Slashdot Mirror


Old Film to DVD Transfers Examined

Richard W.M. Jones writes "Slate is running an interesting article on the process involved in Warner Brothers remastering films, the quality of the films being compared to the Criterion Collection discs. Going back to the original technicolor negatives, preserved in temperature-controlled rooms, the transfer begins with a 4,000 line scan, followed by digital alignment of each color." From the article: "In some ways, these DVDs have finer color and detail than even the original film prints. In the old days, it was difficult to align those three strips perfectly. The task became still harder years later, when the films were reissued, because the negatives had stretched or shrunk over time. If you need all three strips to get the right color, and you can't line the strips up precisely, then the colors and the sharpness are going to be a bit off."

17 of 306 comments (clear)

  1. Would love to see ... by dcarey · · Score: 4, Interesting

    I'd personally like to see how you can do this as a home user. There's got to be a software program that does this sort of thing (ok maybe not the the extent that hollywood giants can do) or at least approaches it.

    I've got tons of home movies I'd like to put on DvD and man I'd love to restore them. Unfortunately I think I'm stuck with them as as.

    --

    -- (Score:i , Imaginary)

    1. Re:Would love to see ... by tinrobot · · Score: 5, Informative

      Your family shot your home movies in three strip Technicolor?

      Are you Cecil B. DeMille III or something?

      Seriously, the article is about old movies shot in Technicolor, which used a separate strip of film for each of the primary colors. Aligning those three strips is a pain. For regular 8mm home movies, you can use what's called a telecine. You can get inexpensive ones that attach to a video camera to do it yourself, or there are services that transfer 8mm to video.

    2. Re:Would love to see ... by dcarey · · Score: 4, Funny

      Your family shot your home movies in three strip Technicolor?

      Are you Cecil B. DeMille III or something?

      Nope sorry just us Barrymores here ...

      --

      -- (Score:i , Imaginary)

    3. Re:Would love to see ... by HotNeedleOfInquiry · · Score: 4, Informative

      Ninty percent of the slashdot crowd wouldn't have a clue as to what Techincolor was and why it was so great.

      If anyone is interested, Google will tell you plenty. Technicolor is like the PDP 10 of moviemaking. It's a technically intricate process that delivers very beautiful results, probably the best results.

      My daughter, when she was 10, could look at a movie on television and tell me whether or not it was shot in Technicolor.

      --
      "Eve of Destruction", it's not just for old hippies anymore...
    4. Re:Would love to see ... by Anonymous Coward · · Score: 5, Funny

      > My daughter, when she was 10, could look at a movie on television and tell me whether or not it was shot in Technicolor.

      Yeah... It says so at the beginning of the movie...

  2. Color alignment? by Anonymous Coward · · Score: 5, Funny

    And here I've been thinking all those movies were 3-d! Apparently it was just a red/blue misalignment.

  3. Digital mapping of film grain? by lawpoop · · Score: 5, Interesting
    I'm no expert in film, but I'm wondering if there's a more robust way to digitize film. Depending on how large the color crystals are, I don't think it would be too hard to plot each crystal's location. You could either plot the center, or try to draw the geometric shape of the grain using shape ananlysis algorithms. It's that's too much data for now, just wait a few years for storage process to drop ;)

    A bonus of this technique is that it would allow for near-perfect analogue re-creation of the original film by plotting grains for exposure on new film. If you want to get really fancy, you can look at the arrangement of the crystals, try to reverse-engineer the light as it struck the film, and virtually re-expose the image by plotting a new grain map on film.

    Would this work?

    --
    Computers are useless. They can only give you answers.
    -- Pablo Picasso
    1. Re:Digital mapping of film grain? by Bruce+Perens · · Score: 4, Informative
      This would bring a completely unnecessary level of noise into the process. Film grain is noisy and doesn't contribute extra information once you can resolve a single crystal. What you really should do is defocus just enough so that the grain noise is averaged out, or digitize at a higher resolution than the grain and then filter out the frequency band of the grain noise. The effect of those two processes might be identical.

      Bruce

  4. I wonder what kind of noise removal they're using by Noose+For+A+Neck · · Score: 5, Interesting
    I'd be quite interested to hear about what kind of noise removal algorithms they use to remove all the dirt spots from the high-res film scans. From what I know of the film industry, most effects houses still use someone (or several someones) at a Linux workstation using Cinepaint (nee Film Gimp) to manually paint over suspension wires for films like Crouching Tiger, Hidden Dragon.

    Have they found some way to automate this, or can they not yet trust the algorithms enough yet that they still have to manually go over each frame and correct the dirt spots based on previous and future frames?

    --

    Software piracy is victimless theft.

  5. I know it's possible by dknight · · Score: 5, Interesting

    My grandfather (yes, that's right, my 67 year old grandfather) just recently restored some 8mm home movies from the 50's with his computer setup at his house. I dont know the specifics of what he used to do it, but obviously if he can do it, it must be possible ;)

  6. Re:The classic look... by OG · · Score: 5, Interesting

    When you're listening to vinyl, you shouldn't know that you're listening to vinyl. The record and needle should be clean. There should be no pops or fuzz in the sound. What you should get is a great analog signal that has a better frequency range that CD, the tradeoff being a more dynamic limited range.

