unlock every door". He used this as the justification for an uncomplicated scheme.

    Getting hacked would therefore come as no big surprise to Apple/Jobs. But when you add it up:
    Unlimited burns + no expiration + multiple devices + multiple computers = Not worth the trouble.

    The iTunes model is so open, there is little reason to hack it. Of those who would want to, you then have a subset of those with the skills to do so, and you end up with an insignificant number.

    The new MS model, with an expiration date, screams for a hack. But then again, there are a lot of time limited software demos, and I don't suppose that anyone tries to hack those...

  15. Re:I've already hacked it. by pyros · · Score: 4, Insightful
    recording a song non-digitally (analoge) isn't really good for the song's quality.

    Right. Because taking discrete samples of an analog wave and interpolating that data to approximate the missing data is always as good as the raw analog data. I'm not saying analog is flat-out superior, but I think it's a mistake to make the blanket statement that digital is better too.

  16. Re:I've already hacked it. by jeffmeden · · Score: 4, Insightful

    This is exactly what everyone predicted what would happen when VHS was unveiled and coupled with cheap recording devices and rental stores. The ultimate problem is that copying a song analog with no automation at all is a *pain in the ass*. The thing that scares the record companies about CDs and P2P is that Getting songs from the media is extremely fast, popping in a cd and clicking 'go' in your favorite ripper results in a perfectly packaged CD in a few minutes, no errors, no degrading of quality. After that, hundreds of songs or even hundreds of albums can be copied to friends/strangers at once, with the click of a button. Even if there are ways around this, as long as they are cumbersome it will be worth it for the majority to not evade it.

  17. Re:Serious question by fshalor · · Score: 4, Insightful

    I read this headline and immedidly knew the'd be about 50 posts in the first 100 prophecizing (sp) this being hacked in like 2 weeks flat. Sure enough... /. met my expectations.

    But Jobs has a grasp of the whole DRM thing that Gates doesn't seem to be close to realizing.

    If we had some DRM which REALLY freaking worked. I mean, actually was something that actually protected the rights of the digital media AND more importantly didn't annoy the end user/listener, then it wouldn't be hacked.

    Jobs went as far as they felt they could go given existing practices and ended up with a good system, that doesn't annoy users, and that does make it non-trivial to pirate. Yes, you can do it, but it takes a few steps, and a little bit of knowledge. People are intrensically lazy, so aren't just going to do it the majority of the time.

    (Also, do you have any Idea how many people out there *can't* figure out how to write a cd?)

    Any whokoewho.. Just like parent piped, iTunes got it exactly right. It's a level of protection, and it makes you feel good about following it. BIG difference to the M$ approach.

    M$: "Where do you want to go today...as long it's where we tell you."

    The're trying to play some demigod rear guard by dictating how people live their lives on the computer. I see this Januas getting stompped faster then DeCSS.

    --
    -=fshalor ::this post not spellchecked. move along::
  18. The hackers' end goal is probably not theft by dcavanaugh · · Score: 4, Insightful

    You raise an interesting point. DRM is always going to be hackable, so let's look at the incentives.

    "Unlimited burns + no expiration + multiple devices + multiple computers = Not worth the trouble"

    As you say, not much incentive to hack if you can do what you want with the downloads. Notice that this supports the theory that hacking DRM has nothing to do with "stealing" music; the real motivation is to defeat the crippling restrictions on usage.

    Microsoft + expiration date + music drm = another hacker victory

  19. Re:Serious question by Some+Bitch · · Score: 4, Insightful
    Of those who would want to, you then have a subset of those with the skills to do so, and you end up with an insignificant number.

    All it takes is one.