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Supreme Court Asked To Reverse Music Sampling Case

CaptainEbo writes "In Bridgeport Music v. Dimension Films, the Sixth Circuit Federal Court of Appeals eliminated the 'de minimis' exception for copyright in sound recordings, which allows artists to sample small amounts from earlier work to produce new creations. The defendants in this case have now asked the Supreme Court to intervene. Also involved in this suit are civil rights vetrans from the Brennan Center for Justice and the Electronic Frontier Foundation. Both have filed an amicus brief urging that the Sixth Circuit decision be reversed. 'The Court of Appeals decision to target trivial borrowing from sound recordings isn't supported by copyright law or sound policy,' says Marjorie Heins, coordinator of the Free Expression Policy Project at the Brennan Center. 'It ignores the history and purpose of the Copyright Act and stifles creativity.'"

34 comments

  1. Remixes are dead by vandon · · Score: 1

    Now we can't mix in someone elses music into our own?

    1. Re:Remixes are dead by Anonymous Coward · · Score: 0

      Yep, now you have to actually learn to play an instrument.

  2. Is it just me... by Anonymous Coward · · Score: 0

    Or has anyone noticed the result of an appeal tends to corrolate more strongly with the role of a 1d2 die than any semblance of facts?

    1. Re:Is it just me... by Anonymous Coward · · Score: 0

      WTF is 1d2 die???

    2. Re:Is it just me... by Anonymous Coward · · Score: 0

      Roll of the dice, 2 sided.

    3. Re:Is it just me... by Anonymous Coward · · Score: 0

      How can dice be 2 sided??? Don't you mean 6?

    4. Re:Is it just me... by Gherald · · Score: 1

      Dice are not limited to 6 sides.

      Then again, I don't see mention of a d2... the rolling of which is essentially a coin toss.

    5. Re:Is it just me... by Zerth · · Score: 1

      If it didn't before, it does now.

      Cowry shells or coins may be used as a kind of two-sided dice ("d2"). (In the case of cowries it is questionable if they yield a uniform distribution.)

  3. Interesting by Pan+T.+Hose · · Score: 2, Interesting

    If "trivial borrowing from sound recordings isn't supported by copyright law" then we can start copying pop music like there was no tommorow. Gentlemen, start your Pirate2Pirate applications! But seriously, wouldn't it render the new Creative Commons Sampling Plus License irrelevant? Any lawyers here?

    --
    Sincerely,
    Pan Tarhei Hosé, PhD.
    "Homo sum et cogito ergo odi profanum vulgus et libido."
    1. Re:Interesting by Thunderstruck · · Score: 1

      I suspect you misread the court. I think, without having read the opinion in detail, that what they mean by this statement is that, since copyright law makes no provision for even trivial borrowing, that such should not be legal in the eyse of the courts as a de mimimus exception.

      That being the case, the Creative Commons license should still have value. Then again, any license that has express terms is going to have more value by reducing the risk associated with hoping a sample is small enough that YOUR judge will find it de minimus.

      --
      Trying to use sarcasm in text-based forums does not work.
  4. Tough choice. by BrookHarty · · Score: 1

    While I understand that an artist doesnt want his music used without their permission, sampling has provided such a wealth of music that it would be a great loss. Both are important issues.

    I guess theres also a copyright extension issue, as music has too long of a copyright to enter the public domain, where you can sample the entire song legally.

    I guess I'd allow sampling without copying the entire song, how you gauge that would be hard.

    Interesting indeed.

    1. Re:Tough choice. by Anonymous Coward · · Score: 0

      sampling has provided such a wealth of music that it would be a great loss

      Uh. While I think that illegalizing sampling is a bad idea, I can't think of any decent song that was enhanced by sampling, with the possible exception of a version of "Silent Night" that I heard back around 1970 (and that used samples of news broadcasts).

    2. Re:Tough choice. by Anonymous Coward · · Score: 0

      "While I understand that an artist doesnt want his music used without their permission"

      You've confused "artist" with "profiteer". An artist does not care about things like "resale" of their work for "use" by other people, while the profiteer (RIAA) wants to make resale hard if not impossible/illegal.

  5. homeland security by Anonymous Coward · · Score: 0

    The judge is going to look at that amicus brief, see the name "Aziz Huq" right at the top there, and go homeland security all over this bitch.
    We're fucked.

