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35mm - One Step Closer to the End
Anonymous Coward writes "A colleague of mine just pointed out that Nikon UK has posted a press release here indicating that they are all but ending production of their 35mm film cameras, medium- and large-format lenses and enlarging equipment. The F6 35mm SLR will remain in production and be available in Europe and America, and the all-mechanical FM10 will be available outside of Europe. A handful of manual lenses will remain in production as well.
Film in general isn't going away any time soon as digital cameras cannot replace medium and large format cameras, but this is clear evidence that the resolution and popularity of the digital medium have surpassed that of the 35mm format. 35mm took another step into the grave."
Quite obvious. Digital SLR's are great for everybody. Versus 35mm film SLRs, the digital varients offer comperable performance, quality, backwards compatiblity with VERY EXPENSIVE lenses, and save the purchaser a fortune in film development costs. 35mm isn't dead, it just isn't as profitable as it once was.
It's a tough choice: bring along extra batteries, or bring along extra rolls of film.
Ewige Blumenkraft.
We lament the loss of the camera that captures our memories to film, for these memories define our past, our sense of self and sense of friends and memories, and of better times. And as such feel like we are losing our past, these emotions captured into simple mylar strips. But surely it's more memories being recorded, distributed, shared with friends and family in remote locale, that should make us not rue the evolution of film to digital, but rather see that it's not the technique in which we store our faces, it's the breadth to which we may share them...
slashdot: where everyone yells sarcastic metaphors to themselves to understand the issue
Yes, 35mm is dying. But no digital camera can outperform my 4x5 large-format camera for the money. I get over 125 megapixels with a 2400dpi scan of a 4x5" peice of film. And this is with a cheap 2400dpi scanner. A 4000dpi drum scan blows everything away.
Do the math. 6-10 megapixel cameras can't make very large prints at 300dpi output. And some say that 300dpi isn't even good enough.
Moore's law doesn't apply to Bayer CMOS sensors either. And small sensors found in cheap digicams are diffraction-limited. You can't cheaply make a 4x5" sensor!
This leads me to believe that there will not be a decent, low-cost replacement for large format film in a LOONNG time.
While digital cameras may (and mostly are) replacing film in the consumer market, they still have a long ways to go before replacing film in all markets. Like it or not, digital still is a ways from matching the resolution of film, and there are still things that only film works well for.
Even beyond the "nostalgia" market, the other side is that film holds up better as a medium than digital. This isn't news. Remember that vinyl records are still around, and in many ways are still preferred as a medium by audiophiles and for long-term storage. I can still play an album from the 1950's, but will a disk with my photos on it still be readable in a decade? As I recall, we just had a nice long post about how long a CD-R or CD-R/W lasts.
Film isn't dead, it'll still have it's place.
I became a better photographer with a DSLR, since I can try out all the manual modes, and other fun stuff that SLRs offer, but without the expense of burning several rolls of film learning exactly what aperture and exposure do!
Don't pick up the pho*(@)$*@&@!@ NO CARRIER
While film isn't dead yet, 35 mm film most certainly is. While nothing can touch the resolution of medium format, or large format, in the 35 mm area, some new cameras really push the edge of 35 mm film resolution.
Specifically I'm talking about the Canon 5D - which I own. It is such a cool camera, and the pictures BLOW my mind. The camera is a full sized sensor - no more lens multiplication factor - and is 12 mega pixels. The native size is 4368x2912. By up-sampling it in the RAW conversion you can extract even more resolution and detail.
The big deal about this camera is that most DSLR cameras have a focal length multiplication factor. This means that beautiful "normal" lens becomes a short portrait lens. Good news if you shoot portraits, but bad news if you do scenes or landscape.
The best thing about the 5D is it has the resolution and sensor size of a Canon 1Ds Mk-II (what a name!), but the camera is much smaller and lighter. The price is also more reasonable for the 5D, while not "cheap", its accessible, and the price will only come down.
