New Photo Fraud Detection Software
An anonymous reader writes "CNet is reporting that Hany Farid, Professor of Computer Science and applied mathematics at Darthmouth College, has developed a new version of his Image Science Group's photo fraud software now in use by the FBI and large media organizations. The current software is written in Matlab, but the new version will be written in Java making it much more readily available to local police and smaller media organizations. From the article: 'I hope to have a beta out in the next six months,' Farid said. 'Right now, you need someone who is reasonably well-trained to use it.'"
followed by -
"...the software will be made freely available under an open-source license.
--
"Taxpayers," he said, "are paying me to do this research and it needs to go back out." "
Which is it?
As pointed out earlier, apparently the source code won't be released but it is open-source. Interesting.
Anyways, also FTFA:
So do they get accepted or rejected?
"...What could possibly go wrong?..."
Well, memory leaks and array bounds probably won't go wrong
Looking at some benchmarks for numerical processing using Java, it appears to stack up quite well agains C++ at least.
Yeah I know, what exactly is being measured, are the benchmarks relevant, are any benchmarks relevant, blah blah blah. Just pointing out that the parent's postulated x60 slowdown is a trifle pessimistic.
T&K
Political language
Just a matter of time before this application gets it's brother: "the simulator".
:D
It uses the same algorithms in a slightly different way: instead of checking for the signs of forgery it finds the tell-tale signs of modification and then reverse-modifies them to "what-should-be-there" to make an "original" modified image.
The result will be an image that is ofcourse different only from mathematical standpoint - visual information will be the same. If that wouldn't be true I would love to have an application that "unblurs" or "unblackouts" the censored parts of some pictures.
Image will have after processing the properties of an "original" because the signs of "not-original" will be detected and "fixed". Way to go...
Once you have the comp in done in your image editor with as little pixel and grain distortions as possible. Try the following. Note this does require a $5000 set of plugins http://www.thefoundry.co.uk/ Furnace (no not the After deffects set) and the $5000 program them run in. http://www.eyeonline.com/ or http://www.apple.com/shake http://www.d2software.com/ (and yes a few others in the $100k+ range) In fact I might even do the whole comp in my film compositor with the use of some other tools. Anyway. Comp elements use historgram matching to match elements in the shot that should have the same color ranges. (You could do a color overlay in PS.) Ok now you have a good comp with good edges or edge blending and light wraps. You completely degrain the shot with furnace (each element seperatly degrained) You then regrain the shot as a whole. degraining and regraining work on all three color plates seperatly so when you regrain the shot it should be adding basically another blending of the of the colors making them uniform to what the original piece of film would have been. Now you take that file and do a film out of that. That is a very simlified break down of the technique. Many of the steps for each step are left out. My basic assumption is that the software looks for irregularities in the pixels deformations, areas of transition, and color offsets in the comp. I would love to go up against this software. (not that I would win but it would be fun to try as long as someone else is paying for the film outs and scans :-).) OH and if your source and destination or supposed to be film you probably want a drum scan not a CCD scan.
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