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Cheap Tapeless DV Capture?

K'thardin asks: "Recently I've been chafing under the limitations of mini-DV tapes, as I attend various conventions throughout the year and record certain events and information panels. These limitations include dropped frames, gummed up tape heads (especially prevalent when you spend more than fifteen minutes at a time on pause), and most importantly, time constraints as the largest mini-DV tapes can only hold 83 minutes on SP (a little over 2 hours on EP, with a loss in quality and larger possibility of dropped frames). Several events I attend can run for 4 hours or more, so the time constraint is one of the worst, as it requires me to change tapes several times, thus loosing vital footage." Are there video acquisition devices out there that can record to high density media as well as (or instead of) DV Tapes? If not, how difficult would it be to build a portable one? "There are several tapeless acquisition systems out there, such as the Firestore FS-4, the QuickStream, and the ADS Pyro drive. The advantages to these solutions are generally longer recording time, elimination of dropped frames, and the ability to record natively in several video formats, removing the need for time-consuming tape capture. The problem with most of these is that they are prohibitively expensive for the larger capacities, require user-built portable power solutions for long duration recording times, are not upgradeable, and have been reported to be buggy by several users.

Considering these devices are little more than specialized computers, I've been considering what sort of devices would be a cheap and more reliable alternative to commercial offerings. An article on DVInfoNet details the creation of a relatively cheap and upgradeable tapeless acquisition system that uses a tablet PC. The problem with this is power and space constraints. There are several existing and upcoming Linux-based devices out there (as well as those that can be made to be Linux devices) that can be made to do what I wish with the capacities I need. The problem there is that none of the ones I've found come with a Firewire port, which is vital for tapeless acquisition on current DV based cameras. Also is the problem that many of these acquisition systems do not have the capability of being upgraded, or simply lack the ability for one to swap out hard drives should it become necessary (such as recording two 4-hour events back to back ... I've done this). The only possible solution I've seen containing a needed Firewire port is the Apple iPod, and it doesn't seem to have the ability to process the information coming in from a camcorder fast enough to prevent jittery video; nor is it upgradeable.

Does anyone else have this complaint? Are there any devices I've overlooked that fit the criteria of small, relatively powerful, cheap, power-efficient, Firewire-enabled devices with upgradeable/swappable hard drives that are able to run Linux?"

16 of 259 comments (clear)

  1. When to do it. by Forthan+Red · · Score: 3, Funny

    You just need to remember to change tapes after George Takei talkes, and before the costume contest starts.

  2. Macs, Analog, 2 Cameras? by MBCook · · Score: 4, Informative
    My best suggestion would be a Mac (or you should be able to get a PC to do this). You would take a small Mac with you (a mini or a 12" PB) and hook it up to your recording device (either a camcorder via FireWire or an iSight) and record that way. You could plug in a better microphone if you needed one. Shouldn't be too hard to rig up, uses standard power outlets so you can recharge when available (and you could rig up a secondary battery). That would do it. You might be able to get a ultra-portable notebook to do the same thing on the PC side. It's too bad all those portable media players out now can't take video in. But if they did, they'd probably have battery life issues.

    How about... analog? Is digital a requirement? A good quality VHS camcorder (like an old professional model) shoudl be able to tape for quite a long time and give you a great picture. Maybe even beta or VHS-C or 8mm or something. If you go out of the digital realm, you may have better luck. And there must be special VCR type things that can take those tapes and have FireWire to take the video off for you easily.

    My other suggestion is more decidedly low tech: 2+ camcorders. Switch one on when the other is about to run out of tape.

    --
    Comment forecast: Bits of genius surrounded by a sea of mediocrity.
  3. get a JVC HDD camcorder by vladj · · Score: 5, Informative

    JVC recently announced a new HDD-based digital camcorder, with storage of 20 or 30GB that is good for over 10 hours of video.

    http://www.jvc.com/press/index.jsp?item=461&pageID =1
    http://www.camcorderinfo.com/content/JVC-Introduce s-Four-Hard-Drive-Based-Everio-Camcorders.htm

    1. Re:get a JVC HDD camcorder by patternjuggler · · Score: 4, Insightful

      The HDV format used in a JVC and two new Sony prosumer cameras is also 13 GB/hour- it uses mpeg2 to achieve the same bit rate as regular DV. It looks superb in motion compared to SD, but if you freeze a frame and zoom in you can see compression artifacts- I haven't inspected broadcast HD closely, it has a similar bit rate to HDV (~20 mbps).

