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Blog Torrent: Downhill Battle Interview

scubacuda writes "In this GrepLaw interview, Downhill Battle's Nicholas Reville describes the success (and takedown) of SP2Torrent.com, alternative ways to buy music, what indie musicians think about filesharing, and real ways to counter threats to creativity and an open culture. Those excited about the possibilities of Bittorrent will especially appreciate Downhill Battle's Blog Torrent, an easy-to-install program that will dramatically simplify the creation, posting, and seeding of new torrents."

20 of 224 comments (clear)

  1. FCC regulating the Internet soon??? by DigiShaman · · Score: 3, Insightful

    So just how long will it be before BIG GOVERNMENT forces the Internet to be FCC regulated (for US citizens)? With deep pockets of the RIAA and greedy polititions, it's only a matter of time. Follow the money trail boys and girls.

    --
    Life is not for the lazy.
  2. Forget p2p and torrents by Anonymous Coward · · Score: 4, Insightful

    Bob has 2Gig of mp3s. Jane has 5Gig of mp3s. If they share via 1Gb/s (local) ethernet, they will quickly both have 8Gigs each.

    In a few years that Gigabytes will become Terabytes. When one person can have a copy of nearly all music in existence, they will never spend a dime on it. It's too late. Content producers are fucked. Only niche markets will survive.

    1. Re:Forget p2p and torrents by xsupergr0verx · · Score: 2, Insightful

      Your model is flawed (besides the obvious math error). It doesn't take into account overlap between libraries.
      Example: I have 30gb of music. One of my good friends has 40gb music. When we link up, does that give us 70gb music each? Of course not. About 50% of the albums we have are the same, and it ends up we only pull about 3gb maximum from each other, simply because it's all that interests you that you don't already have.

      Lost revenue isn't an album you download. It's an album you download instead of purchasing. Thanks to the internet, we can listen to music we would never think about purchasing. I wouldn't be heartbroken if I lost half my mp3s in a drive failure. The only music I like enough to buy, I already have bought, and will just rip again.

      --

      Click here for a free picture of an iPod!
  3. Let's not get defensive by Catamaran · · Score: 3, Insightful

    Downhill battle wants to prove that P2P has "legitimate" uses, but they should not fall into the trap of trying to defend the all of these new technologies. Quite the contrary, the RIAA and the MPAA should be constantly on the defensive. They should prove to us that they can move with the times and are not just obsolete obstructionists.

    --
    Test 1 2 3 4
  4. Re:People by Catamaran · · Score: 4, Insightful
    it is just fucking music!

    No it's not. It's music, movies, books, art, science, ... . It's our entire culture that large corporations want to own and commodify.

    Hey, it's only fucking music, why are we getting this worked up over it?

    I don't know, why are you getting all worked up?

    --
    Test 1 2 3 4
  5. Buy music, no thanks by Anonymous Coward · · Score: 3, Insightful

    its called downloading LEGAL music:

    http://bt.etree.org

    Excellent legit application of p2p to distribute legal music.

    I have been filling up dvds left and right once i found out i like a lot of those bands.

    I wont buy music from any RIAA member, except bands that allow legal trading of their music. that is kind of a toss up. do i support the band that "gets it", and support the industry heads that dont.

    well i dont even download RIAA members music anymore. but i am not buying it either, guess i must be a pirate, hurting their sales.

    so they can assume all they want that i am a pirate because i am not buying their trash, my conscience is clean.

  6. People shouldnt buy music by slashcop · · Score: 1, Insightful

    I think music is not a product but an artform. People should pay to go to concerts, people should pay for CDs, but music should never be something which is treated as intellectual property because its an art. Artists don't even make money from copyrights on music so whats the point of defending it?

  7. minor hypocrisy by theMerovingian · · Score: 2, Insightful


    It doesn't help the cause that their google ads are 4 or 5 variations on the theme of:

    Download Unlimited MP3s,
    Music, CDs Movies, Games,
    Software and More!


    Geez...

    --
    "If you think you have things under control, you're not going fast enough." --Mario Andretti
  8. Re:People by Theatetus · · Score: 4, Insightful
    Peoeple survived long before music was available for the masses at all, and something tells me you cna survive without music.

