iTunes Credited with Boosting Primetime Ratings
grandgator writes "TV Week reports on NBC's claims that iTunes downloads are boosting ratings for their primetime shows. Citing one example 'NBC's "The Office" delivered a 5.1-its highest ratings ever-last Thursday among adults 18 to 49, a bump the network credits in large part to the show's popularity as an iPod download. Such a connection between podcast success and broadcast ratings success is particularly significant because the NBC data is among the first available evidence of what network executives have been gambling on when striking their new media deals-that the new video platforms are additive because they provide more entry points into a show for consumers.'"
I'm glad to see the success of The Office online. Overall, I suppose NBC (or whoever made the decision within NBC to iTunes-enable their primetime) should be congratulated for their forsight.
A few things I wonder about though:
1. now that NBC's taken this (presumably risky, in their minds) step in new-fangled distribution, and now that they've seen some early signs of success, will they now believe they invented this new medium and start demanding higher pricing, forced purchase of "blocks" of episodes, or -gasp- more DRM restrictions from Jobs & co?
2. Does anyone know the story behind NBC's decision to go iTunes in the first place? I'm just guessing here, but I'm thinking there was a rebel executive somewhere who had to do jump through hoops to convince management that this was a good choice. Of course, that just might be jaded old me predisposed to think the worst of labels and studios based on their traditional less-than-progressive stances on anything that challenges their conventional wisdom.
3. I wonder at what point is it financially worth it for a studio to produce a "TV" show and sell it exclusively off-air. For example, Arrested Development is one of the most brilliant shows to come on in years, but it's doing rather poorly in viewer ratings. Conceivably, if it sold on iTunes, and DVD & iTunes sales were strong enough, would a studio ever have enough balls to make a TV show that wasn't distributed on TV?