EFF's Letter to the Senate on INDUCE
z0ink writes "Picked up off of EFFector today a letter to all US Senators on the topic of IICA (Inducing Infringement of Copyrights Act of 2004 -- formerly the INDUCE Act). 'In February, EFF proposed an industry-led collective licensing
solution that would ensure compensation for copyright owners
while minimizing the need for governmental intrusion into the
digital music marketplace,' writes EFF Executive Director Shari
Steele in the letter. 'It's time for a solution to the P2P
conflict that pays artists, not lawyers.' IICA has been covered here on Slashdot with more information available here."
EFF is a nonprofit group of passionate people -- lawyers
I hear some lawyers are more than just profiteering bastards and actually want to change things...
"A door is what a dog is perpetually on the wrong side of" - Ogden Nash
The problem is with the third paragraph. Making a copy of your legally purchased mechandise is still against the law. According to paragraph 3, even if you make a copy of an audio disc for your purposes; Should that copy ever be found in a condition by which it isn't under your immediate control (not on your person, on an internet connected PC, in your car) you are liable under the provisions of this law.
Mod me troll, if you must, I can't help it.
The problem is that entertainers (I refuse to call most of them "artists") are still signing contracts with the RIAA.
Any solution to the "P2P conflict" will have to center around getting entertainers to stop signing with the RIAA. Once that happens, the RIAA has absolutely no power over the entertainer and the means they choose to distribute their music.
"Ask not what your country can do for you." --John F. Kennedy
Copyrights are always owned by the artists. By law. By definition.
The are the creator of the work, and therefore automatically assigned the copyright, which cannot be given away.
(The RIAA once tried to change this by changing the law to allow "work for hire"-type music contracts, which would make the studios the copyright holders. Thankfully, it didn't pass.)
What you are thinking of is the DISTRIBUTION RIGHTS to specific copyrights. Such distribution rights are typically owned by publishers, by form of a contract with the copyright holder, the artist.
And it is exactly these distribution rights that, with the advent of the Internet and P2P, suddenly don't add nearly as much value to the music as they used to do, yet the products (albums) are still being charged for as much as they were in the old days.
Something's gotta give.