BBC In Trouble Over Free Music
Take a Byte Out of Crime writes "According to this article, British classical labels are claiming that the BBC giving away the these symphonies, which were performed by the BBC Orchestra for free, constitutes unfair government competition. Apparently all free music really is illegal these days, or soon will be, public domain be damned."
That no good deed goes unpunished.
From the article: "There is the obvious issue that it is devaluing the perceived value of music. You are also leading the public to think that it is fine to download and own these files for nothing."
Gee, maybe I'm wrong, but aren't Beethoven's symphonies public domain? How dare the BBC introduce a great composer's copyright-free works to a larger audience! They're devaluing it! And by "devaluing the music", you mean "devaluing your stock value", right?
Ron dies in chapter 9 of book 7.
The complaint that this is unfair strikes me as being very nearly as absurd as the situation in the US where there are private companies complaining that only they should be allowed to have the data collected and generated by the taxpayer-funded National Weather Service, and that taxpayers should not be able to get the data directly from the government.
At first I thought this was ridiculous because music isn't a commodity, it's not like the government is selling the same thing as the music companies. But when I thought about it some more, in ways, most classical music is a commodity. I mean, when you're looking for Liszt's Hungarian Rhapsody #2, for the most part people don't care about who plays it, the just care that it's a recording of the piece they're looking for. That said, it's not entirely commoditized, I mean, there are differences between recordings, there are different arrangements, different qualities of recording, etc.
It seems very odd though that record companies dealing in classic music would be of the opinion that classical recordings are commodities or that even if they weren't of that opinion, that they would encourage people to think of it that way. It just seems like bad business.
Is there any intrinsic difference between making the performances available for download and broadcasting the performances on digital radio.
If you have the right equipment (such as a Psion Wavefinder) and a reliable signal (not so easy for digital) you can record all the Proms at MP3 equivalent quality.
The difference is the governments aren't funding those people! Oh wait, Governments around the world routinely do things like that. In fact local governments often put a lot of money into funding symphonies etc.--without that funding the "Classical Labels" who are complaining in this case would have a much crappier talent pool to pick from. This same issue came up when some town was releasing its GIS data a while back... I don't see how it is even an issue if it has already been paid for (as with that data and these performances).
--
WHO ATE MY BREAKFAST PANTS?
Not only the music industry, even the UK newspaper's are facing tough competition from the BBC's news website.
The interesting thing about this is that the UK newspapers are being forced to support their competition through taxes.
They're forced to pay the government to dig their own economic graves.
or could it be because they haven't got a leg to stand on and the BBC is perfectly within it's rights to have done this... having copyright anyway in the performance that they did, and therefore, they could dispose of it exactly as they wished, including making it available for free download so nya... nya...
Donald 'Duck' Dunn: We had a band powerful enough to turn goat piss into gasoline.
Quoth that source:
... so which one takes precedence?
WHAT IS NOT PROTECTED BY COPYRIGHT?
Works consisting entirely of information that is common property and containing no original authorship (for example: standard calendars, height and weight charts, tape measures and rulers, and lists or tables taken from public documents or other common sources)
===
Technically those symphonies DO have original authorship but are now public domain, correct?
Is that original authorship a registered copyright, or is that just that it was created by a human and would have been protected by copyright (if they had applied)?
MoM++ - A Classic Expanded - [Master of Magic 1.5]
http://mompp.sourceforge.net/
Absolutely. May I elaborate? The belief that music companies cannot compete because of the economics of filesharing/free music is misleading. A better reason record companies cannot compete is because their products are mostly rubbish. For almost a decade we have seen
movement towards cheap machine produced music propelled by marketing alone. During that time the industry has underinvested in its essential resources, local music culture, educating composers and performers, the prerequisite lifeblood of a healthy arts culture. Meanwhile technology has empowered the individual to create works of an equal or superior quality to that of the record companies. That is what these people want to stop. They dont care about filesharing of _their_ music, legally they think that's cut and dried, what really puts the shits up them is the idea of a healthy independent music culture with artists managing their own distribution. [disclaimer/context - I worked at the BBC as a producer for several years]
Buy/Share Independent music, don't support the crap.
"it smacks a little bit of unfairness if my US based cousins can enjoy what is arguably the best part of the BBC (BBC Online) without having to contribute a penny."
Well, last week's Live 8 concert was limited to the UK - except that some people managed to put up proxy servers that allowed people outside the UK to see it. So I got my fix of the Corrs - especially Andrea being very sexy (again) with Bono (again) on "When The Stars Go Blue". (Actually I didn't get it online myself, but other people did and recorded it, converted it to MPG and I downloaded it within 24 hours of the show.)
