Don't Smudge The Sensor When You Press 'Play'

mattyrobinson69 writes "According to The Register, 'The RIAA wants your fingerprints.' They've teamed up with VeriTouch, who say 'In practical terms, VeriTouch's breakthrough in anti-piracy technology means that no delivered content to a customer may be copied, shared or otherwise distributed because each file is uniquely locked by the customer's live fingerprint scan.'" No details, but the article talks about a locked-down "wireless media player" to prevent such passing around.

Comments

Time to stock up on Gummi Bears!

[grnchile]

http://www.theregister.co.uk/2002/05/16/gummi_bear s_defeat_fingerprint_sensors/

Here's a link that actually works

[xSquaredAdmin]

Linkie

Guess they never heard of Tsutomu Matsumoto...

[hethatishere]

The RIAA is very excited about their newly discovered way to stifle fair-use and beat down consumer rights.

They seemed to have forgotten that two years ago Finger Print scanners were tricked by then a little known Japanese cyptogropher named Tsutomu Matsumoto. This pretty much stalled adoption of finger-print scanners indefinetely since supporters were unable to prove they could outsmart his meddling.

http://news.bbc.co.uk/1/hi/sci/tech/1991517.stm [BBC.UK]

I'm sure those who want to will find an even easier way of defeating it on a hardware/software level rather than resorting to copying finger-prints. But still you think the RIAA themselves would follow security news.

Re:Not the point

[FryGuy1013]

"We do not accept bills larger than $20"

I'm sure that $100 bills have the same markings, but refusing to accept them is perfectly acceptable. What "this note is LEGAL TENDER for all debts public and private" (emphasis mine) means is that the money is "real" since it's not backed by any gold bullion but rather is fiat money and is money because the gubment says so.

Warm Hot dog

[cgenman]

I worked at a place that required finger prints as a confirmation that employees weren't checking in / out for eachother. After a few years the system got so bad that you could check in with the wrong finger, with someone else's finger, with toes, with an elbow... I've even signed in using a warm hot dog.

In short, the real-world performance of these systems is still greatly up in the air, and is by no means a solution to security problems. The idea of etching a fingerprint photograph onto a PCB and into a gummy bear is ingenious, but somehow I doubt that after a few years of being kicked around any of these systems will be sensitive enough to tell if you took a picture of a fingerprint or of the president's head.

Very Insightful

[Pan T. Hose]

It's been said before... and I'll say it again: If I can hear it, I can copy it.

This is very insightful. Very insightful indeed. Do I have to remind the 1769 history of 13 years old Wolfgang Amadeus Mozart (1756-1791) and the Miserere by Gregorio Allegri in Sistine Chapel? I don't think so. I believe everyone here remembers how this one of the unquestionably most significant and influential composers in history, Wolfgang Amadeus Mozart, was the first person who has literally circumvented the copy-protection of Sistine Chapel with nothing more but bare ears and his pure genius. Please let me quote Wikipedia:

Among the musical compositions of Allegri were two volumes of concerti, published in 1618 and 1619; two volumes of motets, published in 1620 and 1621; besides a number of works still in manuscript. He was one of the earliest composers for stringed instruments, and Athanasius Kircher has given one specimen of this class of his works in the Musurgia. But the most celebrated composition of Allegri is the Miserere, still annually performed in the Sistine Chapel at Rome. It is written for two choirs, the one of five and the other of four voices, and has obtained a celebrity which, if not entirely factitious, is certainly not due to its intrinsic merits alone.

The mystery in which the composition was long shrouded, no single copy being allowed to reach the public, the place and circumstances of the performance, and the added embellishments of the singers, account to a great degree for much of the impressive effect of which all who have heard the music speak. This view is confirmed by the fact that, when the music was performed at Venice by permission of the pope, it produced so little effect that the emperor Leopold I, Holy Roman Emperor., at whose request the manuscript had been sent, thought that something else had been substituted. In spite of the precautions of the popes, the Miserere has long been public property.

In 1769 Mozart heard it and wrote it down, and in 1771 a copy was procured and published in England by Dr Burney. The entire music performed at Rome in Holy Week, Allegri's Miserere included, has been issued at Leipzig by Breitkopf and Härtel. Interesting accounts of the impression produced by the performance at Rome may be found in the first volume of Felix Mendelssohn's letters and in Miss Taylor's Letters from Italy.

It is worth repeating: If I can hear it, I can copy it. Amen. Wolfgang Amadeus Mozart himself has proved it in the age of 13. Could we really need any better proof? Could there even be any better proof? Please keep in mind that there is more complexity and beauty in every minute of Allegri's Miserere than in the whole content produced by RIAA in any year. Let us not forget this very important fact.