What Would You Ask For in Copyright Law?

BlastM asks: "The Australian Attorney General's Department, as reported recently on Slashdot, is accepting public input in a review of fair use exceptions (or lack thereof) in our copyright laws. Being an Australian citizen, I'll be directly affected by any reforms that are made, and under the Copyright Act in it's current form it's hard to avoid breaking the law nearly every day, whether format shifting music, recording broadcast TV shows or sharing movies via P2P or with friends. The question I pose to the freethinking minds, here: What fair use rights should be defined under copyright law? Is the use of a static, defined set of rights too restrictive? What's right/wrong with the copyright laws where you live?"

Comments

These

[4of12]

are very reasonable starting points IMHO.

Re:Less of it!

[jc42]

Everything was fine pre-DMCA.

Not really. The famous Girl-Scout case was years before the DMCA was passed. This was the case in which the Scouts were sued for permitting their members to sing copyrighted songs around a campfire. And note that all the negative publicity didn't work in this case. The Girl Scouts are paying an annual fee for the right to sing around their campfires.

Then there are the explanations of how it comes to be that Happy Birthday is still under copyright, although it was written in the 1880's. The current owner gets several million US dollars per year for permissions to sing the song.

None of this is the fault of the DMCA.

Acknowledge doctrine of first sale and private use

[NZheretic]

When You Purchase An Instance Of Something, You Own That Instance. When I purchase a car, I own that car. I have the right to that particular instance of that car to use,modify ( pimp my ride ),combine, dispose or resell without having to seek permission from the car builders, vendors etc. Therefore is the following is self evident:

1) Acknowledge the supremacy of the doctrine of first sale : When you purchase an instance of a copy of copyrighted work, your rights to view,use,modify,combine,interoperate with, dispose or resell that one instance are not impeded by either legislation or technology. This fact has been recognized time and again by the US courts.

2) The doctrine of first sale applies to both physical media and digital content where the receiver pays a transaction for an instance of a copyrighted work: When you purchase an instance of a copy of copyrighted work that involves the buyer making a choice for that instance of copyrighted work and entering into a transaction with the seller, then the buyer has the rights to that instance under the doctrine of first sale. Sellers of instances of copyrighted work cannot hide behind provision as a service, when you pay for an instance, you own that instance.

3) You do not have the right to record content without permission of the copyright holders of a live performance ( play, concert etc ) or private performance ( Film theater ) on private property or venue. You pay to attend a performance at a physical venue, not for a copy of an instance of that performance.

4) Broadcasted ( as apposed to downloaded ) copyrighted works as content received into a household or to device held by individual person or on that persons property, may not be redistributed outside of that person's household to anyone who does not receive the content though the same service. You may record a instance of copyrighted work for later viewing ( timeshifting ) and distribute a copy along to any person whos household also receives that same broadcast service ( Samaritan clause ). You many not redistribute or resell content recorded from a broadcast service to anyone not receiving that same broadcast service content.

5) Although you may not redistibute recorded copies of broadcasted copyrighted content outside of the terms of (4), there should be no limit to what you may do with instances of those works within your household. You should have the right to modify the works, combine with other works and interoperate with other works.

6) Copyright protection extends only to the particular work copyrighted. The Copyright holder's exclusive rights should not extend to the right to deny other combining an instance of copyright holder work with other works. You should have the right to distribute and/or sell, patches, recipes and addon components that refer and link to the content of the copyrighted work, but do not contain content from the original copyrighted work. The resulting combined and/or transformed work that contains content from the copyrighted work sources can not be legally redistributed without the permission of all the copyright holders.