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Deconstructing Stupidity - Why is IP Policy Bad?

An anonymous reader writes "There is a good attempt on the Financial Times site by James Boyle to explain why intellectual property policy making is so bad. From the article: 'These are the ground rules of the information society. Mistakes hurt us.... Why are we making them? To some the answer is obvious: corporate capture of the decision making process. This is a nicely cynical conclusion. But wait. There are economic interests on both sides. The film and music industries are tiny compared to the consumer electronics industry.'"

17 of 384 comments (clear)

  1. choice quote: by ShaniaTwain · · Score: 4, Funny

    We extend protection retrospectively to dead authors, perhaps in the hope they will write from their tombs.

    perhaps they arent writing because they don't have enough economic insentive on account of those filthy pirates? did you ever think of that you insensitive clod?

    I've heard of ghost writers, but what about zombie writers?

    1. Re:choice quote: by fyngyrz · · Score: 5, Informative

      perhaps they arent writing because they don't have enough economic insentive on account of those filthy pirates?

      I definitely think that is not the case.

      Among other things, I own a literary agency. One of the oldest and most prestigious agencies in the US specialized in science fiction and fantasy. My remarks come from that perspective.

      There is no shortage of writers. Quite the contrary. In fact, there is no shortage of good stories and good writers.

      What there is, is a shortage of readers, more specifically, there has been a major, major downturn of book-buying.

      That makes the publishers a lot less likely to buy a book. Especially good ones; the ones that make it to the shelf are the titles that are perceived by the publisher as likely to be "popular", and for reasons that make perfect economic sense: Shelf space is limited (fewer bookstores) and shelf time is limited. If books don't sell, they are remaindered or destroyed for credit (that's a very odd quirk of the publishing industry, and believe me, it has major effects on the publisher's bottom line.)

      Americans, at least, are deploying the theatre of the mind upon television, movies in the form of DVDs and other recorded media. Books in general, the writer's bread and butter, are dropping in popularity like stones in the face of the new technologies. I'm not saying this isn't a natural consequence of progress, and I'm not complaining -- I'm just explaining.

      The bottom line is that commercial writers are, in fact, having a harder time of it. The environment is such that it is definitely more difficult to sell your work. In this context, most writers welcome the idea that whatever work they do manage to market, will turn income for them for a longer period of time -- facing the idea that there will be less of it, they hope that what there is, can earn more.

      Now -- personally -- I think they're mistaken if they take this view. There are other factors, particularly the very short time-to-live in terms of bookstore shelf life for even very, very good titles -- that will prevent long-term copyrights from giving most of them any income. The ones that do succeed, definitely make "enough", IMHO. A movie deal, something that is reprinted several times and is well accepted, those are serious cash cows for a writer. But they are astonishingly few and far between.

      But the fact is, writers are not in control of this process. They are for the most part an economically weak class, and cynical or not, I truly believe that the political decisions that drive copyright law are made by money. If you consider who absurdly long-term copyrights and other IP entropy such as software patents do benefit in a consistant, industry wide fashion, you'll inevitably find yourself looking at the publishing industry (not writers -- publishers), the movie production industry, and the commercial software industry. Whatever they can create, they get to hold on to, for longer; charge for, longer; license, longer.

      I would submit, not very humbly, that writers, musicians, and software authors (I also own a software company, a very successful one, and I am a musician and recording studio owner) are more than productive enough, generally speaking, to not require these long-term protections. In fact, I rather think that a truly productive author/coder/musician doesn't need them at all. Hardware patents are different, in that the financial outlay to create, and the margins once created, are so represssive to the process itself that there needs to be a follow-on reward, especially for things like chip fab IP where the outlay for the next fab is in the billions at this point in time.

      Anyway, this is an issue that I have to deal with not just every day, but every hour of my working day (and I think about it a lot of my off time, too.) I am convinced that the US government, at least, is doing far worse than being "

      --
      I've fallen off your lawn, and I can't get up.
  2. Money by chiapetofborg · · Score: 5, Interesting

    I think it partially has to do with the money. I was working at a educational instution, and I created a very complicated system to keep track of a lot of things, and a couple of the things we did were cool, and we were thinking about patenting it, but the cost associated with filing a patent was too expensive. If we had a really broad patent where we could patent the entire world then it would have been worth it. In my talkings with one IP laywer he basically said he works under the following mindset: Ask for the world in your patent. They will narrow it for you saying what you can and can't have. If they grant your patent on the first time it wasn't broad enough, and you aren't worth your salt as a patent lawyer. That's the way patent laywers think these days, they try to patent the whole world. I think its a flaw of the system, becuase these broad ones get passed with way too much. More than they deserve.