    Actually, primates sang long before we spoke, and "music for the masses" was precisely what music was for most of human history.

    In fact, the idea that music has monetary value is a very recent aberration from the normal way humans have treated music for millenia.

    You know how Mozart got famous in Vienna? He visted the Vatican, heard Allegri's Miserere Mei once (it's about 20 minutes long), and wrote out from memory all of the music to it when he got back so the Vienna choir could sing it. He also changed a few things he didn't like about it.

    That's how music used to be: people sang, people played, people listened. When they heard something they liked, they took it; when they heard something they thought they could improve, they improved it. This whole notion that an artist, or worse yet, a publisher, "owns" music is a novelty and, hopefully, won't last too long.

    Under the modern copyright system, Mozart could not have written half of his symphonies and almost none of his chamber music or operas. Ditto Haydn, and much more so Beethoven. And Bach... well, Bach pretty much wouldn't have a portfolio left except maybe a few keyboard pieces. Composers "pirated" each other rampantly, and the result was some of the greatest art mankind ever saw.

    Hmmm... how many great composers have we had since music publishers started inventing this idea that they "own" music? Can anybody think of one? John Tesh? Andrew Lloyd Webber? That's the tone-deaf crap we're left with when we all buy in to the lie that it's "just music" and that copying other musicians is "theft".

    Why should a musician, much less a publisher, have a "right" to make money selling a license to hear their music? I say, kill all copy restrictions on music. Let those who are in it for the quick buck get forced out when it's not profitable anymore and leave making music to those of us who do it because we love it. People will keep making great music: they did for thousands of years before they started charging money for it. They'll keep doing it.

    --
    All's true that is mistrusted
  9. Downhill Battle lost all credibility with me... by Have+Blue · · Score: 4, Insightful

    ...for this. Look at the caption on the second and the last pictures. If you're going to throw moral/ethical stones at the RIAA, get out of the glass house.

    1. Re:Downhill Battle lost all credibility with me... by Richard_at_work · · Score: 2, Insightful

      So why dont you also add to the sticker "Obtaining all your music legally exempts you from lawsuits"? Personally, I think that stickering someone elses property is akin to vandalism, and Im not impressed by that page at all. What you seem to be doing is shouting 'The system must change' without actually proposing a system THAT WOULD WORK. Theres nothing at all stopping you from creating such an alternative system, and nothing at all stopping you from signing up bands to your system, its not a 'RIAA or Our system' situation, and its called competition. Until someone does that, Im afraid that noone will seriously listen.

    2. Re:Downhill Battle lost all credibility with me... by Have+Blue · · Score: 3, Insightful

      "Renting" retail goods in that manner, all other considerations aside, is a scummy thing to do. It's just another aspect of the something-for-nothing-because-I-can mentality that you should be openly and strongly against, because it's what's leading to the demonization of P2P and getting sites like downhillbattle lumped in with pirates.

  10. Keep music live by leathered · · Score: 3, Insightful

    I appreciate the humour in what you said but I truly believe we should all pay for our music, but instead of getting it on a piece of plastic, it should be delivered the way music was intended, i.e live.

    Live performances are the only way to ensure that the artist gets both the money and recognition they deserve. Sadly the art of the live performance, barring a few notable exceptions, is one that's been foreign for mosts of todays 'artists'.

    All I can say is that if you like a particular band or singer then get out there and go see them play. Only then will you get the get the true feel for what talent they have.

    --
    For all intensive porpoises your a bunch of rediculous loosers
    1. Re:Keep music live by YrWrstNtmr · · Score: 2, Insightful

      I enjoy the London Philharmonic. Traveling to see them play live would be a bit expensive.
      I enjoy REM (or any number of other bands). I have no desire to go to a concert (anymore).
      I enjoy Mike Oldfields' stuff. Quite a lot of it does not transfer well into a live performance.
      I'd consider going to a Rolling Stones performance, if the tickets weren't sold out in the first 30 minutes, making it impossible except for the people who camp out in line for 3 days prior.