Personally I think if you don't like paying your government a license fee to listen to commercial-free radio, overthrow your government. Then you can pay Bill Gates and the music labels fees to listen to commercial-FULL radio. And I suspect you'll pay more than $220 a year on it once they get cranked up with DRM and the like.
As an aside, do you oppose BBC World Service on shortwave?
Richard Steven Hack - This sig is TOO GODDAMN SHORT TO DO ANYTHING USEFUL WITH! MORONS!
I hope that you were just repeating what the record execs said and don't really believe this crap. It's just like the big stink recently over the US government putting out weather data in XML format. Apparently, it's *always* anti-competitive for citizens to compete against industry as far as some folks are concerned.
Don't get me wrong - there's tons of stuff that's better left to private industry. It's tough to know where to draw the line sometimes. In a case like this it's pretty clear though - the government is just giving back to the public what it already owns. Nothing wrong with that.
If you don't want crime to pay, let the government run it.
Lawsuits of this type aren't always without merit. The idea is that in a capatalism, the government isn't allowed to unfairly compete with private corperations. I mean the government can basically always win out in a price war if they want since they can cover costs through taxes, which people don't count in the price since they aren't a direct charge. Since in a capatalism it is undesirable to have the government run everything (wouldn't be a capatalism if they did) it is generally illegal for them to unfairly compete with the private sector.
Now I see this as very differnet. The government isn't competing, they are doing a public service. They aren't trying to have CDs put in stores next to other classical works but for a lower price, they are just releasing some electronic music to the masses. Private entities aren't precluded form competing, they can produce different/better versions of these symphonies (like a DVD-A or DTS CD or something). This is just record companies being whiny.
Personally I say distribute more classical music, or shut the fuck up. It's truly pathetic the selection of classical available. Record labels don't like it very much since it's fairly expensive to produce (an orchestra has a lot of musicians, all who need to be paid, usually up front) and it doesn't sell nearly as much as pop music.
Governments are put in place to do the things that private citizens and corporations can't do on their own: enforce order, build roads, provide for the common defense, etc.
Says who? You deftly slide this by as though it's a statement of fact. How about:
Governments are put in place to do things that private citizens or corproations won't do, but that most private citizens wish somebody would do.
or:
Governments are put in place to make golf courses.
Just what "governments are put in place to do" is a central debate of modernity that has shaped much of the history of the twentieth century. It is what this entire story is about, and why it is so controversial.
I'd be just as happy with:
Governments are put in place to do whatever it is they do and to encourage and facilitate the near-free distribution of valuable works by long-dead people that can benefit the public at large.
STOP . AMERICA . NOW
So in fact the whole existance of the BBC is unfair competition, then? It probably is. And in my oppinion the commercial companies will just have to manage anyway. The BBC has been giving away music over radio and tv for decades but now when its over the Internet is suddenly a problem?
I fear we are beginning to see the problems of diseases on capitalism really rearing their heads these days. The greed recently is overwhelming! Perhaps it is because most Western nations have lost their tangible manufacturing base to countries like India, Taiwan and China. Now instead of manufacturing goods, all that Western companies can do is manufacture "intellectual property". Since such "property", be it movies or music, isn't tangible in any way, it is often quite easy to reproduce and distribute. As such, these corporations and groups must resort to legalities to make a living.
Indeed, what we are seeing is a disease on capitalism and the free market. Our capitalism has been infected with intangible goods that are being treated as if they were tangible by the forces of law. The free market is not being allowed to work, and trouble is the result. Indeed, one cannot have an effective capitalistic society without a free market. Our free market has become diseased with intellectual property legalities, and as such fails to work to the benefit of society.
Cyric Zndovzny at your service.
someone who has a sense of humour, all first posts should be that good. It stops the other idiots.
Likewise, I'm sure you are aware that the Global Positioning System is funded wholly by an income tax levyed on my personal income and paid to the Department of Defense.
it smacks a little bit of unfairness if my US based cousins can enjoy what is arguably the best part of the BBC (BBC Online) without having to contribute a penny.
And likewise unfair that you can enjoy a precision navigation system paid for entirely on the dime of the U.S. taxpayer.
BBC Online should be protected in-line with the rest of the BBC, the content should be un-lockable via entry of my license number.
And you should have to use a smart card with a paid-up subscription to activate any GPS receiver you may want to use -- oh wait, isn't that what you have in mind for the Galileo system?
Except that all British Citizens have paid for this music whether they chose to or not. That would be the same as if the government charged everyone $15,000 and then gave everyone a "free" car. It's not exactly fair to the competition.
