Slashdot Mirror


RFC Deadline Looms For "Orphan Works" copy

psychonaut writes "As previously reported on Slashdot, the US Copyright Office is currently reviewing the law as it applies to "orphan works" and "abandonware". The question is how to treat works (books, films, software, etc.) for which the copyright owner cannot be found so that permission can be granted to republish or create derivative works. "The issue is whether orphan works are being needlessly removed from public access and their dissemination inhibited. If no one claims the copyright in a work," they write, "it appears likely that the public benefit of having access to the work would outweigh whatever copyright interest there might be." The Copyright Office has been soliciting comments from the public since 26 January 2005. Now, as their 25 March deadline draws nearer, the EFF, along with freeculture.org and Public Knowledge, have teamed up to produce a website,Orphan Works, which gives some background on the issue and makes it easy to submit comments directly to the Copyright Office." And while you're at, contribute to the EFF. Good organization.

10 of 200 comments (clear)

  1. What's wrong with the current system? by bigtallmofo · · Score: 5, Interesting

    Why would anyone have a problem with a totally unaffiliated company buying the copyright of a work from a bankrupted company for pennies and then holding that copyrighted content hostage for the next 75 years?

    Anyone that has a problem with that is applying too much common sense to the copyright system.

    --
    I'm a big tall mofo.
    1. Re:What's wrong with the current system? by zotz · · Score: 5, Interesting

      "Say for instance, you find a nice picture you want to incorporate and maybe it looks quite old, but maybe its unclear whether copyright has expired."

      What about this idea?

      Can't find copyright owner?

      Compulsory license applies. Fees paid to government. Invested by government in safe investments. Government keeps half of profits on investments and other half goes to pay authors who create copyleft works. Actual copyright owners who find their works being used under a compulsory can claim monies fgrom the government. (Can't get the profits earned in the meantime though.

      Compulsory license still applies to the works in question and to any derivatives.

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
  2. Tone of words is interesting by barrkel · · Score: 5, Interesting

    "If no one claims the copyright in a work," they write, "it appears likely that the public benefit of having access to the work would outweigh whatever copyright interest there might be."

    This indicates that the copyright office leans extremely strongly towards copyright interests. Is there any indication that they (the US copyright office) have the same perspective as most of the rest of us re copyright as enforced monopoly etc.?

  3. Other copyright issues by sandstorming · · Score: 5, Interesting

    I'd like to see the laws also fixed on how long it is before works pass into the public domain. The so called disney effect (the extending of copyright periods after authors death, being done just before disney stuff reaches public domain) really needs to be fixed. Someone (and I can't remember his name) did a fantastic conference somewhere on copyright issues. http://free-culture.org/index.html has some great info.

  4. Why doesn't Slashdot start a PAC? by cybrthng · · Score: 5, Interesting

    Obviously in todays political environment Money Talks. Is there any interest in the collective pool of technically minded folks from Slashdot starting a Political Action Committee in the sense that we support progressive, technological and scientific issues & candidates with our money and not just our collective angst?

    SlashPAC if you will.

    It would be a great place for us to consolidate our beliefs (wiki) and put our money where our mouth is to support politics and issues that reiterate our beliefs and values as a community.

    It would make calls for help like this easier to answer and give us some strength to lean on.

    1. Re:Why doesn't Slashdot start a PAC? by MurkyWater · · Score: 4, Interesting

      I don't know if this had previously been discussed but I've been thinking that something like this would be a good idea. We constantly see the effect Slashdot has on webservers. I would imagine a PAC consisting of even a portion of slashdotters could do great things. Especially if we worked together with other groups such as Citizen Works, the EFF, and the ACLU.

  5. This is humorous in a way. by bigattichouse · · Score: 4, Interesting

    I was trying to secure rights to stream several movies.. and guess what, for all the MPAA and RIAA's heavy handedness over people not getting rights? I couldn't... couldn't even figure out who to talk to, and no one that I called could do more than refer me to some large outlets that said "We don't do that." So not only are they going after people for electronic distribution of their works, they make it damn near impossible to actually license said works for electronic distribution. silly bastards. To put this in the perspective of the post, I honestly felt that they had "abandoned" the electronic medium, I hope the law says "fire away" to people who can't find licensing channels for works.

