The Art of Particle Physics
PhysicsDavid writes to tell us about an article in Symmetry magazine. Jan-Henrik Anderson, a designer with a background in architecture, has collaborated with several particle physicists to develop visual representations of particles based on their physical characteristics. It is the closest most will ever get to 'seeing' a top quark.
But I don't see much difference in the representation of top and down quarks in the panels shown.
That said, I always find it interesting how the visual arts community attempts to capture the reality of the world based on the known principles of their day. Looking back through history at the artist rendering of our world provides us with a unique perspective on how wrong we were in describing the world in art.
I'm afraid that the world of quantum mechanics is just too weird for us to capture in visual display. Perhaps it will take someone like Dali or Escher to provides us with a view of the quantum world.
But again, it could just be me.
"Rocky Rococo, at your cervix!"
hey now,
[disclaimer: IAAHEP]
a most basic lack in the visual representation of these "objects" is the lack of *relationship* -- quarks *cannot* exist in isolation in our dimensioned universe, just as leptons (in the understanding of them as point particles) *must* be "dressed" by virtual interactions -- reducing quarks and leptons to static visual representations is a dis-service at both the PR and substantive levels (interestingly enough, before i was a HEP, i was a PR flack -- life is so strange)
it is not the "objects" but the "operators" that connect them that contain nearly all the wonder and understanding -- the representation (visual, sonic, olfactory, mathematical or what-have-you) of a quark or lepton is interesting and useful only insofar as it leads to a deeper understanding of the way they are embedded into the whole world -- this depth of understanding seems to me to be the goal of both interesting art and science, and it does not seem to be well served by the images offered here
to my mind (viz. IMHO), feynman diagrams are a deeper and truer art in the sense that they evoke the underlying nature of the thing they purport to represent -- think of feynman diagrams in the same sense as picasso's line art -- the only difference i see is that picasso drew up in us the things we (or nearly all of we) share in our wordless hearts while feynman created a method of seeing new things in a way that leveraged old visual understandings -- feynman's vision (his *notation*) will only be superseded in the sense that newton's representation of gravitational interaction is superseded by einstein's -- the images presented here lack this deeper nature
cheers,
kevin (as if you didn't already know!)