The real "Libtards" are the Libertarians!
Here's an analogy for the Slashdot crowd:
The BBC is like Microsoft, except its power to force consumers to pay up comes not from sleazy deals and market penetration but the well-polished heel of a bobby's boot. The classical recordings, then, are like Internet Explorer, which they are giving away for "free" (though in reality subsidized by the rents created from their power position), and this record industry exec is like Netscape, trying to protect a stagnant, failing product space while whining about how consumers are harmed by delivery of a free product.
So the question for you is: are you consistent in your application of principles in these cases? Because I have a feeling that if you said:
If you don't know where you are going, you will wind up somewhere else.
My goodness, but what a small, greedy, mean-spirited world we've become if the BBC is attacked for giving to the public its performances of the great musical masters. Perhaps we should weed through university computers to make sure that there are no copies of Shakespeare or Chaucer (ala Project Gutenberg), because heaven forbid that a government-funded institution should ever compete with a bookseller.
The world's burning. Moped Jesus spotted on I50. Details at 11.
It's pretty hard to compete against a group that forces everyone to buy its performance while you have to hope someone volutarily buys yours.
No, it's not. All over the nation there are paid orchestras and choirs singing public-domain works and doing just fine because the *performance* is what most people are interested in. My wife has several recordings of certain works, she herself regularly sings those same works, and she regularly pays to attend performances of the very same works.
The problem with the business model is that the orchestras, rather than *perform* want to *record* and still be viable. That's the failure. The money is in the performance and BBC isn't competing in that space.
As one of those Americans, I would like to point out that the BBC has programming on both the radio and the television worth watching/listening. Your 220USD is less than you'd pay for a cable service and you still wouldn't get any good stuff. So cram it. The minute the BBC starts charging overseas customers for a H.264 video stream over the Internet, I'm converting to pounds and paying them what they ask. There's so much government waste and stupidity in the world and you want to complain about government efficiency and service?
"And then there was a great disturbance in the
force, as though a billion souls were suddenly
extinguished..."
That "Happy Birthday" song (you know the one I
mean) is protected, copyrighted material. It
cannot be commercially reproduced without pay-
ment of royalties to the copyright holder.
One may take this to mean that the song may not
be sung for profit (eg. singing telegram), nor
can it be written down (eg. birthday card).
This whole situation seems pretty ludicrous.
This is not merely a UK copyright issue, but
also a USA issue. Remember the Disney-sponsored
"Mickey Mouse" copyright legislation that
passed with flying colors? No doubt, this same
situation also exists elsewhere. (So, Mickey
has been enslaved for yet another 30 years!)
AFAIK, copyright was established in order to
reward the original artist/writer/composer
during his/her lifetime, and not a revenue
stream for the next 3 generations. Doesn't
the term "public domain" and "fair use" mean
anything anymore? It's a damn good thing that
these onerous copyright laws were not around
before the advent of the Gutenburg press -- we
would all still be in the Dark Ages, thinking
the world is flat. Each hand-copied manuscript
would have had to be paid for with a pound of
monk's flesh...
What if some rock & pop musicians find that these online channels based on free distribution might be a better way than going to a record company for a haircut and dance lessons, and to be told exactly what to do? Slipperysloping some more, soon the record company exec's only business will be to sell artists back their rights to their own music, so they can publish it online. The question is WTF, besides whining, are they going to do about it?
Extend copyrights, implement DRM's, sue kids...? How much time will that buy them?
"The looser the waistband, the deeper the quicksand", or so I have read.
News International (part of the Murdoch empire) avoids UK taxes and has done for many years. In fact, they are effectively being subsidised by the UK taxpayer.
Really? I'd like to know how it is they avoid paying UK taxes. Some proof would be nice.
And how are they being subsidised by the UK taxpayer? Do they collect tax money? Again, some proof would be nice.
And are they representative of all the newpapers in the UK? Even if they don't pay taxes, do all newspapers not pay taxes? It seems like you're providing what may be a single exception to suggest something in general. Again, how about some proof?
Just one look at the article submitter's e-mail address should tell you what's behind this. Lies and FUD.
All that it takes is people like him and, over time, more and more music becomes unencumbered.
I am surprised that the large corporations have not cottoned onto the idea of free music as an inducement to advertising. Think of the vast sums that they spend just to have their name put in front of people's eyes (think: adverts in football or formula 1 racing). Those cost a lot of money.
What would it cost to commission an orchestra to play Mozart/Beethoven/... and release the MP3s with a short message of the form: ''Beethoven's Moonlight sonata brought to you by XXX, purveyors of fine YYY'' ? If it isn't too intrusive most people would not skip it or edit it from the MP3. The licence could be personal use, no redistribution which means that everyone who wants it should go to their web site and see more adverts for YYY.
