The Formula for a Successful Sitcom
indylaw writes "A team of scientists commissioned by British satellite channel UKTV Gold has developed a mathematical expression to predict the success of TV sitcoms. Using the formula [((R x D + V) x F) + S]/A, they determined that "Only Fools and Horses" and "The Office" are the best of British comedy, while "According to Bex" (which is being adapted for CBS in the fall and will star Jenna Elfman) scored in the bottom five."
Here is the original article, complete with scores for the top and bottom 5 shows.
Now make a formula that can tell if a Slashdot-article is a dupe.
It's a joke.
And I usually like British humor. Strange, that.
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So long as her boobies jiggle when she does it, I could care less....
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Need I say more
---- Go ahead, mod me down, I'll just post it again and you lose your mod points.
I've come up with my own formula: L=(nP+sqrt(C)/i). It calulates lameness of formulae (L) according to number of terms in arbitrary units (n), popularity of subject matter (P), column inches devoted to the formula in mainstream news (C), and intelligence of the researchers who came up with it (i). My formula has a lameness of only 4.7, but their is much lamer at 205.3.
So there.
R.
My Greatest Heist - Muisc partly inspired by the unbeatable Qwantz
My evidence: The Pamela Anderson crapfest Stacked.
(F x (R x D + V)) + S) / A
Where:
F = Likelihood of remaining on the first page of comments
R = Recognizability rating (editors=9, Taco=10, ACs=0)
D = User ID numerical ranking, 3 or fewer digits=10
V = Actual intelligence score of post
S = Number of "Me too" replies generated
A = General interest of story commenting on
Yeah, I don't think you meant to factor in Wit as an additive feature....
This is usually the problem with such a formula. It isn't the discovery of any kind of fundamental feature of the sitcom, it's just an attempt at an explanation of why the CURRENT set of sitcoms are good or bad.
My formula looks like this:The real problem is that humor is FAR harder to write than drama (ask anyone who has written both successfully), and so getting good writers is far more important for a sitcom than it is for a drama. Not that it's not hugely important for a drama, just moreso for a sitcom.