    1. Re:Money by Macadamizer · · Score: 4, Informative

      In my talkings with one IP laywer he basically said he works under the following mindset: Ask for the world in your patent. They will narrow it for you saying what you can and can't have.

      This is maybe a bit off-topic, and is actually a very technical point, but if that's what your IP lawyer told you to do, I hope he said that a few years ago. Current caselaw (Festo in particular) would actually make your patent coverage NARROWER if you followed the above advice than if you had tried to get it right the first time. What your IP guy has described is certainly the way patents were written and prosecuted up until a couple of years ago, but the law now basically makes that approach sorta suicidal -- nowadays, if you have to amend your claims to get them issued, then you are only allowed to enforce EXACTLY what you claim, and no more -- you lose the advantage of what is called the "doctrine of equivalents."

      --

      "That's not even wrong..." -- Wolfgang Pauli
  3. Emergence.... and demergence by flyingsquid · · Score: 5, Interesting
    I recently read a book about "emergence": the idea that simple rules of interaction between unintelligent subcomponents of a system can lead to emergent behavior which is surprisingly complex and intelligent. In short, the whole is more than the sum of its parts; for instance, ant colonies, where the behavior of the colony is more intelligent than any given ant.

    It then occurred to me that many groups and institutions exhibit the reverse of emergence: you have complex, smart people making up your system, but when you get them together you get stupid decisions. In this case, the whole is less than the sum of its parts, sometimes less intelligent than any one individual. The obvious name for this phenomenon is "demergence".

    1. Re:Emergence.... and demergence by kebes · · Score: 4, Informative

      There is also a principle in psychology called "dilution of responsibility." A group of people may collectively agree to something risky or immoral, even though each individual person disagrees with the decision, and would *never* act that way on their own. Essentially, each person feels that they are not uniquely responsible for the decision, and so are more prone to making decisions that are dangerous or rash (since they don't anticipate having to answer for the decision).

      This phenomenon in some cases results in a large crowd of people watching a crime, and no one actually does anything (or even calls the cops) because everyone assumes that someone else is taking care of the problem. This is also why it is highly recommended, in an emergency, to not just say "help" but to single out a particular person, point at them, and ask *them* for help.

      The same principle seems to be at work with IP law. Most people, if they really had to think about it, wouldn't support the status quo, but everyone somehow feels that it's someone else's problem.

  4. Key questions. by NeuralAbyss · · Score: 4, Insightful

    It's all well and good to look at the history of Intellectual Property law. It's good to look at how it's changed, and what got us to our current state.

    The question which many of these articles fail to address is this - Yes, we know the current state of IP is bad for the majority. Why do we tolerate it, what can we do to change it, and, most importantly, what is best for -society- as a whole?

    IP law that protects, say, drug patents for 60 years is bad - it enables drug conglomerates to develop medication and live off the proceeds for years without giving back to the community that granted the company a -temporary- monopoly.

    What is a fair balance between:
    * Sustaining the economy
    * Fairness to the general public (a balance between the public good, and ability for individuals to be employed by IP-centric companies)
    * Rewarding creators and inventors of intellectual property.

    So, if I may ask, what do Slashdot readers see as fair? I would suggest that we need to look at different copyright and patent periods depending on the type and application of an item.

    Additionally, what can be done about the state of IP law? Australia recently got reamed by the USFTA; and many other countries, as signatories to the Berne Convention, IIRC, have been forced to extend their copyright periods to meet other countries'.

    1. Re:Key questions. by sundiver90 · · Score: 5, Interesting

      I think that as a community we should provide answers to key questions as well but I am interested in data-centric answers:

      1) Do patents stiffle innovation? That's the main argument pro/con. The answer HAS to be an economic one, ie an econometric study or something similar for me believe it. I hear too much rhetoric and NO hard data from either side.
      The U.S. Constitution, Article I. Sec. 8 believes protecting the right of inventors will encourage innovation. Our community keeps saying 'well, in software that's different, the framers never had software patents in mind'. We have to show numbers again for this. Software was once NOT patentable so the data is there.

