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The File Sharing Database

Nuclear Elephant writes "The File Sharing Database is an online record of things users wouldn't have bought if they hadn't downloaded it (or part of it) first, and therefore tracks sales as a direct result of file sharing. The RIAA and MPAA claim that file sharing hurts sales, but some recent figures show that file sharing works FOR the industry. This database sets out to prove it once and for all. So if you've ever bought something you downloaded, roll on over and add it to the database."

26 of 296 comments (clear)

  1. Where's the other way round? by Anonymous Coward · · Score: 5, Insightful

    Where's the database which shows what customers would have bought if they hadn't downloaded it?

    1. Re:Where's the other way round? by Veridium · · Score: 5, Insightful

      Personally, anything I download and continue to listen to I buy. If I had to buy things sound unheard like back in my teen age years, I'd be buying alot less than I do now. In fact, I had dropped down to about 4 CDs a year when I first started downloading MP3s. I had just been so burned so many times by paying 17 bucks for a CD with 1 okay song and 9 crappy ones that I simply stopped buying CDs altogether, unless I got to hear the whole thing from a friend first.

      MP3s changed that. I probably buy about 30 CDs a year now. The last CD I bought sound unheard, was Van Halen III. Any Van Halen fans here will probably understand why that was the final straw. MP3s allow me to avoid wasting my money on crap and only buy the stuff worth owning. And believe me, if I don't buy music after downloading it, it means I think the music sucks and is not worth paying for.

      --
      Think for yourself, destroy your television.
    2. Re:Where's the other way round? by robochan · · Score: 4, Insightful

      I would guess that there is a very strong correlation between how many times each song is requested to be played on the radio and how many CDs are sold.

      What in the world makes you think that anyone is requesting this stuff on the radio?
      Other than the oddball local call-in show once in a while, 99.999999999999% of all comercial radio/mtv programming is done via marketers and machines based on who looks good enough to put a $XXX million dollar marketing campaign behind.

      --
      ...Rob
      The American Dream isn't an SUV and a house in the suburbs; it's Don't Tread On Me.
    3. Re:Where's the other way round? by billcopc · · Score: 4, Insightful

      You need to find a better record store. Oh you mean a CD store, that's different!

      I find it humorous when they offer between 5 and 12 albums for preview on those little headphone jukebokes. Humorous because they will consistently pick out 11 rap or gaymetal albums, and one stunning non-pop album. There are litterally tens of thousands of albums in-store, but you only get to hear a dozen of the latest, most overhyped teen pukes.

      Cross the street to the _record_ store, and shrinkwrap is nowhere to be seen. There are several SL1200 decks with decent headphones, and you can grab any record and have an earfull, for as long as you like.

      Of course, you'll pay on average 20$ for a vinyl album, 5-10$ for a single, but by the time you've got your wallet out, you know you're going to love this music so it is worth every penny.

      --
      -Billco, Fnarg.com
    4. Re:Where's the other way round? by Arathrael · · Score: 2, Insightful

      Which is great, and very true. I totally agree with you. Unfortunately, the option only exists for people who live within convenient distance of a decent record store, and often then it's limited by whether they can visit outside of peak times and have a chance of getting a free deck.

      Everyone else still has a problem. What's the answer? Downloading!

      That's as much a comment on the lack of decent record stores, by the way, as it is a pro-filesharing argument. Which in itself is a comment on the nature of the music industry that leads to the prevalence of the shrinkwrapped cd store over the record store in the first place.

    5. Re:Where's the other way round? by Crazy_MYKL · · Score: 5, Insightful

      No, it's like claiming you need a new book because reading it gradually deteriorated the ink...

      --


      <jedi> There is something funny here. You laugh. </jedi>
    6. Re:Where's the other way round? by firephreek · · Score: 2, Insightful

      no, it's not. One of the reasonings for the high price of music is because you are purchasing a license for that artist to perform for you in your home. The BMC RIAA whatever consider any playing of an artist to be a performance of that artist. So if you bought a tape a long time back, you shouldn't need to repurchase the license, period. You should only need to pay for materials, and cd's are dirt cheap. If the music vendor is unable to supply the purchaser with a new format, then they (the purchaser) should be able to get their music from somewhere else and not have to pay the licensing all over again.

    7. Re:Where's the other way round? by Veridium · · Score: 2, Insightful

      Here's a question: if you only had enough money to buy, say, 15 CDs instead of the 30 you think are worth paying for, what would you do?

