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Digital DJs Unaware of Copyright Law

CookieJago74 writes "The BBC reports that if you're a DJ, playing your digital copies of files off a laptop or mp3 player is illegal. The UK royalty collection agency, PPL, demands that such DJs pay £200 for a license in order to do so. From the article, 'Many DJs are still unwittingly breaking the law by playing unlicensed digital copies of tracks months after a new permit scheme began, the BBC has found. This includes legally-purchased downloads, which are normally licensed only for personal use, as well as copies of tracks from records or CDs.'"

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  1. Disc Jockey or Mixing Artist? by eldavojohn · · Score: 5, Insightful
    I had assumed this article is talking about the disc jockey that plays music at dances kind of DJ. Because most real DJ's have to pay for their tracks that they mix live or they create the samples themselves.

    I don't understand why they would have to pay royalties if they're mixing from mp3s when they had to pay for it.

    Here's an example. Let's pretend I'm DJ Dangermouse and I bought some Beatles vinyl that I like to mix into my songs. Now, it shouldn't be a problem for me (Jay-Z) to get up there and mix these songs together. But if I put them in an album and make serious dough off of it, I'm in for a ride in the court system.

    I've always been under the impression that it would be fine to perform this live and play it for an audience but once you try to sell it as a record, you're going to face some serious liabilities. I've been in bands that have covered Coldplay, Radiohead, The Beatles, Beck, The Pixies, etc. and we've never got in trouble for playing them live at crowded bars. In fact, when you start out, it's advised to include about 50% originals and 50% covers so that the music is accessible to anyone who might be there just for a drink.

    There's a lot of studying to be done if you want to fully understand how sampling works with musical copyrights but up until this point, the only litigation I have seen is often brought up in instances of recordings.

    Here's a straight forward article containing:
    Flat fees range from $100 to over $10,000, while royalties to recording owners range between half a cent and three cents for every copy of the track sold. Musical composition licenses typically give "the copyright holder a percentage ownership in the new work's musical composition copyright," as well as an advance of a few thousand dollars on the expected publishing income.
    In the old days, artists used to smile and feel appreciated when they heard their music being played live. It was a sign of admiration. They only sought legal action if the song was recorded and money was made.

    If you're a DJ who plays songs for weddings and events, then you probably should have to have a license to do so. But if you're a musician who just spins tracks together, it seems kind of ridiculous. I guess the license isn't that big of a charge if you're selling out venues.
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    My work here is dung.