Then he said "SYKE! I never got paid royalties. Like most composers, the government (the king) paid me to do what I do, and my music was performed for the paeons to keep them happy. My music was passed around for free for generations after that through the earliest form of open source P2P , music lessons and badly copied versions of sheet music"
Excuse the Unicode crap in my posts. That's an apostrophe, and slashdot is busted.
Err Its not actually free. We (Brits) pay a license fee and therefore we have a right to access those performances since we paid from them. If this case wins then ITV and other non-license fee channels could argue that all free t.v is illegal!
It's these sort of frivolous cases that make me believe that something stronger than tossing the case out is needed. This company should permanently be prevented from ever suing anybody for any reason, no matter the merits.
In the UK, (and many parts of the USA and elsewhere), this can actually happen. If you are declared a vexatious litigant (ie, someone who issues spurious lawsuits), you can not begin proceedings in a court without specifically applying to the High Court for permission (and you pay the costs of the application, whereas your potential defendant pays none).
Clearly, this is an extreme case. Denying or hindering someone's quick access to justice is not a step that the courts take lightly. Hence the relatively few people on the VL list. It's viewable here
--Ng
Except that they are not encouraging vendor lock-in. Nothing that the BBC is doing is going to force people to use their service. The BBC symphonies don't include special features that speaker manufacturers will use that will prevent me from listening to other symphonies on them. In short, I am completely free to buy the Herbert von Karajan recordings of the symphonies (get a Mac?) without any interference from the BBC and without suffering any ill effects.
I am TheRaven on Soylent News
There are a lot of silly lawsuits these days, but sure they're a lot better than agression, murder, corruption or robbery cases.
Also it seems that the common citzen has easy access to the justice, and this is a wonderfull thing. And even better, it shows that the common people can relly on the public defensors when they're accused.
Here at Brasil justice is a thing for the elites, and the commom man, the poor one, don't really has access to it. Also, there is a lot of corruption in our judiciary system... since the judges are indicated, and not elected, and has all sorts of privileges and imunities.
So I for one, think that the amount of silly, or even stupid, lawsuits are a indication of how democracy, and the citzen rights, are respected and valued. Since even this kind of nonsense has it's place before justice... at least it means that everyone has a chance to be listen.
---- You know how some doctors have the Messiah complex - they need to save the world? You've got the "Rubik's" complex
If the BBC was independent, then they wouldn't accept tax money.
So what you're saying is that McDonnel-Douglas, Smith & Wesson, American railroads, and farmrs (not to mention most other companies) are actually government entities, right?
After all, if they accept tax money then they're not independant.
So, logically, that makes the USA a communist haven!
-1, Missed the Point
The problem with IE wasn't that it was given away free. I don't think you'll find anyone on /. who has a problem with free software per se. The problem with IE was that Microsoft bundled it with Windows.
A nearer analogy would be if Apple had an orchestra record a bunch of classical music, and bundled that music with every iPod sold. Then the guys selling CDs of classical music might have a case. The problem was about abuse of a monopoly position, not about giving away a product for free.
Real Daleks don't climb stairs - they level the building.
Can I then be sued by Toyota because I chose to buy a Ford car instead?
Quite possibly, since a bus company is suing people who carpool.
General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
To the arrogant assholes who spend time bashing freeloaders and determines everyone commenting is not an artist: God forbid an artist has to have a JOB to live on. And you simply HAVE to be a tradesman to live, whether you are living AND being creative, or not. Btw, Beethoven was a whacked out nutjob that happened to be very skilled in music, much like a large number of the successful music artists of today.
Maybe you're lost in the bullshit of an art marketplace, but don't assume the rest of us are. It takes a lot of hard work and insane self sacrifice to become a remotely successful artist (with a grain of salt set aside for the unusually lucky people) and even then it can all crumble in the end. Look at Big Sky Band from Gainesville, FL, those hardworking crazy fools, they spent years and years touring and doing live gigs trying to make it big, even came close a few times, even got signed, even had their song in rotation in certain cities, but in the end, they had to move on in life, despite pouring the blood and tears into it and giving it their all. Now they give away all their live shows for free. It takes insane luck to actually make a good living being an artist, and without a 'tradesman' ability, you don't exist beyond small gigs.
Cheers.
This is my sig. There are many like it, but this one is mine.
Sometimes I think we need a (+1, Sarcasm) moderation that is a blend of funny & insightful ...
If the byteme email address wasn't obvious enough, I fear lest the sarcasm be lost on grandparent otherwise.