Miyazaki Talks to the Guardian
BrainGeyser writes to tell us The Guardian is running an interesting summary of an interview with Hayao Miyazaki, proclaimed 'God' of anime. In the interview Miyazaki discusses a wide range of issues from his distribution deal with Disney to the future of anime. From the article: 'There is a rumor that when Harvey Weinstein was charged with handling the US release of Princess Mononoke, Miyazaki sent him a samurai sword in the post. Attached to the blade was a stark message: "No cuts."' While it was actually Miyazaki's producer, Miyazaki did 'go to New York to meet this man, this Harvey Weinstein, and [..] was bombarded with this aggressive attack, all these demands for cuts. He [Miyazaki] smiles. "I defeated him."'
Of course, the "no cut" was because of that "marvelous" Warrior of the Wind. Or how to turn Nausicaa into an hollywoodian action-packed movie.
ID: the nose did not occur naturally, how would we wear glasses otherwise? (apologies to Voltaire)
The "no cuts" story is interesting. Had no idea Miyazaki was such a tough S.O.B. But I guess that goes with being a great filmmaker.
It stems from a 1980's North American release of Nausicaa that had been licensed by some fly-by-night American company. Re-titled "Warriors of the Wind", it was severely cut (running less than 66% of the original's time), utterly incomprehensible, and a total disaster. Miyazaki and Studio Ghibli were so pissed off that they asked fans to forget the existence of the film and adopted a strict "no edits" clause for any future foreign licensing deals.
They did mention he was missing and that this was the trigger for the war.
There are four volumes, so it develops the world and story to a much greater depth than in the movie. It's Tolkienesque in scope, as much an exercise in world-building as storytelling. Miyazaki creates maps, kingdoms, technology, religions, and ecology for the world.
At the same time, his character development is excellent. As always his villains are the most interesting ones, and he's got a ton of them. They're also much more developed than in the movie. Princess Kushana switches sides halfway through, there's an immortal king suffering from ennui who is just fantastic, and then there's the God Warrior. The God Warrior is a mindless killing machine in the movie; but in the comics it is sentient... which makes it much more creepy, and Nausicaa's relationship with it is weirdly touching, but mostly disturbing.
There are some parts that come off as overly sentimental in the third volume- probably my least favorite- but it picks up again, strong, in the fourth. The fourth volume is as dark as Miyazaki gets. The ending... not happy, not unhappy. Complex. Again, that makes it one of his stronger works.
I'm not a huge fan of Japanese entertainment, but this is hands-down my favorite comic.