Science Fiction Writers Discuss The Future
An Anonymous Reader writes "Locus Magazine asks prominent science fiction writers Bruce Sterling, Kim Stanley Robinson, Cory Doctorow, Pat Murphy, Norman Spinrad, and Ken Wharton to extrapolate the future from current trends in the environment, copyright, terrorism, war, world government, and the upcoming Presidential election. How do large groups make decisions on single issues? Are centralized global systems of governance the way to go? Are stateless diasporas the driving force behind the economic development of India and China? Will there always be war? The answer to these questions and more in a round-table conducted by legendary science fiction writer John Shirley."
The purpose of science fiction as opposed to say historical fiction, dramatic fiction or fantasy fiction is NOT about futurology. Well of course it can be just that and some of its is pretty cool and probably what appeals to the geek crowd.
but as a place in literature SCI fi is a context for decontextualization! It is a platform on which you can strip and re-arrange a society and see what happens when new rules are present. It allows you to make an imaginative metaphor and make it a physical possiblity. Then analyze its workings or if nothing else drive a plot.
To pick a favorite of slashdot, consider the movie blade runner which most people mistakenly believe is an updated "do androids dream of electric sheep". In fact its the merger with a second Philip K Dick book, "the man in the high castle". The plot is from "electric sheep" but the society is from "high castle". To me the two most interesting parts of the movie are never actaully stated in the movie. First this is earth after all the vibrant heathly best and brightest have left. The future is space and what remains on earth are those who cannot leave. The buildings where the ordinary folks live are mostly empty from the population drain and decaying. The markets have become asian bazarres where all is for sale and the passges tight and twisty and everyone is hustling. there is sense of just hanging on and hustling for thenext day but not a lot of prospects for advancement through career. How would this be like to live in? ridely scott decided the closest thing we had here was the Noir era so thats how he shot it. The other question the movie asks--which is pure philip K dick- was what it the nature of reality. As I drone on on this world how do I know I'm even human. The scene where harrison ford alone tinkles on the piano keys and stars at his own photographs has no words but you realize he is questioning his own human ness. could he ba a machine too or is humanness the sum of your memories and your struggle to live on. Whether or not fords character was intended to be actualy human or actually an android is moot to that issue.
the point is that SCI fi allowed the world to be stripped of certain thngs we take for granted that frame 90% of our lives. Going to school to succeed for example probably has occupied most slashdotters. But why bother in that world? Here was a man living in a world where the only people left either had no sense fo purpose--merely existance-- or were impaired in other ways and left behind to make the best their talents. we can ask what drives us, and what makes us humans in such contexts?
that is sci fi.
or it can be simple metaphors come to life like in startrek and the classic episode of the two races of people who are both half black and half white and hate each other for it. Or THX1138 where drug evasion is a crime and the masses must be contented. If you ever read bradubury's epilouge to 451 then you know his themes were the rise of political correctness leading to a society where anyhting confrontational is a crime. books and the effect they have on the mind had to be stopped. SCI fi let him take this to the extreme and create this contenment society. of course the whole plot and action is a consequence of a dissident act. but the context it what makes it interesting.
That is the beauty of sci-fi. its decontextualization of our own society so we can see it for what it it. It is in fact the closets thing to the POP art movement I can think of. Andy Warhols Soup can was art because itrecontextualized an ordinary object and made us think about how it and its design came to be and what it means to us when something so nromally invisble becomes the dominant theme.. Its not really possible to do that in traditionl fiction which build characters who live in real world with our normal rules.
Some drink at the fountain of knowledge. Others just gargle.
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Mods, this is a ripoff of an earlier post by goombah99.
Post is plagiarized from an earlier story.