Canada Introduces DMCA-Style Copyright Law
P Starrson writes "The Canadian government this afternoon kept one promise many could live
without. It introduced new copyright legislation that will bring
DMCA-style legislation to Canada (backgrounder
and FAQ
here but bill still not online). Professor Michael Geist has
apparently seen a copy and points out on his blog
that while the bill does not go as far as the United States, the
proposal is full of new rights for the music industry with precious
little for users."
It seems like there's a new story on this a couple of times a week. I remember the very first time I heard anything at all (some Senator was pushing some nefarious bill that alledgedly was going to give some "rights" to the music manufactures to help them "control" music as it became more and more digital...). I laughed out loud to myself (is that possible?). Anyway, fast forward to today, and I'm amazed at the progress the music industry has made.
I watched in amazement as unexpected shills stepped forward to support the music industry in their quest to strip consumers' rights, most notably (or at least the one I can remember) Motley Crue. Further thought brought the logical conculusion these shills were entrenched in the music machine and stood to defend their obscene incomes... The bands that are popular are mostly (not all) there by serendipity. There are tons of excellent musicians out there waiting for their turn. So, Crue, et. al., dig in!
And now? Canada? Blame United States!
Regardless, I wish I wish a cohesive movement could arise and say, "no more", though I don't have a clue how to start that. Any good organizers in slashdot land? I don't know how a movement would manifest, but it seems groups have been able to pressure networks to not show shows, why can't the consuming music public apply similar pressure? I for one would be willing to commit to ZERO purchases of any media (dvd, sacd, cd, etc.) for one calendar year. Others? Other ideas?
When will "the users" realize that they elect the politicians?
Money can buy influence, but in the end it is each "user" in that voting booth that should be throwing out those elected officials that don't respect them!
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
I went to a talk last year given by legal counsel for the EFF about the DMCA, efforts to remove it, and very limited success, and I realized that even the lawyer made one fundamental mistake: they refused to acknowledge that people really do steal significant quantities of music/movies simply because they don't want to pay.
Until the anti-DMCA crowd accepts and acknowledges that, even though they produce crappy music, people are actively stealing significant quantities of music/movies, they will NEVER gain traction against the well organized lobbying groups.
The DMCA contains WAY TOO MANY horrible provisions, but the fact that it's defended so harshly by the RIAA/MPAA is indicative of the fact that they are quite desperate. Yes, the recent music sucks, but no, that's still no excuse to steal it. Until the anti-DMCA side is willing to accept a law that reinforces the standard copyright laws in a REASONABLE manner, there's very little chance that the DMCA is going away.
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And please try to restrain yourself from the obvious follow-up that they'll never have to do this because eternal copyright is just around the corner.
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
AC comments get piped to
The DMCA isn't a problem. It's a nutcase law, I give you that. But it isn't a problem, since the law counts for everybody.
Applied with a good sense of creative nonsense it can protect anybody from anything.
Apply the DMCA to ways to access your personal data and sue anybody who sends you comercial mail into next wednesday.
The DMCA only becomes so oppresive in the US because they don't have the 'loser pays all' paradigm. Which is the only way any civil legal system makes sense. Not having 'loser pays all' is the next best thing to corporate fascism (sic).
Here in germany I have a friend that has trouble with big players in his field bringing up heavy legal caliber against him (he's into booksales on the web and it's about the german pricefixing law for books, even Pearson is involved). He goes to state court this month and if the corporate assholes lose he can carry on doing his business. In the US he'd be broke allready.
Bottom line: Add 'loser pays all legal expenses of trial' to the system and have every hotdog stand apply the DMCA to each and everyt aspect of their small business - and the insanity of this law becomes aparent to anybody with basic brain functions. And it will eventually disapear.
We suffer more in our imagination than in reality. - Seneca
To me, stealing is taking a tangible object. Stealing a CD from a music store has taken something of value that cost money to produce. A download by a person who would have never bought the song, or can't buy the song -- and many versions of older songs aren't yet even for sale as singles -- hasn't cost the industry a cent, yet they claim losses of billions.
