Slashdot Mirror


The Formula for a Successful Sitcom

indylaw writes "A team of scientists commissioned by British satellite channel UKTV Gold has developed a mathematical expression to predict the success of TV sitcoms. Using the formula [((R x D + V) x F) + S]/A, they determined that "Only Fools and Horses" and "The Office" are the best of British comedy, while "According to Bex" (which is being adapted for CBS in the fall and will star Jenna Elfman) scored in the bottom five."

12 of 291 comments (clear)

  1. The original Grauniad article: by alanw · · Score: 4, Informative

    Here is the original article, complete with scores for the top and bottom 5 shows.

    1. Re:The original Grauniad article: by Pi_0's+don't+shower · · Score: 4, Insightful
      Can someone explain to me how exactly Blackadder and Fawlty Towers scored so relatively low compared to The Office and Only Fools and Horses?
      Yes, they said the formula for a successful sitcom, not necessarily the formula for a quality sitcom. Apparently, having a huge nerd cult following doesn't mean success as much as having more people watch your show. Duh.
  2. Now... by Anonymous Coward · · Score: 5, Funny

    Now make a formula that can tell if a Slashdot-article is a dupe.

    1. Re:Now... by Anonymous Coward · · Score: 5, Funny

      Now make a formula that can tell if a Slashdot-article is a dupe.

      1

  3. Oh, I get it. by yotto · · Score: 4, Insightful

    It's a joke.

    And I usually like British humor. Strange, that.

  4. Re:Elfman? by funwithBSD · · Score: 4, Insightful

    So long as her boobies jiggle when she does it, I could care less....

    --
    Never answer an anonymous letter. - Yogi Berra
  5. Even better: Success = T#ts + As# by Vile+Slime · · Score: 5, Insightful

    Need I say more

    --
    ---- Go ahead, mod me down, I'll just post it again and you lose your mod points.
  6. I hate these news-grabbing formulae by P-Nuts · · Score: 5, Funny
    How on earth do you go about measuring any of the variables in their formula. For example, D, deluesions of grandeur. Do they just order a delusionometer from a scientific supplies catalogue?

    I've come up with my own formula: L=(nP+sqrt(C)/i). It calulates lameness of formulae (L) according to number of terms in arbitrary units (n), popularity of subject matter (P), column inches devoted to the formula in mainstream news (C), and intelligence of the researchers who came up with it (i). My formula has a lameness of only 4.7, but their is much lamer at 205.3.

    So there.

  7. Re:What's the cost of a formula? by MutantHamster · · Score: 5, Funny
    Wait, I haven an even better forumalr. Where "R" stands for ratings, it goes like this:

    R.

    --
    My Greatest Heist - Muisc partly inspired by the unbeatable Qwantz
  8. I dispute your theorem! by digitalamish · · Score: 5, Informative

    My evidence: The Pamela Anderson crapfest Stacked.

  9. Formula for getting high-mod points: by pegr · · Score: 5, Funny

    (F x (R x D + V)) + S) / A

    Where:

    F = Likelihood of remaining on the first page of comments
    R = Recognizability rating (editors=9, Taco=10, ACs=0)
    D = User ID numerical ranking, 3 or fewer digits=10
    V = Actual intelligence score of post
    S = Number of "Me too" replies generated
    A = General interest of story commenting on

  10. By that metric by ajs · · Score: 4, Insightful
    Using their calculations, a sitcom that starred an elvis impersonator who thinks he's God, and features absolutely nothing him trying to stand up on a moving ship for 1/2 hour every episode would be the world's most successful sitcom...

    Yeah, I don't think you meant to factor in Wit as an additive feature....

    This is usually the problem with such a formula. It isn't the discovery of any kind of fundamental feature of the sitcom, it's just an attempt at an explanation of why the CURRENT set of sitcoms are good or bad.

    My formula looks like this:
    Originality * Quality * Acting
    The real problem is that humor is FAR harder to write than drama (ask anyone who has written both successfully), and so getting good writers is far more important for a sitcom than it is for a drama. Not that it's not hugely important for a drama, just moreso for a sitcom.