      2) What is a 'good' length of time for copyrights? Yes, balancing the rights of authors to their works and the right of the public to access those works free of charge for fair use or after a 'reasonable' length of time makes sense. The issue of what constitutes 'fair use' and what is 'reasonable time' should once again be backed up with data that shows that under a given copyright system 1) authors are being remunerated fairly, 2) the creation of new works are not being unduly stiffled and 3) the public is not being hampered in their fair usage. My nirvana would be to run a copyright simulation engine that takes in different copyright models (ie times of expiration, usage scenarios, etc.) and outputs metrics such as income from works, amount of fair use, increase/decrease in works produced, etc.

      Anybody has any ideas on how to go about getting hard data answers to these issues or am I being naive and it is not possible to get answers?

  5. Content -vs- Electronics by Anonymous Coward · · Score: 4, Insightful

    "The film and music industries are tiny compared to the consumer electronics industry."

    In the US, the film and music industries have an enormous domestic presence, employ a lot of people, and can mobilize performers on their behalf.

    With a few exceptions, the US consumer electronics "industry" is actually a bunch of importers of offshore designed and manufactured goods. They can't muster the bodies or the charisma to influence Congress. And most of the companies don't care if the products they sell are crippled by DRM, provided no one else is allowed to sell an uncrippled product.

  6. Part of the problem by Nf1nk · · Score: 5, Interesting

    Part of the problem is that IP is currently an untaxable asset. It is something that you can have tons of in inventory, but its not bad in the same way that having two years worth of wigets in inventory is. This leads to hoarding, some companyexist only to hoard and licence out bits of IP.
    We Need to create an Intellectual Property Tax.
    This will keep corpoartions from hoarding and speed the flow of material into the public domain. If $Member-RIAA thinks $Boy-Band latest album is worht $50 mil let em pay 1% for the goverments protection. Since the IP cartels want real protection for their "assets" let them pay for it in the same way you would have to pay for real assets

    --
    I used to have a cool sig, back when I cared
  7. Where's their motivation to? by Shaper_pmp · · Score: 5, Interesting

    Given the overwhelming happiness of naive consumers to use electronics with (even highly restrictive) DRM built-in (Napster-2-Go, iTunes, any non-native-MP3 digital music player), where is the pressure against strong IP laws going to come from?

    Strong IP laws allow electronics manufacturers to make it harder for third parties to interoperate with their kit, thereby increasing vendor lock-in (and hence, their profits - iTunes makes a loss, iPod rakes in money hand-over-fist).

    Weak IP means they can't stop people reverse-engineering their protocols and products and people can release cheap but interoperable knock-offs, which undercut their market and prevent lock-in.

    Were I a consumer electronics manufacturer, I'd be lining up behind strong IP as far as I could - it would be all pro and no con, as far as I could see.

    --
    Everything in moderation, including moderation itself
  8. It's not policy by jafac · · Score: 4, Interesting

    The reason it's bad is that it's being driven by ideology, not pragmatism.

    Ideology says: "If we don't give the corporations what their lobbyists want, which is a guaranteed percentage of ROI for R&D dollars spent, all innovation will grind to a halt!"

    Pragmatism says: ". . . to promote the useful arts and sciences. . . for a limited time. . ." (actually, that's what the Constitution says).

    There's still a place for patent and copyright law, but the effect of today's laws is to remove the risk from R&D spending for large, established corporations, and eliminate competition from the marketplace. It has a detrimental effect, overall, on innovation, because it creates unnecessarily high barriers to entry in many markets and industries today.

    This is an area of policy where lawmakers really need to tear everything down, and go back to what the Constitution said about Copyright, and what the Founding Fathers intended. Otherwise, the Free Market will make us it's bitch, and overseas competitors with less draconian IP law will supplant ours (already happening in some areas).

    --

    These are my friends, See how they glisten. See this one shine, how he smiles in the light.
  9. attitude of society toward "artists" by Anonymous Coward · · Score: 5, Insightful

    I think our society just has an "unhealthy respect" for musicians and actors and so forth.

    Imagine if plumbers demanded that you pay them every time you use the sink they fixed. Or if doctors wanted a percentage of your income earned with that broken arm they mended. You'd laugh and say "I'll just find another guy that doesn't demand those ridiculous terms". Or put another way, the free market would quickly eliminate those types of contracts.

