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When Would You Accept DRM?

twigles asks: "Following on the heels of Apple closing DVD Jon's end run around its DRM and a British TV station offering DRM'd downloads it seems fair to ask, what DRM would you accept as a consumer? Personally, I take the view that if a song, movie, book, etc. is DRM'd then it isn't truly mine. On the other hand, if a particular piece of digital media is priced correctly (a la' rental fee) would that be satisfactory, or do you feel that DRM in any form is ridiculous?"

3 of 1,288 comments (clear)

  1. Basically, never... by tquinlan · · Score: 5, Interesting

    ...if a company wants to sell me something, yet wants to put restrictions on that thing, then I am not likely to buy. If you want to sell me a subscription, then do that, but don't make it so that I can't move the content from place to place in my domain (ie, living room, portable devices, computer, etc.).

    As it is, most content is unbuyable now, anyway, so I don't even buy that much. (I haven't bought a CD in years, and a DVD in months.) Media companies need to start making intelligent music and shows, and then let me do what I want with it. If they want income streams, fine - sell me a subscription. But if you're going to do that, and I'm willing to buy, then don't restrict how I use it.

    --
    DBA? Software Engineer? My company is hiring! Click
  2. Purchase or rent by hoggoth · · Score: 5, Interesting

    If I am purchasing music, paying per song or album, then it is MY music. I don't accept that at some date in the future my music will no longer be playable because some company went out of business or no longer supports my hardware/operating system, or because I moved all my files over to a new computer and can't get the DRM to work.

    If I am renting music, for example paying $20/month for all I can listen to, then I can accept pretty much any DRM because I don't expect the music to be "mine". If something goes wrong with my DRM I would just switch to a different service and for $20/month have unlimited listening rights again.

    Note that, for me, it's not worth $20/month to listen to music on my computer. I already have plenty of music I own on my computer, and there are free alternatives for radio-style listening.
    But I get that it's a worthwhile proposition for some people.

    --
    - For the complete works of Shakespeare: cat /dev/random (may take some time)
  3. Do It Yourself (and make everyone happy) by x404x · · Score: 5, Interesting

    I actually started a _small_ record label (6 active bands) for this exact reason - I was tired of seeing bands get screwed over. The general public knows nothing of what really goes on behind the scenes in production of an LP/CD or exactly how bad bands get screwed.

    Perfect example: With recording, mastering, CD production, and printing - I can put out 1000 CDs @ $1.74USD each. We are as small as it gets - only 6 bands, two active people working on projects, and only 829 results on google. With only two releases under our belt we are a little nobody punkrock label that very few people outside the Tampa Bay area has ever heard of. If I can do it at $1.74USD per CD I know for a fact any "major" label can do it much cheaper. (Yes, I have factored in costs of distribution. I have world-wide distribution at my disposal, it's cheaper then you might think.)

    One of the most active bands on my label decided that they wanted to sell every new CD they make for $5 each, then when they release something new they put the old CD on the net in mp3 format for free. Their fans have the option of downloading every track on the CD for free (DRM is never an option for our digital releases) and burning it OR they can pay $5 for a CD with the printed lyrics, pictures, and other info you would typically see in a CD insert.

    The majority of fans choose to do both - have the music on their computer AND purchase a CD. They know the price is fair as it's easy to see we are not out to make money off the band by charging $15 to $20 for $1.74 worth of "work".

    Fans generally want to support the band they like but at the same time they don't want to get ripped off. I guarantee that if you ask any member of a band on my label how they feel about working with us they will have nothing negative to say about how we do things. Music is the most important part to us, not making money - when the bands see that and the fans see that everyone is happy.

    If the major record labels were to drop the CD/LP prices by 50% piracy would drop significantly. While the public might not know about the record labels and what happens to the bands, they DO know when they are getting ripped off.Any major label could do the same as I do if they were more worried about music then money, we all know that will never happen.