    2. Re:get a JVC HDD camcorder by NanoGator · · Score: 3, Insightful

      "JVC recently announced a new HDD-based digital camcorder, with storage of 20 or 30GB that is good for over 10 hours of video."

      This has already been brought up, but I thought I'd go into a little more detail: The video is too compressed. For somebody capturing a home movie, it's fine. But for actually producing something that'll need to be edited and post processed, it's not a great option. The reason for that is that the footage will be degraded when it comes in. When they go to the process of putting it back to a DV tape, or to DVD etc, they'll need to compress it again. Unfortunately, that'll make the video look crummy. Worse, they would basically lose the ability to do any form of green/blue screen compositing because the compression scheme will jaggedize the edges of the matte. As it is, it's barely possible to get a decent bluescreen shot with DV. Compressing it further will basically destroy this capability.

      What would be nice is if they made an HDD camera like you described, only it holds 80 or so gigs. Then make it easy to swap out the drives. If they can get enough throughput on the drives, they could capture at higher quality and bring a bunch of hot-swappable drives along. If they need longevity, they could lower the quality and get longer recording times. Flexibility is key.

      We're just on the brink of some really cool advances in this arena. I wouldn't be the least bit surprised if in the next five years a hard-drive equipped camera was the norm. I'm not exactly a visionary for predicting that, though. At this point, it's a no-brainer.

      --
      "Derp de derp."
  4. Why pause? by log0n · · Score: 4, Interesting

    Why not stop recording?

    FWIW, I do video / film production for a living.. this just doesn't make sense. Consumer DV camcorders switch off automatically after a few minutes for a reason - not to save battery life *tho that's a benefit* but because of the exact 'gumming' thing mentioned. The drum spins and creates a magnetic effect which pulls tiny metallic particles off of the tape. Too much of this and your drum/heads/tape gets messed up.

    It seems like the person posting the topic doesn't really understand what they are doing - or rather, they don't have a good foundation on which to improve their problems. So instead they are looking for a product (that's not prohibitively expensive) that caters to the way they think things 'should be done'.

    Learn to work how the gear is designed to work. Then start experimenting.

    1. Re:Why pause? by dr.badass · · Score: 4, Insightful

      It seems like the person posting the topic doesn't really understand what they are doing - or rather, they don't have a good foundation on which to improve their problems. So instead they are looking for a product (that's not prohibitively expensive) that caters to the way they think things 'should be done'.

      Welcome to Ask Slashdot.

      "Hi, I'd like to do $THING. I know that $SOLUTION_A and $SOLUTION_B will do it very easily and for a very reasonable price, but I don't want to use $SOLUTION_A or $SOLUTION_B because $VAGUE_REASON and $CONTRADICTORY_REASON. Instead, I'd like your under-informed ideas on how to achieve my $POORLY_CONCEIVED_AMBITIONS using Linux, duct tape, an iPod, and hours and hours of my precious time."

      With apologies to the inquirer.

      --
      Don't become a regular here -- you will become retarded.
  5. I have to say it... by NotQuiteReal · · Score: 3, Funny

    I'd hate to have to sit thru your home movie collection.

    --
    This issue is a bit more complicated than you think.
  6. I experience this too by andyring · · Score: 3, Informative

    I am hit by this limitation sometimes too, as I frequently record services, special functions, etc., at my church, and many of them run longer than an hour or hour and a half. Lately I've just been bringing my laptop with me (PowerBook G4 12", 80G drive) and recording directly to the hard drive via iMovie. Yeah it's not Linux, but you can get an iBook with 100G hard drive for $1199 from Apple. That will hold a TON of video.

  7. SP vs LP myth by djdj · · Score: 5, Informative

    Slight correction to a common misconeption about MiniDV tape and the DV format:

    There is no loss in quality going to LP recording mode compared to SP mode. It is still 25 Mb/sec.

    Switching to LP you give up reliable insert editing, recording/playback compatibility with other cameras, and audio dubbing. And you are more likely to have dropouts. But aside from these things, SP and LP produce identical quality video.

    And Digital-8 has the same quality as well. Same 25 MB/sec recording rate. The reason Digital 8 is perceived as an inferior format is because it appears on relatively lower quality cameras. You can dub DV digitally to a Digital 8 deck and you will end up with a perfect copy.

