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EFF's Letter to the Senate on INDUCE

z0ink writes "Picked up off of EFFector today a letter to all US Senators on the topic of IICA (Inducing Infringement of Copyrights Act of 2004 -- formerly the INDUCE Act). 'In February, EFF proposed an industry-led collective licensing solution that would ensure compensation for copyright owners while minimizing the need for governmental intrusion into the digital music marketplace,' writes EFF Executive Director Shari Steele in the letter. 'It's time for a solution to the P2P conflict that pays artists, not lawyers.' IICA has been covered here on Slashdot with more information available here."

4 of 189 comments (clear)

  1. Re:No comment by Rosco+P.+Coltrane · · Score: 4, Informative

    EFF is a nonprofit group of passionate people -- lawyers

    I hear some lawyers are more than just profiteering bastards and actually want to change things...

    --
    "A door is what a dog is perpetually on the wrong side of" - Ogden Nash
  2. It's too vague... by mratitude · · Score: 4, Informative
    `(g)(1) In this subsection, the term `intentionally induces' means intentionally aids, abets, induces, or procures, and intent may be shown by acts from which a reasonable person would find intent to induce infringement based upon all relevant information about such acts then reasonably available to the actor, including whether the activity relies on infringement for its commercial viability. `(2) Whoever intentionally induces any violation identified in subsection (a) shall be liable as an infringer. `(3) Nothing in this subsection shall enlarge or diminish the doctrines of vicarious and contributory liability for copyright infringement or require any court to unjustly withhold or impose any secondary liability for copyright infringement.'.
    The first paragraph isn't unreasonable and even includes the "reasonable person" test. Anything can happen in a process involving lawyers, judges and law enforcement but the "reasonable person" test has a long history of staving off overzealous lawyers and enforcement knee-jerks.

    The problem is with the third paragraph. Making a copy of your legally purchased mechandise is still against the law. According to paragraph 3, even if you make a copy of an audio disc for your purposes; Should that copy ever be found in a condition by which it isn't under your immediate control (not on your person, on an internet connected PC, in your car) you are liable under the provisions of this law.
    --


    Mod me troll, if you must, I can't help it.
  3. Re:Copyright owners != artists by goldspider · · Score: 3, Informative
    That's called treating the symptom, not the problem.

    The problem is that entertainers (I refuse to call most of them "artists") are still signing contracts with the RIAA.

    Any solution to the "P2P conflict" will have to center around getting entertainers to stop signing with the RIAA. Once that happens, the RIAA has absolutely no power over the entertainer and the means they choose to distribute their music.

    --
    "Ask not what your country can do for you." --John F. Kennedy
  4. Absolutely wrong by CrystalFalcon · · Score: 3, Informative

    Copyrights are always owned by the artists. By law. By definition.

    The are the creator of the work, and therefore automatically assigned the copyright, which cannot be given away.

    (The RIAA once tried to change this by changing the law to allow "work for hire"-type music contracts, which would make the studios the copyright holders. Thankfully, it didn't pass.)

    What you are thinking of is the DISTRIBUTION RIGHTS to specific copyrights. Such distribution rights are typically owned by publishers, by form of a contract with the copyright holder, the artist.

    And it is exactly these distribution rights that, with the advent of the Internet and P2P, suddenly don't add nearly as much value to the music as they used to do, yet the products (albums) are still being charged for as much as they were in the old days.

    Something's gotta give.