      That's a very valid question and a good one. I hadn't really thought of it as I haven't found myself in that kind of financial situation in many many many moons. What would I do? Honestly, I probably would keep those MP3s and buy the 15 CDs that contained the music I liked best. Which as you've pointed out, there is no deprivation to the artist...

      So all the database here is going to do, by itself, is show that some downloads lead to sales.
      You're right about needing proportions, but on the other side of the equation, you have the industry claiming downloading is pure piracy, only hurts sales, etc...

      I definetly agree with what you're saying about needing more info. But I don't think the numbers would be *totally* meaningless. They will help on the small front of demonstrating that the downloads aren't ALL about piracy. Granted, it is a small aspect of the debate, doesn't empirically prove that downloads helps sales, but it does counter some of the more bizarre fud claims about downloads. So in that, I do think it is useful.

      I will say this to those people out there who listen to music they download regularly and refuse to buy it: You're fucking it up for everyone. Those artists make music to make a living. Alot of work goes into it. When was the last time you worked for nothing? Why do you expect artists to work for nothing?

      Seriously, people need to recognize when they're stealing. Artists deserve compensation if you're constantly listening to their work that has cost alot of money to produce, as well as their time and energy.

      --
      Think for yourself, destroy your television.
  2. how? by LBArrettAnderson · · Score: 5, Insightful

    how would this database prove it once and for all? it doesn't account for all the things that people have downloaded and NOT purchased even if they liked it.

    I'm not claiming either way, but this database isn't going to prove anything; it's just going to show a large amount of people who have bought stuff.. but guess what. there's also a large amount of people who don't buy stuff.

    1. Re:how? by TheGavster · · Score: 2, Insightful

      The idea is that if the sum of the 'sales' recorded here are approximately equal to the quoted losses, then the various copyright holders should be looking elsewhere. The thing is, those losses are really evidence of an economic recession (some people have even done the math and found that companies against filesharing were hit proportionaly LESS by the recession than other industries)

      --
      "Because Science" is one step from "Because old book". Try "Because of my experiment testing my falsifiable assertion".
    2. Re:how? by NoMoreNicksLeft · · Score: 5, Insightful

      A more important question: Why do people think that the RIAA is against filesharing because of diminished sales? Sure, they might say that, but do you think that the RIAA has no strategists? That's just a convenient excuse.

      The reason they are against this, is because they realize that they'd gladly lose a few sales today, to own it all tomorrow. What good is a few filesharing-induced music sales compared to making you all music slaves for eternity, 20 years from now? That's why filesharing is bad, because it lets you start thinking you should have any control over music.

      Duh.

  3. two sides to every story by Anonymous Coward · · Score: 2, Insightful

    Of course it doesn't keep track of all the things that people would have bought if they couldn't have downloaded them easily.

    Don't get me wrong, I think it's a great idea. I'm just not sure if it's going to work.

    1. Re:two sides to every story by MikeCapone · · Score: 2, Insightful

      Yeah, and it doesn't keep track of all the crappy albums and movies that people avoided buying because they sampled first.

      Anyway, I strongly suggest that people read Lawrence Lessig's Free Culture book (available for from online).

  4. Interesting, but pointless. by sultanoslack · · Score: 5, Insightful
    • The RIAA and MPAA won't care at all about this -- they'll just claim it's lies.
    • There's no reference point and no tracking of purchases not made; you can't make a comparison without a baseline.
    • Demographically this is going to be very slanted; most consumers wouldn't fill out something like this.
    When I read the description I thought, "hey, cool" as I really do buy quite a few of the things that I see or hear first via file sharing, but looking at how it's done this really won't accomplish anything or get anyone important's attention.
  5. No way i would post to this by FuzzyBad-Mofo · · Score: 5, Insightful

    Admitting to copyright violations to some random website doesn't sound like a good idea. How do we know this isn't a honeypot for the ??AA to collect IP addresses?

    Nice idea, but I would recommend not posting to it unless immunity were to be granted somehow.

  6. Iv got a better DB by RTPMatt · · Score: 4, Insightful

    How about we keep track of all the stuff that we would have never paid for had we been able to see just how crappy it was before ever shelling out the cash?

  7. P2P is here to stay by Anonymous Coward · · Score: 1, Insightful

    Download, watch, buy. It's just like, record from TV using your VCR, watch, buy. Same thing. The RIAA will never understand we just don't want to pay-to-watch, and then buy (so pay twice for the same thing). We are in control now because they don't want to adapt. That's why dinosaurs dissapeared. P2P is here to stay. They'd better get used to it or face extinction of their way of life (or doing business).