  6. quoth & misquoth by evilmousse · · Score: 4, Insightful

    When someone produces a speech, or writes a paper, few would argue that that someone shouldn't have some kind right of ownership on the work.

    When someone coins a phrase, do they gain ownership of the phrase? of course not.

    Noone is allowed to reproduce the text of Dr. Martin Luther King Jr.'s "I have a dream" speech and claim it as their own.
    EVERYONE has the right to include the phrase "I have a dream" in direct reference to MLKjr, in indirect reference to anything relating to him, and in contexts completely irrelevant to him. Frankly, I'd say it is property of the culture, in the most basic sense: more than the author's original words & intentions are invested into the meaning of the phrase: also invested are the hearts and minds of the people who were however subtly changed by it, and the culture they built upon it. I won't claim to know how to legislate that last part...

    Anyway, the current music copyright as property over every infintessimally small component of music can NEVER work. Music is made of notes, Books and speeches of words. Somewhere between the componant and the comprised is where the MEANING of the work is reached, and that is the scale at which to begin protecting.

    open source music NOW!

    (I can go on for hours about how culture is only getting MORE self-referential and just meta in general, so this is really restraining myself..)

    1. Re:quoth & misquoth by cpt+kangarooski · · Score: 1

      When someone produces a speech, or writes a paper, few would argue that that someone shouldn't have some kind right of ownership on the work.

      Why? What basis is there for such a claim? I don't necessarily disagree, but let's not treat it as a given. There needs to be a good reason.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    2. Re:quoth & misquoth by pangloss · · Score: 1

      Why? What basis is there for such a claim (that "there needs to be a good reason")? I don't necessarily disagree, but let's not treat it as a given.

      Not every discussion needs to begin with first principles, especially not the sort to be found on /.

    3. Re:quoth & misquoth by cpt+kangarooski · · Score: 2, Insightful

      What basis is there for such a claim (that "there needs to be a good reason")?

      Copyright is artifical. Surely all laws must have a good reason to exist, lest they infringe upon our freedoms unjustifiably.

      Not every discussion needs to begin with first principles, especially not the sort to be found on /.

      I agree, but it's a good idea to bear them in mind whenever we're thinking about problems with the current law and possible replacements.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:quoth & misquoth by evilmousse · · Score: 1

      ahahahaha --WOW-- i've already been defended by a lawyer somehow more libertarian about IP than ME!

      it's really nice to meet you ^^ if it happens to catch your interest, i could really use some informed (nonprofessional of course) thoughts on a project i'm working on regarding some old blues tunes.

  7. confused by pinball667 · · Score: 0

    And here I thought that the courts were only supposed to interprete the law while congress made it - isn't throwing out a section of copy right law completly out of bounds for the courts, or am I completely missing something?

    1. Re:confused by idolcrash · · Score: 1

      AFAIK, the Supreme Court is looking at how it is interpreted and if it complies with the Bill of Rights, etc. If it doesn't, they have the power to throw the bill (or parts of it) out, as has been done in the past.

    2. Re:confused by pinball667 · · Score: 0

      yeah - guess I'm just more confused about how the decision even got their in the first place though. Section 16(3) of some law somewhere (sorry, googled de minimas rule) states: "infringement must involve the whole or any substantial part of the work" - granted the substantial part of is up to intrepretation, but aparently the lower courts said the de minimas rule dosn't apply to music. If the supreme court dosnt overturn this based on that I will be really depressed, even though I can't say weather they did or did not sample a substantial part as I have not seen or heard the works in question, but it's depressing enough that it has to go to the highest us court because a lower court suddenly decides a portion of a law dosn't apply to one medium just because.

  8. Music Search Engine? by bill_mcgonigle · · Score: 1

    Good point.

    It would be nice if there was music search engine you could put a riff into and see if, say, the base line for Under Pressure actually appears in, say, a Mozart Fugue.

    my google-foo is not strong enough to get past the MP3 download sites...

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    1. Re:Music Search Engine? by Refrozen · · Score: 1

      "my google-foo is not strong enough to get past the MP3 download sites..." Nobody's is. However, other than being UNBELIEVABLY covered in advertisements, MP3Search.com is a music search engine of sorts, however, it doesn't allow you to enter an actual riff, just an musician or a title.

