Business Models: Napster to Go vs. iPod
CNet offers an interesting comparison between Napster to Go and iTunes.
For $15 a month, Napster to Go offers over 1 million songs (access to which lasts as long as subscription is valid), while songs for iPod must be purchased and last 'forever' (but it takes about $10,000 to fill an iPod). Is Napster to Go the future of digital music distribution? Would moving to an all-you-can-eat model hurt iPod business and balance the power among authors, studios, hardware makers and consumers?" It might take $10,000 to fill an iPod with songs downloaded from iTunes or with music converted to MP3 from newly purchased CDs, but there's a lot of downloadable and legit free music out there, not to mention Griffin's RadioShark.
Pretty much all of the methods to remove DRM include re-encoding the WMA to something else. This takes even more quality from the recording than is already missing in the Napster version (they are encoded at 128kbps). Furthermore, it is damnned near impossible to do a digital re-encode nowadays. Microsoft has revoked the WMA-DRM licence from all the media players that allowed it to happen, including all but the most recent version of Winamp that only allows encrypted WMA output through DirectSound. No more using DSP plugins to write the data to the disk in a different format. The best you can hope for is something like Tunebite, which records the analog signal coming from your soundcard, which is not very good at all.
But that 14 day FREE Trial only gives you 11 MB to download. It wasn't like that always, but once the news got around on Slashdot about how to rip the tracks, they shut it down.
That was so last month. Napster enforced an 11mb-download limit for the 14-day trial after too much buzz spread about the winamp ripping device.
My digital rights don't need management.