  8. Re:Interesting by Hatta · · Score: 2, Insightful

    I'm not sure about this. If they also kept a running total of, say, the people who downloaded something, used it, and DIDN'T buy it, then this would be more useful. There would then be a net gain or loss because of file sharing.

    Only if you assume the individual would have bought said product if he couldn't have downloaded it.

    Personally I download a lot more music than I could possibly afford to buy. I still spend the same proportion (maybe more) of my disposable income on music though. No one is losing anything in this case.

    --
    Give me Classic Slashdot or give me death!
  9. Awesome idea ... by jdkane · · Score: 2, Insightful

    Yes, I downloaded X and Y and Z and then bought one of them .... Wait one moment ... there's men in suits knocking at my door.

  10. Re:100,000,000 by foidulus · · Score: 5, Insightful

    Yeah, but guess what, iTunes proves that most artists no longer need the RIAA. Yeah, the RIAA still owns their old music, but now there is very little overhead to make a new release. You record it, and send it over to iTunes(yeah, it's a bit more complicated, but you get the point). Moby has already released some independent stuff on iTunes.

  11. What about downloading stuff you already bought by foidulus · · Score: 4, Insightful

    CDs and DVDs break, games go missing etc. You shouldn't have to pay for it twice just because the cheapy medium broke.

    1. Re:What about downloading stuff you already bought by Datasage · · Score: 2, Insightful

      When you purchase a cd or movie you purchase a license to view or listen to it. The medium is just how its delivered.

      So if the medium gets destroyed or damnaged, you still have a license to the IP. So with that you could justify downloading or otherwise obtaining a new copy.

      --
      In America we are imprisoned by our fear of them.
  12. It's control, not sales by Sivar · · Score: 3, Insightful

    I think it is fairly apparent that the RIAA (and perhaps MPAA) aren't really concerned over P2P networks' effect on sales. It is a control issue. If they do not have control power over the distribution channel, they have less power.

    P2P networks are decentralized and completely out of their sphere of influence. I am sure that the people running the RIAA are not morons--CD sales are up and there is greater and greater evidence that P2P networks slightly improve sales. However, this evidence is used to argue with a point that I think the RIAA is using to push anti-P2P legislation through, but not a point that the RIAA actually believes.

    If it were purely a sales problem, the RIAA would be going after commercial CD pirates -- These are the real bad guys. They are commercially profiting from the work of others (not just sharing it), and have reportedly built an economy in and of themselves of 4.5 BILLION dollars .

    Of course, this doesn't mean 4.5 billion in losses--that is a BSA/piracy argument which is quite absurd--but I am sure that they do lose some money.

    --
    Computer Science is no more about computers than astronomy is about telescopes. --E. W. Dijkstra
  13. Would have been better worded as... by ironwill96 · · Score: 3, Insightful

    I was just thinking about the wording in the post saying "if you've ever bought something you downloaded". As others have pointed out there are problems with not showing both sides, but I submit that many of the items recorded under that premise are wrong as well. It should have been worded "If you've ever bought something because you downloaded it."

    Otherwise, you will be accounting for things people downloaded but were planning on buying anyway! I don't think a registry of items can accurately pick up consumer intent, which is what they seem to be trying to gauge.

    I have many friends who like to argue that downloading is not stealing because their definition of steal is "to deprive someone of something". They say that if they steal a candy bar from the store they have deprived the store owner of it, but when they download something the original still exists on the game company's computers. It is sentiment like that that IS hurting the gaming industry.

    It may not be easily measurable, but there is a significant amount of people downloading games/movies/apps and not buying them later. Saying in the crack .nfo file "Buy it if you like it!" just isn't going to cut it.

    /my 2 cents

    --
    "To strive, to seek, to find, and not to yield." - Tennyson
  14. Or... by Julian+Morrison · · Score: 2, Insightful

    ...stuff they might have bought, but after downloading a sample, decided not to -- because it sucked ass.

  15. What about stuff you wouldn't buy . . . period. by bedouin · · Score: 4, Insightful

    I'm sure there's tons of people who would switch to OpenOffice, Gimp, or Linux if there was no way to pirate a copy of Office, Photoshop, or Windows.

    The average person who pirates Photoshop uses it to crop pictures and some minor editing. They wouldn't pay for it if it couldn't be pirated, they'd just use something else.

    How many mp3s have you downloaded just for background noise, but wouldn't waste even a dollar on? Probably lots.

    Liking something is a lot different than liking something so much to spend hard earned money on it -- at least to me.