Slashdot Mirror
Converting a Musical Score to a Playable Melody?
SA_Democrat asks: "As a geek who has recently discovered that he has a voice, I find myself looking for a particular style of software. I've joined a local chorale group, and am often the only bass singer in attendance. This means that I have to puzzle out fairly complicated pieces of music and pick out the melody on a keyboard between rehearsals. As a person who decodes music rather than someone who sight-reads, I find this extraordinarily difficult, especially when managing differing key and time signatures within a given piece. Does anyone have any experience with open-source software that allows the user to enter a piece of music using musical notation, and then plays that piece? I have found an astonishing array of programs that will play MP3, WAV files etc. but have not located anything that uses this more old fashioned method. If possible, the software should understand common notation like time signatures, keys, glissades, and so forth. What does Slashdot recommend?"
There are a wide variety of these programs. I use NoteEdit. It was very hard for me to install it on my SuSE 9 machine, but it works well. Make sure you have TiMidity server, which is used for playback, installed and running or else NoteEdit will crash as soon as you start it, giving a cryptic error message. Sometimes running TiMidity will interfere with other sounds on my box, which is annoying, so I have to turn it on and off. If you want to print music you've inputed to NoteEdit, you need LaTeX installed. Remember, the commands to convert a LaTeX file to a musical score are:
$ latex filename.tex
$ musixflx filename.tex
$ latex filename.tex
I got this wrong for a while, even with the VERY noticable reminder from NoteEdit.
One of the other programs available is Rose Garden. Rose Garden is more mature but also less intuitive and oriented towards synthesis as opposed to performances.
If you get to be hard-core about editing scores on your Linux box, the best program around for professional score engraving will already be installed on your computer with the LaTeX distribution you aquired for printing the output from NoteEdit. See this Giant Musixtex Manual. I often typeset complex mathematics, but I have not yet been able to master musixtex, so good luck there.
Simon's Rock College
For simple songs and melodies there are various utilities that use abc music notation.
Here is a page listing them: http://staffweb.cms.gre.ac.uk/~c.walshaw/abc/
This lets you enter music using letters and other utilities will convert it into midi or wav files.
Something similiar and free is the Guido system. It is designed to handle more complicated pieces:
http://www.informatik.tu-darmstadt.de/AFS/GUIDO/
Another free system is Rosegarden:http://www.rosegardenmusic.com/
If you can at least sing major scales, then I think practicing from a book like "Music for Sight Singing" by Robert W. Ottman (ISBN 0-13-189662-8) might be helpful.
A free alternative to Ottman: Eyes and Ears
Find free books.
Several semesters of music theory in college - three hours a week analyzing and two hours a week singing - did amazing things for my sightsinging ability. Go to your local university music department and audit a class, if that's an option. You will learn far more than you thought you would. Before that class, I couldn't find middle C on a piano. Now, I can sing just about any interval you like, up to and including twelve-tone stuff. It ain't just me.
:P Singing isn't really too much farther off.
Also in my case, playin' French horn tends to make one need to know this stuff, since the intervals are too close to just mash the keys and hope the right note comes out.
The pain was excruciating and the scarring is likely permanent, but that just means it's working.
Irving Berlin is a case in point. Despite being a gifted songwriter (literally hundreds of hits), he never learned to read music at all, and only learned to play the piano in one key. Solution: hire somebody to build a special piano that could transpose with the pull of a lever, and somebody else to transcribe the music and songs he created.
OK, not a solution for everybody. And besides, the musical skills you mention are certainly work acquiring. But there are passable technological substitutes. Berlin had no trouble finding them 80 years ago. He'd have even less now.
I'm told that Danny Elfman also resorts to technological substitutes for musical training. But I find his work predictable and repetitive, so never mind.