    --
    meh
  6. Re:Part 1: What I find _ok_ about copyright by swv3752 · · Score: 5, Interesting

    See, the problem comes in that my taxes are being used to enforce your copyright. The deal is, for helping to enforce your copyright, we get free access after a limited time. The problem is that it becomes unlimited for any practical consideration. Anything created during my lifetime I can reasonably expect to die before a copyrighted work becomes public domain.

    --
    Just a Tuna in the Sea of Life
  7. The proper term of copyright. by shimmin · · Score: 4, Interesting
    Let's give the creator the benefit of the doubt and say that whatever they have created is of enduring value, and the copyright on their creation is worth a perpetuity of some annual income A.

    Then, the present value of the copyright is, and will remain, A/i, where i is the interest rate.

    Meanwhile, at time t, the present value of the copyright they have already held is A/i * (exp[it] - 1).

    So, at some time, it is fair to both the author and public to expire the copyright, because the present value of the copyright (that is being transferred from author to public) is equal to the present value of the copyright that the author has held in the past (that was given to the author by the public). This occurs when t = (ln 2)/i.

    Then, the proper term of copyright depends on the interest rate, thusly:

    2% 35 years
    3% 23 years
    4% 17 years
    5% 14 years
    6% 12 years
    7% 10 years
    8% 9 years
  8. Re:Part 2: What I find _wrong_ about it by zotz · · Score: 4, Interesting

    "What I find all wrong about copyright, as it is right now, is that it also gives the right to _kill_ a work of art or a program. You can buy the copyright to something for the _sole_ purpose of burying it 6 ft deep. I.e., making sure no more copies of it will be made.

    Which was _not_ the purpose of copyright in the first place. The idea was to secure a source of income for those publishing books, _but_ that was only a means to another end: having those books available to society. Using copyright as a way to make them UNavailable, is IMHO contrary to the whole spirit and idea of copyright."

    You are so right on this. There needs to be compulsory licenses at least to prevednt this practice. Perhaps they only need to kick in when the copyright owners refuse to keep the work available to the mass market at mass market prices.

    "And just for the sake of a wanton comparison with Soviet Russia, I find it stupid that while we all were/are outraged when a dictatorship tries to suppress a book, we all shrug and find it normal when a corporation does the same via copyright. I mean, geesh, Stalin could have just bought the exclusive distribution rights in the USSR of the exact same works, and killed them via copyright, and we'd all suddenly no longer find it abhominable. It would be just normal business. Think about it."

    You are certainly racking up the good points. Perhaps he could even have used "eminent domain" theories to take the work in the first place.

    "So IMHO the copyright should only last as long as people can still order that book or program or music from you, for no more than the original price (i.e., no "yeah, it's still available, but we'll charge 10,000,000$ for it" scams), and have it delivered within a reasonable time frame. The moment that's no longer possible, the copyright should become public domain.

    It would also be a self-regulating kinda thing. It's up to the company in case to decide when it's no longer profitable to keep that stock of old books, just for the 1-2 people per year still ordering it. When they decide it's no longer profitable to play that game, sure, make it public domain. But ffs, don't bury it."

    This would work. An alternative would be to have all copyrights pass back to the original authors under something like a CC BY-SA or some other copyleft license. This would allow the authors to try earning some more out of their works and at the same time let the general public get access to the works as well for copying, creating derivatives and making money if they can.

    Check some of these legal proposals:

    http://www.infoanarchy.org/wiki/index.php/Copyri gh t_Term_Reform#Legal_Proposals

    especially this one:

    http://www.infoanarchy.org/wiki/index.php/Copyri gh t_Term_Reform/Default

    Again, great points.

    all the best,

    drew

    --
    FreeMusicPush If you want to see more Free Music made, listen to Free