Exactly. The reason theft is wrong isn't that you get something for nothing; it's that you deprive the owner of the use of what you stole. If I take your car, you can't drive; if I take your CD, you can't listen to it. But if I make a copy of a song on your CD, we can both listen to it; I gain something, but you lose nothing. It makes no sense to speak of stealing something that isn't scarce.
Furthermore, even in cases where downloading a song causes someone not to buy it, it still isn't stealing. No one owns their expected revenue, and no one has the right to demand money from everyone who enjoys something they worked on. Negative reviews are responsible for more loss of expected revenue than any illegal copying - should we lock up Roger Ebert for preventing movie studios from getting the profit that's rightfully theirs?
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Did you read the blog at all?
His analysis says pretty clearly that downloading through p2p is still considered legal. It always will be as long as there's still a levy on every blank media purchase.
According to TFA, the real concern is that this *bill* (still hasn't been passed into law) would make it illegal to circumvent anti-piracy mechanisms on CDs and such. In other words, if there's garbling to prevent playing a CD on a computer (and likely old CD players too), it'd be illegal to hook up your CD player's line out to your computer's line in and record the songs directly. Likewise, it'd become illegal to circumvent some proprietary copy protection that collects your name and vitals when you rip a recording for personal use.
The only conclusion I can make is that they really don't want people buying their crap, which is an objective I'm more than happy to help with. If it happens, then I guess my solution would be to switch back to cassettes... for all of one album every couple of years.
If you believe everything you read, you'd better not read. - Japanese proverb
I write software for a living. The time it takes to put out a software product is scarce. The money I am payed or which I must invest for creating that intangible and "0-cost reproducible" stream of bits is scarce. Reproduction costs are irrelevant; there must be something to be reproduced to begin with, and that something is scarce.
You're making a classic mistake here. You're entirely correct, of course, that the time it takes to make a program, a song, or a movie is a limited resource, but once that time has already been put into making it, the program/song/movie itself is not scarce.
I also write software for a living, so I know as well as you do that programming time and talent is scarce. But there's a difference between programming and programs. Just like a mechanic or a barber, I don't worry about what someone else wants to do with the fruits of my labor, since I've already been paid for it. The only way someone could "steal" my labor as a programmer would be to sit me in front of a computer and force me to write code.
When you distribute works (books, music, movies, software, whatever) without the copyright owner's permission you are stealing something: the compensation to which the author is entitled for creating it.
If you don't own something, no one can steal it from you - and you don't own potential revenue.
Moreover, the author isn't entitled to get paid just because he made something. If Universal Studios spends $200 million and two years making a terrible movie, and it gets such bad reviews that no one ever buys a ticket, have the reviewers "stolen" something from them? Of course not.
And more importantly, even if everyone who reads those bad reviews decides to download the movie instead of buying a ticket, the studio still isn't entitled to anything. They're in exactly the same situation whether those people download the movie or just sit at home doing nothing; the only difference is that in one scenario, those people get to watch the movie anyway, which harms no one (except themselves, if it really is that bad).
But you must know this already. Otherwise, I must presume you have nothing against taking GPL code and selling it as closed binaries.
Actually, in a world where everyone was free to reverse engineer, decompile, change, and redistribute software, I wouldn't have much of a problem with that. Thing is, we don't live in that world, we live in one where misusing GPL'd code creates an unfair advantage.
But the UNfair use that so many are trying to justify with the above "argument", and which is practiced on a massive scale, makes elected representatives easier to convince that these laws are necessary.
One man's "fair" is apparently another man's "UNfair". Take the trading of TV shows, for instance: last night, due to a TiVo scheduling mishap, I missed the new episode of a popular show. Luckily, I was able to download it via BT a couple hours later. Nothing wrong with that, right? Whether I watch it on TiVo or on my PC, the result's the same: I have a recording and I watch it hours after the show airs.
Now what if I didn't have TiVo, and I just downloaded the show every week? Still fair? After all, whether I pay $13 to TiVo every month shouldn't affect my ability to watch this show; TiVo has nothing to do with the show. Same argument applies if I don't own a TV.
And yet the studios are still up in arms about TV shows being traded, and every pro-copyright argument applies just as well to free-to-air TV shows as it does to songs and movies. Copyright isn't about getting paid, it's about dictating the terms under which someone can reproduce a chunk of information.
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