As a business decision, going digital can't be beat. The cameras cost a bit more, but you cna make that up in processing a few hundred rolls of film. Enlargements up to 8x10 are nearly indistiguishable. To a working pro, it is an easy move, assuming you get naything close to reasonable pixel count.
For a manufacturer, it is mor complicated, but much the same. The basic camera costs the same to make, but film camera sales are dropping. Digital is on the rise. Get out while the getting is good and save yourself running a production line at a loss.
The problem, as any good computer person should know, is Moore's Law as applied to camera sensors. Every 2 years or so they get a lot better. For a pro, it is a business move. Just buy a better camera every 2-3 years. For an amateur, its like buying a Pentium Pro and watching the P4s roll out. Yours works, but you lust after the best. 3MP - 6MP - 12MP+ But upgrading is $1000 ! Not an easy move to make, but doing it will dramatcally effect your picture quality (assuming you care about quality).
In the film camera world, it was easy to bypass most camera improvements. As long as the basic box was light tight, kept the film flat and the lens in focus, you were OK. Upgrades were at the lens or the film. Both of which were modular upgrades. It is common to see photographers with lenses stretching across decades. And of course film is as good as research can make it today. Not so with digital cameras. You are locked into the tech of the day you bought the camera. Some ROMs are upgradeable, but you won't be changing pixel count or fixing sensitivity issues that way. It is like buying a lifetime supply of film when you buy the camera. Cheaper, but you better love it.
Overall, the digital wave is a financial hit on the amateur and prosumer. A better medium exists, but it is economically unfeasable for a market that small. Going digital will lock these folks into something that is *almost* good enough, but will never be quite right. They have to ride the planned obsolescense train until Moor's Law takes them back to where they already are, at real film resolution, color, and contrast.
And This doesn't even address the problems of proprietary formats, memory, processing, etc.
Behold, this dreamer cometh. Come now, and let us slay him... and we shall see what will become of his dreams.
It seems to me that the lenses should be portable to DSLRs. Why are they dropping the lenses?
General Relativity: Space-time tells matter where to go; Matter tells space-time what shape to be.
I think that digital cameras make better photographers.
Recently, I wanted to try out taking some different shots of a particularly beautiful sky at night. Not being a camera buff, I tried out a few settings on my Kodak DX490 on the spot and got the right results.
Another time I was at a Thai boxing show and I wanted to take some pictures of a friend while he was fighting. Because it was a digital camera, I could adjust the settings until I found something that worked in the situation.
In both situations, with a film camera, I wouldn't have got the desired results because I don't know enough about photography and I would never have been able to have those pictures. Isn't photography about pictures?
How many times have people left their family snaps in the camera, only to never process the film? How many time has someone thought, no I won't waste that frame of film because it costs $0.30 - I'll save it for something special? With digital cameras you can share the photos without losing the original, you can pass copies to your friends and family without incurring personal cost, or losing the negatives. You can photograph and record the mundane, which might turn out to be the most interesting shot to show your grandkids in 50 years time.
Have you noticed how some people throw away photographs anyway? Why print them out first?
Nikon is a lens manufacturer. They make bodies so that you'll have something to attach their lenses to. If no one wants to buy film bodies then there's no reason for Nikon to offer them.
How many of the morons currently buying digicams will manage to keep their valuable once-in-a-lifetime snaps intact for more than a couple of years?
[Reformat, reformat...]
No sig today...
Ever seen how fast lab-processed snaps fade and colour shift in albums?
I'll take a good pigment-based, inkjet print on archival paper any day. Sure it's a bit more trouble....but then I can do it in the comfort of my own home office, without having to drive to a lab and without any delay. should I so choose.
As for keeping their "valuable once-in-a-lifetime" snaps intact for more than a few years, given the abysmal lack of photographic sensibility that most "morons" (to use our term) have, maybe this is a feature and not a bug?
On the plus side, the digital explosion has prompted the unwashed masses to take many more photos, and in many case, one can hope that more practice will lead to better photos, at least for some.
Chaeron Corporation