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Welcome To Planet Pixar

gambit3 writes "Wired Magazine has an in-depth article on the growth of Pixar examining how it compares to, and how it became the new Disney: 'Pixar hasn't just turned into the new Disney. It has out-Disneyed Disney, becoming the apprentice that schooled the sorcerer.' Its films have grossed $2.5 billion, making it the most successful film studio, picture for picture, of all time."

6 of 247 comments (clear)

  1. New Disney? by Mz6 · · Score: 4, Interesting

    I think Pixar will be the new Disney. Not that it will be an outright replacement for them, because you will always have Mickey, DOnald, etc... But with the advent of all of this newer technology to create more in-depth animation films, I don't think Disney can catch up to them. The article also states that Disney is now done creating 2D films and everything else from them will now be 3D. But I think Pixar is just too far ahead for Disney to catch up. Thoughts?

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    Hmmm.
  2. This really isn't surprising by thedogcow · · Score: 4, Interesting

    This is not intended to be a flame... but this is not really surprising. Pixar makes better moves than Disney/non-Pixar related movies. It's all about quality.

    Take a look at Finding Nemo. First off, an interesting tidbit: My atmospheric dynamics professor knows another fluid dynamics professor that was working on fluid dynamics in the college setting but has since switched to films to employ Navier-Stokes equations in movies...
    Look at Nemo, those shallow waves (found near-shore) are actual mathematical simulations based on nondispersive wave equations. Pixar employs scientific concepts to its movies. I have not heard of Disney/non-Pixar movies doing this. This minor tidbit adds to the quality of Pixar films versus Disney/non-Pixar films.

    Pixar uses the best voice actors (and comedians), mathematical/real-time physics, and, most importantly... a well developed plot that is interesting. This is why I think it has been so successful versus others.
    Go Pixar!

    --
    Yes! I listen to NYC Speedcore and do math at 3AM. I suggest you try it too.
  3. Re:*Disney* came out ahead when they dumped Pixar by Galvatron · · Score: 4, Interesting
    What you're saying is, Pixar gave Disney two options: give Pixar the rights to its old movies, or Pixar will not renew its contract. Disney chose the better of the two options.

    That's not quite the same as saying that Disney comes out ahead. By letting Pixar go, Disney doesn't GAIN anything they weren't already entitled to under the old contract. But, as you point out, they're not losing anything either. No one's denying that the old contract was absurdly lucrative for Disney. In retrospect, Pixar gave up too much. But of course no one knew that at the time, who could have predicted that CG films could draw in that kind of money?

    Anyway, my only point is that you're saying that Disney is somehow "winning" by severing ties with Pixar. They're not. They're simply keeping their winnings from the negotiations several years ago.

    --
    "The question of whether a computer can think is no more interesting than that of whether a submarine can swim" -EWD
  4. Re:*Disney* came out ahead when they dumped Pixar by badasscat · · Score: 5, Interesting

    By letting Pixar go, Disney doesn't GAIN anything they weren't already entitled to under the old contract. But, as you point out, they're not losing anything either.

    Well, not technically. But they "lost" all of the future revenue they would have had from future Pixar films. They lost the *potential* for revenue from future films, which is what companies are based on after all - revenue potential, not current revenue. A company with no future is not a company for very long, pretty much by definition.

    So Disney did give up a lot, quite a lot. I really doubt Pixar will keep up this run of massive hits forever, but assuming they even put up half the gross over the next five movies, that's still $1.25 billion in gross Disney just threw away.

    Was Disney put in an impossible position by Pixar's demands? I don't think so. Pixar had become Disney's animation business and they knew it. Disney's in-house animation has stunk up the business for years and it's only getting worse - that's of Disney's own doing. It was Disney's mis-management that put Pixar in the position they were in, where they could make such demands, and in my opinion Disney was in no position to refuse them, even as unreasonable as they sounded.

    If you run an ice cream stand, it's not you or your stand that people are coming for, it's the ice cream you're selling. And you need to get that ice cream from somewhere, whether it's by making it yourself or by buying it from someone else. Without ice cream people want to buy, you may as well not have an ice cream stand, right?

    The question is, does Disney want to be in the animation business or not? Letting Pixar go suggests to me that they don't - otherwise, there's really no price that would have been too high to pay. This was their source of ice cream. Without Pixar, there is no animation business at Disney anymore, and they need to rely even more on their theme parks (which are nothing without their animation business) and ABC. Eventually, the theme parks cannot really survive without the animation, as it's all based on Disney's "branding".

    I don't usually like to sound too dramatic about these things, as most companies can survive events like this, but I really think Disney threw away their core business here, first by letting their own animation division fall apart, then by throwing away their only remaining source of reliable animation revenue. They no longer have anything they can really market as Disney animation with a straight face. (Personally, I think their Studio Ghibli contract has left them with some films better than either their own *or* anything Pixar has ever done, but they'll never use them to their potential - they're too hung-up on 3D right now). Without that animation, their theme parks decline, and then the whole company crumbles. Disney cannot survive just as ABC.

    This was not a win for Disney. The deal Pixar wanted was not a very good one for Disney, but it was the lesser of two evils.

  5. Re:It has become the best studio because... by Ubergrendle · · Score: 4, Interesting

    Eisner saved the company. After some disasterous films (e.g. "The Great Mouse Detective", "The Fox and the Hound") the animation studio was bleeding reems of red ink from the 70s onwards... also Disney's ill-fated expansion into Epcot Centre didn't generate the crowds desired. By the mid-80s Disney was very likely going to go bankrupt.

    Eisner is responsible for Touchstone Pictures (e.g. movies for adults), and for their revived enthusiasm for animation ("The Little Mermaid", "Beauty and the Beast", "Aladin", and "The Lion King" -- all solid flicks).

    I suspect Disney in this case has repeated the classic IBM blunder with Microsoft -- they outsourced their 3d animation to Pixar in the early days, thus allowing Pixar to fund its own development. Now Pixar has gone off on their own, and Disney is left with a gutted animation department. Also, Eisner has been in power far too long -- he's probably tapped out for ideas, and greed is skewing his view of the world.

    --
    John Maynard Keynes: "When the facts change, I change my mind. What do you do?"
  6. Re:It has become the best studio because... by ericspinder · · Score: 5, Interesting
    Eisner turned Disney around in the eighties...
    This is the same guy who...
    ...authored an internal memo at Paramount in 1982 that read: "We have no obligation to make history. We have no obligation to make art. We have no obligation to make a statement. To make money is our only objective." -- (eonline)
    The trouble with that kind of attitude is that eventually you will bleed a creative company dry of any morals, and once the morals are gone profits tend to dry up shortly afterwards as sensitive creative people need a "good home". A big part of Disney's growth in the 90's was fueled by purchases funded by stock market growth, which is far more artifical than the "organic" growth for which Disney was perviously known.
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    The grass is only greener, if you don't take care of your own lawn.