What is the Best Multi-Monitor Calibration Tool?
sojourndeath asks: "I am looking for a good way to calibrate multiple monitors (30-40), so that their color looks similar? It seems like everything I find is for profiling your monitor to your printer and scanner. I need to be able to have a bunch of users see the same color on any monitor? Does anyone have a good, accurate way of doing this?"
Other posters have gone to great lengths to explain how color perception is environment and beholder dependent. So calibration is of little value. More importantly if you are generating images to be displayed on any users screen, then you have no control over their brightness, contrast, gamma or white balance or the end user's color experience.
But if you want to calibrate a monitor, I can tell you how I used to do it in broadcast.
First you set the black of the monitor: Generate a black screen image. Adjust the cut-off for each color so it just barely illuminates the phosphor. When finished, black is barely perceptable and has no pronounced color.
To calibrate white: Generate a full red screen, 100 hue and brightness, and then use a calibrated light meter to set monitor output to the color temperature of the red component of your final white. Do the same for green and blue. Display an all white screen and see if the screen is proper temperature. Check that the values of black didn't change. Get a feel for where your monitor best performs and run the monitor in a manner that doesn't cause blooming. In other words make sure that the full white value is not beyond the luminance output of your monitor.
Once black and white are correct, display a black and white stairstep signal. If all the channel gammas are correct, the steps should appear even to the eye and all the steps should be grey. If not, the trick is to adjust gamma of the color you don't see to correct the problem. Gamma correction can be very gross and you might not be able to make every step grey.
These steps correct the color balance of a monitor, but you still need to check purity, pin cushioning, convergence, horizontal and vertical linearity before you can be sure that the image on one monitor is the same as the image on another calibrated monitor. I can't image why you would go through this type of trouble.
Of note: The same calibration issues can be applied to audio. Years ago I wired up a new audio system at a recording studio. The studio had done several gold albums including one by the Rolling Stones. All the mics were adjusted to remove bandwidth irregularities. The engineers recorded and set levels for all sessions by listening to the audio from huge JBL speakers set-up with perfectly flat amplifiers. However, when they went to generate the final mix, the did it by listening to the audio through cheap 5 inch speakers. In this manner, they could provide the best listening experience for the majority of users.
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