Detailed Changes In Star Wars DVD Release w/Pics
JSDopefish writes "DVD news site dvdanswers.com has written a pretty cool article on the changes in Star Wars: Episode IV. A list of changes is nothing new, but this version has detailed screenshots and comparisons between the 1977 original, the 1997 reissue, and the 2004 DVD version. He plans one for Empire Strikes Back & Return of the Jedi, but they're not out yet."
These changes seem like they would be time consuming and quite expensive. Does the studio recover these costs in new sales of the updated DVD? Or, does Lucas do this partly for the art?
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Sorry for a long rant... It will probably be modded down in no time, just because it is not a trendy thing to say here, but what the hell: I boycotted Star Wars DVD Release -- for an entire week.
Why? What's to boycott? Isn't "Star Wars" good old fashioned sci-fi? Harmless fun? Some people call it "eye candy" -- a chance to drop back into childhood and punt your adult cares away for two hours, dwelling in a lavish universe where good and evil are vividly drawn, without all the inconvenient counterpoint distinctions that clutter daily life.
Got a problem? Cleave it with a light saber! Wouldn't you love -- just once in your life -- to dive a fast little ship into your worst enemy's stronghold and set off a chain reaction, blowing up the whole megillah from within its rotten core while you streak away to safety at the speed of light? (It's such a nifty notion that it happens in three out of four "Star Wars" flicks.)
One of the problems with so-called light entertainment today is that somehow, amid all the gaudy special effects, people tend to lose track of simple things, like story and meaning. They stop noticing the moral lessons the director is trying to push. Yet these things matter.
By now it's grown clear that George Lucas has an agenda, one that he takes very seriously. After four "Star Wars" films, alarm bells should have gone off, even among those who don't look for morals in movies. When the chief feature distinguishing "good" from "evil" is how pretty the characters are, it's a clue that maybe the whole saga deserves a second look.
Just what bill of goods are we being sold, between the frames?
- Elites have an inherent right to arbitrary rule; common citizens needn't be consulted. They may only choose which elite to follow.
- "Good" elites should act on their subjective whims, without evidence, argument or accountability.
- Any amount of sin can be forgiven if you are important enough.
- True leaders are born. It's genetic. The right to rule is inherited.
- Justified human emotions can turn a good person evil.
That is just the beginning of a long list of "moral" lessons relentlessly pushed by "Star Wars." Lessons that starkly differentiate this saga from others that seem superficially similar, like "Star Trek." (We'll take a much closer look at some stark divergences between these two sci-fi universes below.)
Above all, I never cared for the whole Nietzschian Übermensch thing: the notion -- pervading a great many myths and legends -- that a good yarn has to be about demigods who are bigger, badder and better than normal folk by several orders of magnitude. It's an ancient storytelling tradition based on abiding contempt for the masses -- one that I find odious in the works of A.E. Van Vogt, E.E. Smith, L. Ron Hubbard and wherever you witness slanlike super-beings deciding the fate of billions without ever pausing to consider their wishes.
Wow, you say. If I feel that strongly about this, why just a week-long boycott? Why see the latest "Star Wars" film at all?
Because I am forced to admit that demigod tales resonate deeply in the human heart.
In "The Hero With a Thousand Faces," Joseph Campbell showed how a particular, rhythmic storytelling technique was used in almost every ancient and pre-modern culture, depicting protagonists and antagonists with certain consistent motives and character traits, a pattern that transcended boundaries of language and culture. In these classic tales, the hero begins reluctant, yet signs and portents foretell his pre-ordained greatness. He receives dire warnings and sage wisdom from a mentor, acquires quirky-but-faithful companions, faces a series of steepening crises, explores the pit of his own fears and emerges triumphant to bring some boon/talisman/victory home to his admiring tribe/people/nation.
By offering valuable insights into this revered storytelling tradition, Joseph Campbell did indeed shed light on common spiritual traits that seem shared by all human bein
imagine Picasso rushing into the museeum to add little bits here and there just because ...
Its not unheard of. Some artists are notorious for trying to do this.
In the fight scene between Vader and Luke in the Carbonite Chamber, after Luke turns of his saber and jumps off the platform to follow Vader he lands on a trampoline (since the set platform was ~10 ft high) and when he rebounds his head reappears in the shot. Surprisingly Lucas missed editing out Luke's head as he bounces back into frame.
I find it hard to believe Lucas didn't have a check list of fixes for the re-remastering; both personal, and culled from the endless fan forums that at this point have probably documented every mistake there is.
Oversight? Or perhaps a little piece of nostalgia left in there on purpose?
-- I'm not a pessimist, I'm a realist. It's not my fault that life sucks so much. --
I realized this myself 8 years ago.
Second year at college, first day back, and I was setting up my room in the honors dorm. I got a tiny little single-bed room, but it was all mine. Threw up an Star Wars Episode IV and an Indiana Jones poster on the wall, sat down, hooked up my PC, and was happily downloading crap off the 'Net or wasting time on IRC or something.
Two new freshmen guys come down the hall, chattering back and forth, all excited. They set up shop four doors down on the right, and then one of them sticks their head in my room: "Hey! You're a Star Wars fan too?!"
I grunt or nod or something, a little taken aback by his excitement. At that point I had nearly forgotten the Star Wars poster hanging on my wall. His roomie comes by at that point and sticks his head in too, all smiling and happy.
"Who's your favorite character from the movies?" the first one asks. I think for a second, not quite sure since it had been a little bit since I sat down and watched all of 'em on VHS (maybe the previous Christmas or something), and come up with "Han Solo, I think."
The first one looks kind of disappointed - what a pedestrian choice! - but the other guy chimes in, "Oh, I like Greedo. And Muftak!" Greedo I recognized, but Muftak? Who the hell is Muftak? He kept grinning at me like some sort of deranged hyena, waiting for a response.
Realizing that I was talking to people who had spent more time involved with the movies than I spent on, say, my senior-year Computer Science class in high school, I nodded, said something polite, and smiled. They moved on, and I knew deep down that I wouldn't be winning the award for Biggest Star Wars Fan in Thomas Hall that year, despite the cardboard stand-up Yoda I still hadn't unpacked.
"We can categorically state that we have not released man-eating badgers into the area." - Major Mike Shearer, UK
a parsec is 3.26 lightyears, and thus a measurement of distance...
Over the years I have thought long and hard about the Kessel Run statement in the movie (it always bugged me). The only semi-satisfactory explanation I could come up with was this:
Since the Millenium Falcon mostly travels in Hyperspace, the only real space it travels in would be too and from jump points and planets. I am making a HUGE assumption that in the SW universe you can't make arbitrary jumps from point A to Z. You could argue that he discovered a highly efficient jump pattern that required only 12 parsecs of travel in real space. Therefore, this is more a testament to his skill as a Navigator than how fast the ship is.
It would make sense... but, if I remember correctly, the statement is made reagrding how fast the ship is. While the trip would obviously be faster (because its covering less real space), the comment is not about the efficient navigational plotting but the inherent speed of the Falcon.
Damn! Now its back to bugging me again.
"This calls for a very special blend of psychology and extreme violence" - Vyvyan "The Young Ones"