      It's still quite interesting.

    2. Re:Music Search Engine? by Andy_R · · Score: 1

      I think it's worth pointing out that that would be a publishing copyright, not a recording copyright, and the case being discussed here is a recording copyright one.

      It's the difference between using the same notes that Mozart used, and sampling the actual sound of the berlin symphony orchestra playing that pices of music. Mozart's copyright on the sequence of notes has expired, but the copyright on that particualr recording has not.

      In this case, the piece of music was so trivial (a single 3 note chord) that it doesn't qualify for a publishing copyright (and if it did, there would be a million historical uses to go back to) but the plaintiff claims that the manner of playing them and the recording was distinctive enough to be covered by copyright law.

      The court doesn't seem to have taken into account that a line has to be drawn somewhere - otherwise the copyight holder of the very first audio CD could sue over every other CD, since every other CD undoubtedly contains one or two 16-bit numbers (or sequences thereof) that the first one used.

      --
      A pizza of radius z and thickness a has a volume of pi z z a
    3. Re:Music Search Engine? by evilmousse · · Score: 1



      BRILLIANT!!!

      i thought that article a week or so ago for an enter-an-image searchengine was too far-fetched to be created any time soon, but i bet a music one would be possible..

      shit, what's that type of compression called where repeating patterns are identified, given numbers, and then just store the number and one copy of the pattern... anyway, since the compression works that way, it would be just one step more to index that info searchably..

      how would the interface work though? it would definetly need options like "take this sound literally" for finding a specific sound, or "take this as sheetmusic" for humming into a microphone to try to find a sound...

      boy that would just be an assload of fun.

  9. *What* did the court do? by Anonymous Coward · · Score: 0

    In Bridgeport Music v. Dimension Films, the Sixth Circuit Federal Court of Appeals eliminated the 'de minimis' exception for copyright in sound recordings, which allows artists to sample small amounts from earlier work to produce new creations.

    Now I'm not from the USA, but I was under the impression that any court other than the Supreme Court only decided whether the law applied to particular cases or not, and didn't make changes to the law itself.

    What is an appeals court doing changing law?

  10. Just a thought by melikamp · · Score: 1

    I was thinking about borrowing small fractions of copyrighted works without permission for the last few days, and I suspect that it is legal, given that fractions are small and therefore meaningless.

    Could it be the pirate's last and true hope? (I came to be fond of the pirate label, as it invokes images of booty and governors' daughters.) Seriously, stay with me for a moment. Take music. Suppose, we take samples so miniscule that it would be insane to claim ownership over them, and imbed them into public domain works in a specific way (important!), thus creating new public domain works which can be distributed legally. For example, a 3 minute Metallica song is split into 300 parts, and each part is infused into a public domain work -- a receptor. I am sure that there are ways to split a track in such a way that individual parts will become essentially meaningless. Then the receptors are labeled accordingly and distributed by fans legally. P2P may play a vital role in distribution, but it gets better: fans can actually put them on their websites and get them indexed by Google and everything else. With internet services getting cheaper by the minute, the supply will beat the demand on the most popular items. Now it may be left up to a client software to find, download receptors, and reassemble the original song by Metallica. This is what I meant by splitting in a specific way -- being able to reverse the process once all the parts are available.

    If 300 fragments are not enough to loose the meaning, let it be 3000 fragments. The beauty of this scheme is in that it does not matter how many pieces there are. Once the meaning is lost, the work escapes the copyright. Once it escapes the copyright, it can be published in the open. Once it gets published in the open, it can get indexed efficiently. The end.

    This seems too simple to be real. I welcome your criticism -- specifically, why it cannot work. Also, let me know of any similar existing projects, please. In fact, I feel so pumped up right now, let me know if you are willing to contribute to such a project. >:-)

    1. Re:Just a thought by Anonymous Coward · · Score: 0

      that's an interesting way to look at it

    2. Re:Just a thought by Anonymous Coward · · Score: 0
      Copyright law both forbids assembling the pieces, and quite possibly, creating the index as well.


      The "fragments" you speak of are probably called "notes". The index would probably be labeled a "score", and hence, a copyright violation if you created one. I'm sure any decent lawyer could argue this and have a good chance of convincing the judge, anyway.