    But it's not that way with, say, musicians or other creative professionals. Probably because each musician is unique in some sense, and also the average Joe doesn't have a clue how to make a good piece of music.. so when you tell somebody that musicians are being "stolen" from, they feel more sympathy. They don't want the artist to "starve".

    I mean, look how we worship (and pay big bucks) for Marilyn Monroe, Elvis, etc. There's a feeling that there will never be another one *just* like Elvis. And somehow people don't question this ludicrous state of affairs (dead people having these dynasties where they continue to get paid for work already completed).

    That's the vibe I've gotten from people, anyway. We worship entertainment in this society.

  10. Dripping with Bias... by torokun · · Score: 4, Insightful

    Are slashdotters so unoriginal that they will let language like this story header's go by with nary a comment? This story is just dripping with assumptions and unjustified bias.

    Do you want a discussion or a rantfest? The article brings up some good issues, but assumes from the outset that many policies are "bad" only because it seems to be common sense. Common sense is a good guide sometimes, but shouldn't always be taken as unassailable. There are many counterintuitive effects in the operation of economic incentives.

    This header frames the article in such a way as to draw unthinking rants against IP policy, rather than a decent discussion. This is one of the reasons so many have stopped reading slashdot.

    To give the author of the article some credit, at least he admits that "IP is a good thing" near the end. It is.

    The goal of IP law has always been to find a way to incentivize innovation without unduly burdening society. If you learn about all the equitable doctrines involved in copyright and patent law, you'll see it's true. There is a real effort to be fair and equitable.

    There are many problems in the operation of the system, as well as in some of the copyright legislation, as with all aspects of government. But framing the dialog in this way is not productive...

    I've said this before here and I'll say it again. Even though all you coders know you want to throw out that ancient spaghetti codeded system and start all over, you can't and you know it. It's often there for a reason and needs to be respected as something that works, for good or for ill. It may need to be refactored, but not trashed.

    That is the proper approach to law as well, and I'd like to see some responsible recognition of that in slashdotter circles.

    1. Re:Dripping with Bias... by Detritus · · Score: 4, Insightful

      Sometimes the proper approach is to line up the old guard against the wall. Some systems of law and regulation become so complex, entrenched and counterproductive that radical action is required to solve the problem.

      --
      Mea navis aericumbens anguillis abundat
  11. Some Ramblings to Rehash by jeff_schiller · · Score: 4, Insightful

    It's a big problem with no simple solution. The real problem is trying to put a container around ideas and concepts and calling them "Intellectual Property". But that's what the Information Age taught us: Ideas are extremely, extremely Valuable.

    Protection for IP is in place to give monetary incentive to people (or corporations) to create things (in order to drive the economy, make the world a better place, etc).

    If I create something useful, it would be nice if I get compensated for my efforts. If I create something really popular, it stands to reason that I would be compensated on a relative scale. If I create something and someone comes along and steals all my ideas and makes a fortune on them, that's an injustice.

    If there were ZERO IP laws, then you favor those with the big bucks. Simple: steal some idea, market it as your own and drive everyone out of business. Corporations would chase away any monetary incentive to create something and artists/developers would only be left with "personal pride" as a motivator.

    Unfortunately, "personal pride" does not put food on the table. Thus, you definitely need IP Laws in order to police the soulless corporations who only see dollar signs.

    Just off the top of my head, I feel that corporations should not be allowed to own IP. It doesn't feel "right" to me. Corporations are soulless, mindless entities with money, they cannot actually CREATE. What I mean is, only the ACTUAL creators (i.e. people) would be able to own the IP and (as employees) could license it exclusively to their employer for a maximum of 2 years (or some reasonably small number).

    This still gives corporations incentive to fund research and secure the IP, and get a product out before competitors, but it reduces some of the incentive to blindly secure IP wherever they can.

    When the "exclusive" term is up, the actual creator(s) can market the IP anywhere (including to their employer) but it can never be "exclusive", meaning if a competitor is willing to pay the license to the employee, the IP owner cannot refuse. They can even release it to the public domain.

    I know this doesn't actually solve the bigger problem but it feels like a step in the right direction to me anyway.

  12. Re:Patent Credited To.. [Insert Co. Here] by jwd-oh · · Score: 4, Insightful

    Kary Mullins did not invent PCR, he discovered it. He did not have to sell his discovery. No one put a gun to his head. He made a coice and now has to live with that choice.