GPL 3 to Take Hard Line on DRM

sebFlyte writes "ZDNet is reporting that Eben Moglen, the FSF's lead lawyer and the co-authour of GPL3, has explained that DRM is 'fundamentally incompatible' with the aims of the FSF and will be given short shrift in the latest version of the free software licence, which bans the use of 'digital restrictions' in GPL3 governed software. In his words: 'I recognise that that's a highly aggressive position, but it's not an aggression which we thought up. It's a defence related to an aggression which was launched against the people whose rights are our primary concern... We don't want our software used in a way which batters the head of the user to please somebody else. Our goal is the protection of users' rights, not movies' rights.'" We discussed the new GPL on Monday.

Comments

Wonderful

[KarmaOverDogma]

It's good to see someone with some amount of clout taking a stand against unreasonable constraint of fair use rights. I just hope that this becomes a catalyst in a chain reaction of rebellion against DRM, which manages access in the same way that a jail manages freedom (my apologies to the /.er who I took this .sig from - cant recall his/her name).

Re:My problem with DRM...

[swillden]

As a writer, I'd like to be paid for my work. I'd rather not make it easy for people to redistribute my work without compensating me.

Here's another writer's view on the issue. The whole essay is worth reading, but his second-to-last paragraph sums it up pretty well:

The future can't be foretold. But, whatever happens, so long as writers are essential to the process of producing fiction -- along with editors, publishers, proofreaders (if you think a computer can proofread, you're nuts) and all the other people whose work is needed for it -- they will get paid. Because they have, as a class if not as individuals, a monopoly on the product. Far easier to figure out new ways of generating income -- as we hope to do with the Baen Free Library -- than to tie ourselves and society as a whole into knots. Which are likely to be Gordian Knots, to boot.

And Eric Flint and other authors are putting their money where their mouth is: The Baen Free Library offers full, unabridged novels for free download, in multiple formats, with no DRM. Once they've gotten you hooked with that, the Baen Webscription site offers books for sale, for low prices, also in multiple formats and with no DRM.

Baen has also put CDs in the backs of several recent hardcover releases, containing other books from the same author, books from other authors that readers may like to try, plus high-resolution copies of cover artwork (without the book title or other text -- just the art). The CDs not only include no DRM, but they also have a statement printed on the label that *encourages* the sharing of the content with friends and family. Baen does ask that you don't distribute the content to the whole world, but has never sued anyone over it. There was one fan of David Weber's Honor Harrington series who put the full text of all of the Harrington books on his web site. Jim Baen found out about it, but rather than threatening a lawsuit, he simply sent the fan an e-mail and explained how the fan's actions were counterproductive and damaging. The fan promptly took the material off-line.

Baen has also recently started doing something new, too. They're now offering "Advance Reader Copies" of new books. These are unproofed versions of books that are going to be released in coming months. Serious fans buy them both because they don't want to wait for the release and also because there's something cool about reading their favorite authors' work in it's "raw, unpolished" form -- it's basically straight from the author's word processor. The advance copies start out at $15 and decline in steps as the publication date approaches. After release, of course, you can buy the final version for about $4.

Oh, and everything is in multiple formats, with absolutely no DRM.

This is innovation in publishing, and this is the sort of thing that can build a sufficiently large and loyal fanbase so that piracy is simply irrelevant.

According to Jim Baen, the experiment has been extremely successful and profitable. Not only has it increased the sales of their current top authors, it has also allowed them to publish -- and profit from -- lots of their back catalog that would otherwise be impossible to publish.

I know that I, personally, have spent *way* too much money on Baen books over the last two or three years. If there are others like me, and I'm sure there are, it's no wonder Baen is doing well.