Doctorow and Stross Release Latest Novels for Free

FleaPlus writes "Two prominent science fiction authors have recently released their newest novels as free downloads to coincide with their in-store releases. The first is Someone Comes to Town, Someone Leaves Town, by Cory Doctorow. This is an unconventional story about an entrepreneur (who happens to be the child of a mountain and a washing machine) who gets involved in a scheme to blanket Toronto with free wireless mesh network, among other things. The second is Accelerando, by Charles Stross, which tells the tale of three generations of the Macx family (beginning with perptually-slashdotted venture altruist Manfred Macx) in the years leading up to and beyond a technological singularity."

Comments

DRM

[md81544]

I love the section about DRM that Cory Doctorow has included in the preamble to the book:

DRM

The worst technology idea since the electrified nipple-clamp is "Digital Rights Management," a suite of voodoo products that are supposed to control what you do with information after you lawfully acquire it. When you buy a DVD abroad and can't watch it at home because it's from the wrong "region," that's DRM. When you buy a CD and it won't rip on your computer, that's DRM. When you buy an iTune and you can't loan it to a friend, that's DRM.

DRM doesn't work. Every file ever released with DRM locks on it is currently available for free download on the Internet. You don't need any special skills to break DRM these days: you just have to know how to search Google for the name of the work you're seeking.

No customer wants DRM. No one woke up this morning and said, "Damn, I wish there was a way to do less with my books, movies and music."

DRM can't control copying, but it can control competition. Apple can threaten to sue Real for making Realmedia players for the iPod on the grounds that Real had to break Apple DRM to accomplish this. The cartel that runs licensing for DVDs can block every new feature in DVDs in order to preserve its cushy business model (why is it that all you can do with a DVD you bought ten years ago is watch it, exactly what you could do with it then -- when you can take a CD you bought a decade ago and turn it into a ringtone, an MP3, karaoke, a mashup, or a file that you send to a friend?).

DRM is used to silence and even jail researchers who expose its flaws, thanks to laws like the US DMCA and Europe's EUCD.

In case there's any doubt: I hate DRM. There is no DRM on this book. None of the books you get from this site have DRM on them. If you get a DRMed ebook, I urge you to break the locks off it and convert it to something sensible like a text file.

If you want to read more about DRM, here's a talk I gave to Microsoft on the subject:

http://craphound.com/msftdrm.txt

and here's a paper I wrote for the International Telecommunications Union about DRM and the developing world:

http://www.eff.org/IP/DRM/itu_drm.php

Re:DRM

[Council]

As far as the young internet citizenry goes, I'm moderate to right-wing on DRM and data liberalization (I'm fairly left-wing in real life). This might not be the best label; what I mean is that while I like the ideas of free information, I think there's a lot of bias in the debate and blood in the water on both sides. I think there are decent points and stupiditiy on both sides, and I don't know that anyone really has a grasp on what this new world is going to look like. I'm in favor of not doing anything too rash and waiting to see how it plays out.

A few points worth keeping in mind:

There's a tendency around here to consider what can happen to the exclusion of what likely will happen. That is, just because there's a way to copy something doesn't mean enough people will go to the trouble to do so. There's no theoretical problem with copying paperbacks, but the average Joe doesn't have the time or the equipment, and most in the American system get their books from legal stores.

However, as with most parts of the debate, this digital revolution introduces a new twist: once something is broken, it can spread quickly. You don't have to re-break it for each copy. So you have a legal network and an illegal network sitting next to each other, struggling for supremacy.

I think what it comes down to is that people who want to control how easy it is to get to something can do so, but only by a matter of degree. It will always be possible to get an illegal copy of anything digital. But they can probably continue to make it difficult. This might be wrong, though; maybe there is no effective stranglehold that can be put on p2p traffic as bandwidth grows. Maybe file distribution systems will allow total anonymity for everyone in a more practical sense than Freenet. I'm not sure.

Let's try to look at the possible futures:

1. Total DRM failure:

KaZaA networks get better and better, cleaner and cleaner. DRM is cracked constantly and repeatedly struck down in court.

It seems that here there are still several possibilities.

1a. First: Total artistic anarchy. No average consumer pays money for videos or music. No one is forced to watch commercials in breaks in the shows. No one buys CDs. No one pays for their movies.

1a1. There are interesting lessons of history here that I don't know very much about and someone should go into in comments. We really might see a fading of big-budget media-creation enterprises. A lot of people don't think this would be so bad.

1a2. We might also see alternative payment methods arise. There's the idea that the market can handle anything. People will pay for what they want, one way or another. Concerts or patronages become the way artists make money.

1b. Second:

Artistic anarchy augmented by voluntary payment. People buy from iTunes or donate because they honestly want -- or are convinced by PR campaigns -- to support the artists they like. I think this is sort of wishful thinking. It might go for a while. But people don't like to spend money. Maybe this will blend into the 'patron' model, with a few rich people doing basically this.

1c. Third:

A tax supporting art.

This could happen.

2. Partial DRM failure:

What we have now. DRM and similar efforts makes it hard work to get stuff illegally, but easy enough. We continue with the current system, where there's a class of people who pays, for one reason or another (usually to avoid the difficulties and risks of illegal copying), and a large class that downloads whatever they want and pays for little. The system takes a hit but continues for quite some time. Then things get hazy.

Meanwhile, DRM is making a lot of problems for people who are just trying to move things player-to-player. People lose their music and get upset.

3. DRM general success:

Stross totally rocks

[billstewart]

Lobsters is a really really strange short story, and you should go read it, ideally online while sitting in your favorite pub. Singularity Skyis a novel exploring a post-Singularity world, nanotech, clashes of cultures, reaction to post-scarcity economics and human (and post-human) creativity. It's deep stuff, and simultaneously a fun read, and he's an interesting guy to talk to if you're ever on the correct coast of the correct continent or island.

New Things?

[Matrix2110]

I am sorry people, but the likes of Cory Doctorow are beyond even the collective mind of /.

You academic types rave over Neil Stephenson while the people like Cory are doing far, far more to bring understanding to the common folk.

Cory is well grounded and hangs out with the like of Lawrence Lessing and that tart Xeni (NSFW) plus the other crew over at Boing-Boing.net

Good Stuff, fellow /.'ers .

My sig sucks, but it plays over a modem to this day.

Baen Free Library

[Bigman]

If you want DRM free sci-fi to read and or download, then try Baen Free Library. I've passed many a happy hour reading some excellent books there.
Eric Flint, an author and acting librarian for the above library, points out that sales of the in-print versions of some of his books actually went up after posting them for free in the online library. I read some of David Webers books there, and went out and bought them; despite the fact that the genre (space-opera) was not one I would usually go for. Eric points out in one of his articles on the site (Prime Palaver #1) that the biggest obstacle facing little known authors (and thats the vast majority of them) is their obscurity. Publish free on the internet, and people will read your books, tell their friends, and go on to buy the books you subsequently write. Perhaps that explains why sales go up when you give stuff away for free; I can't see how the same logic wouldn't apply to music.

Re:Don't want to sound cynical but

[mouthbeef]

"For starters why don't you go and scan his non downloadable books and place them on the internet and watch for the reaction."

Well, the last time it happened, I scanned it back in and re-released it under a CC license.

Not just the famous authors

[jockm]

Unknown authors also release their novels free on the net. Then they use venues like Slashdot to help get the word out. For example, I am doing that just now. Oh wait, I've said too much...

OK that was shameless self promotion, and I'll not repent. But it is great that more established authors are out there doing this. It adds an air of legitimacy to all of us who are trying to use alternative means of publishing or promoting our works.