    I'm more interested in seeing a clean movie that stands on its own than a movie that looks old and depends on accidental nostalgia (and for a time that most of us never even experience firsthand) for its emotional impact.

  7. Snow White Restoration by Bruce+Perens · · Score: 5, Informative
    I worked on the Snow White restoration with Kodak Cinesite while at Pixar. The film was made with nitrate stock, as were all films back then - there wasn't another good method to make clear plastic stock. Nitrate is great organic fertilizer - as well as being chemically quite close to nitroglycerine and a tremendous fire hazard if the projector jams and the hot lamp burns the film.

    The negative was preserved in a climate-controlled vault for 60 years. When it was finally opened, they found that fungus had grown on the negative.

    The negative was chemically cleaned. Then, it was digitized in a wet-gate telecine. This is an impressive bit of optical technology: the film is immersed in a fluid with the same refractive index as the film itself. The fluid fills pits and scratches in the film, and they disappear.

    The resulting digital movie went through an algorithmic "dust-buster" process, and then the reels with the worst damage were retouched by hand frame-by-frame. An operator got about 90 seconds to retouch a frame. There are 24 frames per second of film. This stretched the computer technology at the time, MIPS-based Sun or SGI workstations with clock speeds of a few hundred MHz, as it was difficult to simply read and write the film frame in sufficient time. It would be easier today on a fast PC.

    Bruce

  8. But you CAN transfer film to DVD at home by WidescreenFreak · · Score: 4, Informative

    No, you are not! You can transfer 8mm and 16mm at home. It's not the most technical method, but I've done it before for a friend of mine and it worked beautifully.

    Just project the 8mm/16mm film images onto a bright-white screen that has a lot of reflectivity to it, physically place a camcorder directly above the project - or slightly above and slightly behind - to minimize the "trapezoid" effect, record the projection with the camcorder, then use one of the many analog-to-digital bridges out there to transfer it to your PC.

    If there is any audio, you can capture the audio either through the camcorder or through the PC's sound card and then synchronize.

    This is not going to give you anywhere near the quality of a telecine transfer, but it work beautifully, particularly if the editing software that you use can enhance brightness, contract, and color.

    --
    The Overrated mod is for reversing inappropriate, positive mods, not for voicing disagreement with a post.
    1. Re:But you CAN transfer film to DVD at home by tobiasly · · Score: 5, Funny
      Just project the 8mm/16mm film images onto a bright-white screen that has a lot of reflectivity to it, physically place a camcorder directly above the project - or slightly above and slightly behind - to minimize the "trapezoid" effect, record the projection with the camcorder, then use one of the many analog-to-digital bridges out there to transfer it to your PC.

      If there is any audio, you can capture the audio either through the camcorder or through the PC's sound card and then synchronize.

      That's way too much work. Just pay some neighborhood kids to re-enact those old films of your children going up and record it digitally this time.

      In fact, I hear that's what George Lucas did with his old home movies. You can even add in some hilarious CGI sidekicks!

    2. Re:But you CAN transfer film to DVD at home by Derling+Whirvish · · Score: 5, Informative

      And if it's old family 8mm movies, have the old folks, Aunts and Uncles, Grandma and Grandpa, sit around and watch it as you show it and record it. Their audio commentary on the new sound track (which with most 8mm would otherwise be silent) is invaluable in sorting out who was who, what was what, and where they were doing something. It's a win-win. They get to see old footage they probably haven't seen in a while and you get a great commentary to go along with your new video version.

  9. Re:The classic look... by Jerf · · Score: 4, Interesting

    Bah. I'd much rather see the movie that I would have seen if I was alive in 1953 and popped on down to the movie theatre, not what's left of it after 52 years of degrading.

    You want to de-saturate the colors, add dirt spots, and make the audio wobbly, run it through a filter on your own player. The rest of us would rather see an old movie as if it were made yesterday.

    (Even stuff from the 80s is breaking down, I've even seen degradation in stuff from the early 90s, and the DVD is the best way to view it. My wife just bought Thelma and Louise on DVD yesterday (not a bad movie, really, even if there are no space fights :-) ), and it could well have been made yesterday; the colors were right, the detail was sharp, the audio's quality was sharp enough that my audio setup was the limiting factor. It's way better than what I've seen on TV... which surprises me nowadays, how many times the TV will play some crappy version of a movie with an outstanding DVD.)

  10. Re:Bad information by Anonymous Coward · · Score: 5, Informative

    "As a photographer I know thats a bunch of bull."

    As a photographer you are wrong. You've probably gotten mixed up between the frame sizes of 35mm still film and 35mm cine film. 35mm still film is about 1.6 times larger than cine film and has more detail. I'm a visual effects artist and I can tell you for sure that it's not worth scanning 35mm film above 4k. You just can't tell the difference You see more detailed grain but thats about it.