Computational Origami and David Huffman
geeber writes "Here is an article about David Huffman's work in the mathematics of computational origami at the New York Times (soul sucking registration required). According to the article, computational origami, "also known as technical folding, or origami sekkei, draws on fields that include computational geometry, number theory, coding theory and linear algebra." David Huffman is also the inventor of Huffman coding used in MP3s and was mentioned prieviously here."
If your into folding and you like SETI@Home checkout Stamfords Folding@Home, it's not oragami but instead something alot more useful: understanding protien folding. Check it out here: http://www.stanford.edu/group/pandegroup/folding/
So.. who knows how to actually do all of that?
Hmmm.
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Better yet, does anybody know how he folded those things? They're amazing! It reminds me of the works of Buckminster Fuller, Kenneth Snelson, and Chuck Hoberman in that they have an underlying mathematical model that also exhibits "elegance and simplicity". I love this kind of art.
Scientific American had an excelent article on the art Jackson Pollock: Order in Pollock's Chaos
Nothing in the world is more dangerous than sincere ignorance and conscientious stupidity.
I've always liked the idea of using origami for spacecraft. I can also envision universal constructor machines that convert asteroid materials into flat sheet and robotic systems that then fold long pieces of flat sheet stock into any shape that's needed (such as full size versions of these Star Wars spacecraft).
Two wrongs don't make a right, but three lefts do.
Yeah. Since computers and math could never produce anything beautiful
What I find impressive is that people like Huffman are possibly defining new application fields for mathematics, maybe leading to new theories, all from (originally) a hobby.
This reminds me of former mathematicians such as Euler and his Konigsberg bridges...
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I think Huffman himself gave the best comment to this:
"I don't claim to be an artist. I'm not even sure how to define art," he said. "But I find it natural that the elegant mathematical theorems associated with paper surfaces should lead to visual elegance as well."
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