      If you assemble too many notes, even if the index isn't illegal, by the act of assembling them, you've created a work that includes a substantial portion of the original. Viola, copyright infringement.


      If you're just going to break the law, well, it's probably easier to do it directly, and download the whole song.
      --
      AC

  11. New song: "A wealth of music" by Anonymous Coward · · Score: 0

    "sampling has provided such a wealth of music"
    "sampling has provided such a wealth of music"
    "sampling has provided", "sampling has provided"
    "sampling has provided such a wealth of music"

    "sampling has provided" "Interesting indeed."
    "sampling" "Interesing" "used without their permission"
    "sampling has provided" "Interesting indeed."
    "Interesing" "sampling" "the public domain"

    "I'd allow sampling" "it would be a great loss"
    "such a wealth of music" "it would be a great loss"
    "too long of a copyright" "without their permission"
    "an artist doesnt want his music" "it would be a great loss"

    "enter...the...public...domain"

    Has anyone ever remixed ASCII before?

  12. where do they draw the line by museumpeace · · Score: 1

    If "de minimus" means some [subjective and arbitrary] threshold of borrowing of the wave form [as opposed to just the melody or perhaps the MIDI] then sound fonts are also off limits. Would that mean that companies like Roland and Alesis will join RIAA [or at least be in a legal position to join] in a crusade to eradicate forms of "piracy" that amount to less than a few hundred miliseconds of a .WAV file? You'd have to place a realtime correlation filter athwart all media streams and use it to trigger DRM hardware [software couldn't keep up] to ever catch such "piracy".

    What a slippery slope this stupid court has entered with its deference to copyright owners!

    --
    SLASHDOT: news for people who can't concentrate on work or have no life at all and got tired of yelling back at the TV.
  13. a reminder about the Supreme Court by westlake · · Score: 1
    7,000 cases reach the Supreme Court each year.

    Almost none are granted cert.

    Oral arguments will be heard in about 100 cases.

    About 50-60 cases will be disposed of without argument. The Justices Caseload

  14. Not to be a jerk and all... by Anonymous Coward · · Score: 0
    but I don't agree.

    When someone produces a speech, or writes a paper, few would argue that that someone shouldn't have some kind right of ownership on the work.

    I guess I'm one of those few people you're talking about, then. After all, given that all unpublished works are the common property of all people (i.e. we all have the right to think and express ideas), I don't see why the act of discovery, and especially, publication, should grant ownership to what was previously public property. To me, copyright law amounts to little better than outright theft from the public commons.

    We specifically exempt pure science, mathematics, and other areas of "natural law" from copyright, for the public good.


    Given that the discovery of the right notes and turn of phrase to create a popular book, song, or movie script is really just applied human psychology, I don't see why there are special rules for these (poorly understood) branches of science.


    Why am I suddenly in violation of a law if I play 3 notes that I've heard before? That's an unjust limitation on my freedom, I think. I don't think the counterargument in favour of copyright is very strong.


    The argument in favour of granting a monopoly right is usually one of pure economic incentive: "no one would creat things without copyright law". I'm unconvinced that the state is incapable of granting a financial incentive without granting a monopoly that limits my rights to free expression. I'm further unconvinced that artists, sculptors, and painters would stop pursuing their passions merely because they weren't guaranteed a monopoly right. Lack of copyright doesn't seem to stop scientists or mathematicans from deriving the most wonderful of formulas for us to understand the universe with.


    Copyright, as a concept, is severely limiting. We need several kinds of exceptions just to make the idea close to workable. After all, under a strict interpretation of copyright, I can't take a photograph of the same object as you did, because you did it first, so the monopoly is yours. In fact, I can't take a photograph of any manufactured propery I may have purchased, because the design is held copyright by the manufactuer. I can't even alter any purchased propery that I now own without creating a "derivative artistic work" based upon the changes to the original manufactured work. I couldn't live if copyright were strictly enforced, without limitations.


    That suggests to me that the notion is flawed: if severe limitations need to be placed upon an otherwise fundamentally draconian law just to make it tolerable, the notions upon which it is founded seem quite suspicious to me. I prefer laws that start by granting freedom, and then limit it only when absolutely necessary for the public good. I'm crazy that way.
    --
    AC