iTMS Moving Up The Sales Charts
Kyusaku Natsume writes "According to the NPD Group, Apple's iTunes Music Store has sold more music than Tower Records and Borders in the U.S., based on sales and download figures for July, August, and September." From the article: "At seventh equal in the chart was iTunes, up seven places on the same period last year. Both Tower Records and Borders slipped a place to seven and nine respectively. Russ Crupnick, music and movies industry analyst for NPD, said he would not be surprised if iTunes was to continue to climb the charts, especially in the run-up to Christmas when iPods are high on many present lists."
Why not have a system where once I own a song, I own it in perpetuity, and can download it again whenever I want?
I wonder when the first lawsuit over consumer rights and ownership of 'lost' music files will be?
The run-up to Christmas? Wouldn't it be more likely that it will climb after Christmas, after said iPods are opened and starting to be used?
* A recent example of this - I liked "Batman Begins" very much, and thought it was sufficiently well-written and directed that I'd like to reward the makers by buying a copy, even if it's not something I'm necessarily going to watch again enough to justify the purchase. Upon it's arrival, I opened the box and the first thing that fell out was not a nice, slick inlay, but a anti-piracy leaflet from piracyisacrime.com. Rolling my eyes, I placed the DVD into my player and settled down to watch the film, and what do I see? No slick animated menus, not even the boringly superfluous trailers for films I'm never going to watch, but a fucking commercial equating "piracy" with car-theft!. It looks like it was supposed to be unskippable, too, but thankfully my player does not have the "prevent the owner from skipping stuff he doesn't want to see" "value addition". The lunacy of this is astounding - it is as if PickleWorld(TM) created a huge, terrifying banner equating pickle-theft with murder to be placed in their stores, but instead of putting it over the side-exit or whichever mode of exit is usually employed by the serial pickle-thief, they put it over the checkout where it can only be seen by paying customers!
FUCK YOU PICKLEWORLD!
--SSJ
No, seriously.
If you do anything remotely important with your computer (entertainment included), then you should be doing regular back ups.
Restoring iTunes music and video files from a backup set of DVD-Rs or an external hard disk is almost effortless. If you value your electronic purchases (and other data) that much, you'll back it up.
Now as for being able to play your DRM'd files in 20 years, you might want to transcode or do like most people did when going from VHS to DVD: re-purchase in the new format.
Up, Up, Down, Down, Left, Right, Left, Right, B, A, START
cdbaby.net/dd
"Apple is the living embodiment of evil because they don't deliver me full quality ogg in a DRM free CD and DVD and and thumbdrive and certainly won't call me in 6 months with my free BluRay / HD because information wants to be free as in air."
"All digital music is compromised crap anyway, I only listen to each band live in concert in the first city of every tour, 4th row center. Please IM me at "in33dskymil3s247".
"iPods can't hold a candle to those myriad failed / bankrupt players, but Apple has succeeded because they have managed to emulate MS in their draconian underhanded methods. Fight the power!"
"Ah, yet more solid proof that Apple will in the ashcan in mere hours - Dvorak is working on revision 37 of his eulogy as we speak - this time for sure!"
"Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
I can't imagine to pay for a DRMmed file that's not very high quality, to boot. I'm a typical headphones listener, and even through crappy A/Ds you hear a serious difference...
I'm enough of an audiophile that the high range tinniness in mp3s bugs me but not enough of one to know what "crappy A/Ds" are. I also agree that it's a bit of lump to pay money for a low-quality AAC/mp3. Sometimes when I get turned on to a new act, I preview on iTunes and then order from half.com. In fact, that's pretty much what I do for eighty to ninety percent of my music.
However, I have purchased maybe forty songs from iTMS and have received from friends maybe several hundred 128 kbps AACs/mp3s, and I notice a gigantic difference when I listen to those files on a pair of regular speakers/headphones and when I listen to those files using a pair of <BRANDNAME> in-ear canal phones.
For example, I have a pair of Sennheisers and listening to low-quality files on them is an awful experience. I also have a pair mid-range floor speakers and listening to low-quality audio files on them practically makes my ears bleed. But the <BRANDNAME> canal-phones provide a very different experience. I'm afraid to say "good," but that's pretty much what listening to AAC and mp3 files using those canal-phones is like. Even tracks with a wide dynamic range (yeah, I'm a child of the 70s) sound really good.
I guess this a long way of saying that the hardware you use to play low-quality music files makes all the difference in the world. Playing cheap tracks on high-quality hardware not optimized for compressed music just plain sucks. On the other hand, paying a bit of a premium for appropriate hardware might surprise your ears. I'm glad I received my canal-phones as a gift since they run about a quarter of the price of a new iPod (the high-end ones cost much more than even the top-of-the-line iPod), but that very unpretentious piece of hardware (black instead of mug-me-white cords) makes all the difference in the world.
blog