      Not all types of music and artists lend themselves to live performances. Similarly, not all music lovers desire to go through the hassle of a concert.

  11. Re:People by Anonymous Coward · · Score: 0, Insightful

    That is a nice excuse for you being a moron unable to create. While it is true that everyone builds upon what came before them, they do exactly that, build. You create something new. Just because you can't do something, doesn't mean you should brng the rest of us down with you. I am going to come take all your possesions tonight, because after all, you didn't earn them. Or is it different when you are the thief versus when someone else steals off of you? Something tells me that you would quickly change your tune if someone started taking credit for something you made, or claimed rights to your property. All of a sudden it would become yours, and not "everyones to share" like it is when you are the one stealing.

  12. Re:People by Theatetus · · Score: 4, Insightful
    Guess what, the RIAA cannot stop you, as much as it would like to, from releasing your own music for all to share.

    Eh? Why do you think they want to shut down p2p networks? They're not stupid; they know downloads help their sales.

    They shut them down precisely to keep musicians from releasing our own music for all to share. That is what really scares them: not "piracy" but the fact that people like me are able to get exposure for our music without going through their tollbooth.

    We don't need music middle-men anymore. We don't need A&R execs telling us what's good enough for us to hear anymore. We don't need million-dollar studios to produce studio-quality audio anymore. The music industry is an industry that no longer has a purpose. Let the artists create and try to sell their stuff and get famous. I don't need someone between me and the musician anymore.

    --
    All's true that is mistrusted
  13. Re:People by Moonlapse · · Score: 2, Insightful

    Well, if you happened to have a good number of people DLing your music, and happen to like it, there's a good chance you won't be playing to 5 people anymore and have more people to buy your merch at the shows.

    --
    - I got my free iPod and a free Nintendo DS....why not
  14. Re:People by IgnoramusMaximus · · Score: 2, Insightful
    How about this... you quit your job and hit the road with a band

    Bzzt, wrongo. Who made you quit your job and join the band? Why is it a belief of any retard out there that art is money making proprosition? Ever considred that a band is just a bunch of people who got together for the purpose of making a "killing" on something that is a scam in the first place? Mozart created art. Your idiot band creates derrivative noise at best. And yet it is you and your half-wit pals who dream millions, 50 foot yachts and private islands as soon as you manage to partner with some media monopoly to promote you and get teens to buy your crap. The whole attidude you represent is the best argument for abolishment of copyright.

    If you were to create art, and were an actual artist as opposed to wanna be con-man, you would not care for monetary rewards and use your music as a form of expression and would be content to reach as many people as possible (and would actually like idea of P2P). So much for your argument. Get a real job and stop trying to rip us all off while fucking the entire human race so that you can make an undeserved buck.

  15. Executable wrappers? by gojomo · · Score: 4, Insightful

    BitTorrent is good, DownhillBattle's idea of making BT easier for a larger audience is good, but their proposed technique has problems. The "Blog Torrent" site says....

    "One good way to do this [avoid excluding a large portion of users] is to attach torrent files to an executable client."

    Directing unsophisticated users to download custom EXEs from any random site offering big media they want would be a dangerous step backwards, encouraging a very unsafe practice that's likely to get their machines infected with various kinds of malware, sooner or later.

    I'd suggest instead improving the installers of well-respected BT clients, and encouraging users to get them from well-known sites.

    It loses a little in terms of instant gratification, butbut is instant gratification worth it if it also risks instant victimization?

  16. Re:People by IgnoramusMaximus · · Score: 2, Insightful
    Um, nice try but you didn't actually argue with my point. I said what if someone else takes credit for your work, not if someone else uses it. The GPL forbids others from taking credit for your work. So effectively, you just argued for me, and by embracing the GPL you are embracing copyrights!

    No. I contribute under an alias and the only thing I care for is that someone does not mess things up and claim it was me. If they take credit, well, that just relfects badly on them not me, and I dont really care. I use GPL only because GPL is a defense against copyright loving jerks. That is, someone could take my work and then try to sell it back to me. If copyright were to be abolished, all licences, icluding GPL would be superfluous. Then noone could be trying to sell any piece of software to anyone else and the problem would go away permanently.