  8. Re:web cam? by cyberworm · · Score: 4, Funny

    iSight is a fun toy, and good for confrencing and maybe seeing a girl naked on the other side of the country, I don't think it'd be that great for recording your favorite stripper's 4 hour set.

  9. Re:Sony DVD Camcorder by djdj · · Score: 3, Informative

    And when you use DVD instead of MiniDV your picture quality drops significantly. DV has a vastly superior picture to most MPEG-2 implementations. These cameras have to use single pass MPEG-2 encoding, at a maximum of 4-6 Mb/s. DV, though a different type of encoding that doesn't have some of the advanced motion analysis of MPEG-2, has a constant bitrate of 25 Mb/s, which is quite good. And it is better for editing with random seek and insert capability.

    For the highest quality video, stay away from the DVD camcorders.

  10. DV Rack software was made to do this by Markmarkmark · · Score: 5, Informative

    DV Rack (http://www.dvrack.com/ by Serious Magic runs on a laptop and was made to do exactly this plus it has automatic quality monitoring that watches video and audio levels in real-time alerting you when thresholds are exceeded. It also turns your laptop screen into a field monitor that lets you compare live camera to recorded clips in split screen (good for checking continuity/framing).

    There's an express version that lists for $149.

    Disclaimer: Yes, I work at the company but hey someone finally asked a question on Slashdot that requests exactly what a product that I worked on does.

    1. Re:DV Rack software was made to do this by dubiousmike · · Score: 3, Informative

      DV Rack is definitely cool and works well as a field recorder. I have recorded the program out from toaster shoot using up to 8 cameras and I have yet to run into a problem. I use a dv camera that can do analog to digital pass through to get my live feed into my PC laptop. You can even pick an AVI for Premiere, or Quicktime for FCP and not have to do rendering once you bring it into your timeline.

      We also have an FS-2, an FS-1, and an FS-4 and dv rack is great if you don't have the funds for dedicated equiptment. It can help if your laptop has more than one dv port (get an expansion via your PCMCIA if need be) so you can transfer your 2 gig files from your laptop if you have to do long form stuff. I did a 3 day, 30 hour telethon with my laptop, a Lacie drive and DV Rack without problems. We used the recording to quickly encode to MPEG2 for our videoserver to playout over Comcast and to grab clips for promos for the next year.

      One thing, make sure you use it is bit as I found DV Rack's protection scheme caused some grey hairs when it kept asking for activation when I was on site and ready to go live without an internet connection and Serious Magic wasn't open on the weekend...

  11. miniDV EP is lower quality? Bwahahahaha!!! by FredThompson · · Score: 4, Insightful

    miniDV EP is the same quality as SP. The only difference is the tape speed. The data packets are the same.

    Dropouts? I've been using miniDV for years in an industrial environment and I never have dropouts. Your camera is gummed up as you've already explained.

    Always use fresh tapes for important events and record them, completely, with the lens cap on then rewind to retension and create a proper timecode on the entire tape. Don't reuse tapes, keep your camcorder clean and stick to one tape manufacturer.

    Pause for 15 minutes while recording? Huh?!?! Most camcorders shut themselves off. There's no good reason to be on pause for 15 minutes. Turn it off then back on.

    You don't need a HD. What you need is attention to detail and, it seems, a second camcorder and tripod. Record overlapping segments and do post-editing.

  12. Re:miniDV is for suckas by dr.badass · · Score: 3, Interesting

    To get less dropped frames, use DVCAM tape in your miniDV camera, not cheap miniDV tape. DVCAM has a much stronger backing, better lubrication and is generally worth the extra money.

    Wooooooah there. Are you a Sony dealer? You sound like one.

    For one thing, using DVCAM tapes in your non-Sony camera will cause *more* dropouts as the "better lubrication" gets mixed up with the lubricants from whatever tapes you were using before and basically creates a big mess. Notably, sticking Sony tapes in a Panasonic camera is asking for trouble.

    Better advice would be: Use one brand of tapes, and never, ever, switch.

    Better yet, use a Sony DVCAM camera with the DVCAM tape...

    You *are* a Sony dealer!

    Check out the Panasonic P2 cameras

    Ok, maybe you're not a Sony dealer...

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    Don't become a regular here -- you will become retarded.