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What Would You Ask For in Copyright Law?

BlastM asks: "The Australian Attorney General's Department, as reported recently on Slashdot, is accepting public input in a review of fair use exceptions (or lack thereof) in our copyright laws. Being an Australian citizen, I'll be directly affected by any reforms that are made, and under the Copyright Act in it's current form it's hard to avoid breaking the law nearly every day, whether format shifting music, recording broadcast TV shows or sharing movies via P2P or with friends. The question I pose to the freethinking minds, here: What fair use rights should be defined under copyright law? Is the use of a static, defined set of rights too restrictive? What's right/wrong with the copyright laws where you live?"

4 of 659 comments (clear)

  1. Commercial availability? Or something? by neiffer · · Score: 5, Interesting

    I always wonder why there can't be something concerning commercial availability. If software isn't sold anymore, shouldn't that modify copyright? What about when a book or CD or movie is unavailable? What about so-called abandonware?

  2. Already Sensible by TheRedHorse · · Score: 5, Interesting

    I'm probably in a minority, but I think America's Fair Use Clause is already pretty sensible, it states:

    "Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include --

    (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;

    (2) the nature of the copyrighted work;

    (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

    (4) the effect of the use upon the potential market for or value of the copyrighted work."

    The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

    If we'd actually enforce this doctrine and not pass things to circumvent it, like the DMCA, I think oftentimes we'd find the law on our side. How does Australian law differ from these provisions?

    I think alot of the bickering about IP rights comes from industries using money to skew the issues and interpret the law in their favor, and no strong voice stating what the law actually is or moving that it should be enforced fairly.

  3. Copyrighted works must not vanish. by 99BottlesOfBeerInMyF · · Score: 5, Interesting

    My main problem with copyright in the U.S. is that it is used to basically remove works from the populace. The vast majority of works are tossed in storage after they don't become hugely successful and are never seen again and often become completely unavailable. If I were rewriting copyright laws I'd require that all copyrighted works must be available for sale at a reasonable market rate or the copyright on them expires immediately (with an exception for works still in progress or about to released) and cannot be reinstated. I'd also require that two copies of every work to be copyrighted be provided free of charge to a national archive, thus ensuring that they will not disappear. (This used to be law in the U.S. but was repealed at the same time most of the rest of our copyright laws were rewritten by lobbyists.)

    This still allows artists and publishers to make money on works, but also preserves them for the public when those companies stop offering them.

  4. Re:My $.02 by GlassHeart · · Score: 4, Interesting
    the ability of a media consumer, having paid for a legit copy of a movie or a cd, to manipulate it in any way he/she sees fit short of redistribution for profit.

    So redistribution for no profit, no matter at what scale it occurs, should be legal? What if this means that a large studio (that can afford the bandwidth) could just host a copy of any indie film so that the makers see no profit?