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Consumers vs. IP Owners: The Future of Copyright

conJunk writes "The BBC has a thoughtful article about new challenges in copyright. The problem: The rights to the audio recordings of the Beatles first album will expire in 2013. While consumers stand to benefit from competing releases of the materials, the copyright owners are of course terrified. And the artists? This one doesn't even seem to affect them."

23 of 415 comments (clear)

  1. Whats the problem? by AuMatar · · Score: 5, Insightful

    Thats the entire point of copyright- a limited monopoly in exchange for greater incentive to produce. It is expected to eventually run out. The problem here isn't that its going to run out, the problem is that its been over 40 years and it hasn't run out already!

    --
    I still have more fans than freaks. WTF is wrong with you people?
    1. Re:Whats the problem? by Rei · · Score: 4, Interesting

      Surely you jest. As any child could tell you, it is critically important to the well being of our democracy that songs like The Happy Birthday Song remain copyrighted until at least 2030.

      --
      You can't change that... by gettin' all... bendy.
    2. Re:Whats the problem? by ackthpt · · Score: 5, Insightful
      Thats the entire point of copyright- a limited monopoly in exchange for greater incentive to produce.

      But it's not an incentive to produce. Prior to copyright law content creators had to keep creating to feed themselves, whereas the system we have now says, "Create a winner, milk it for the rest of your life."

      --

      A feeling of having made the same mistake before: Deja Foobar
    3. Re:Whats the problem? by EvanED · · Score: 5, Insightful

      I think a 2 or 3 year copyright is rediculously short.

      If I could freely get any song or movie (and you can be sure that people would post online mirrors of DVDs and CDs) in just 3 years, I don't know if I'd every buy another one during the time of protection.

      The situation with software is different because there are (sometimes) actual productivity gains from newer versions. But you can bet that I wouldn't buy the latest copy of Visual Studio unless I was doing something in C# that needed generics (2003 works well enough), wouldn't buy Office, wouldn't buy Photoshop (not that I have it now), etc. With a 2-3 year span, that's barely the release cycle. You think you see compatibility problems now? Wait until software companies REALLY have to force you to upgrade.

      I *really* don't think I'm in the minority here. I'm perhaps a bit more patient than some would be with regards to the movies and music, but stuff that's more than 3 years old are still big movers in stores.

      The original copyright term was 14 yr, renewable once. I personally think that this is about as short as you should get, and I like the idea of protection for the life of the author or an equivalent term for companies.

    4. Re:Whats the problem? by russ1337 · · Score: 4, Interesting

      I'd like to see some rich dude state the following in his will:
      - Use all the billions of dollars left in the estate to buy the rights to as much music as possible
      - Re-release all that music under a Creative Commons licence, allowing full use (essentially setting it FREE!!!)
      - Set up a P2P sharing network to allow those CC hits to be shared, and request donations per track (suggesting 5c per song), Also have Google ads embedded in the app (just tiny ones)
      - Use the donations and ad-funds to generate more $$$ to buy the rights to more music
      - Repeat from step 2

      BTW. The above is patent pending...

    5. Re:Whats the problem? by cpt+kangarooski · · Score: 5, Insightful

      No, not really. It's a bit short, but not ridiculously so.

      Most creative works have no copyright-related economic value at all. Slashdot posts fall into this category; no one is publishing compilations of their best posts and selling them because they'd never make money at it.

      Of the small fraction of works that have such value, the value usually is front-loaded. That is, the vast majority of all the value the work will ever have is realizable right away. For example, a movie makes most of the money it will ever make from theatrical releases on opening weekend. When it hits pay-per-view, it again makes most of its money on the first weekend. Ditto for when it becomes available to rent or buy. The amount of money that can be extracted later on typically declines, and is pretty small compared to the initial amount. We're talking about 70-90% up front, you see.

      Of course there are exceptions, but remember that they are tremendously rare. It is foolish to design copyright policy around aberrations. For an author to make a work like that is on par with winning the lottery. They would make a lot of money even with short terms. We don't need to help them. Rather, help should be tailored around the needs of more common artists. After all, copyright is a subsidy in the form of a monopoly on commodity goods and it's just dumb to give subsidies to the people that need them the least.

      Some studies have been done as to the economic life expectancy of works. IIRC, the number tends to be 10-20 years. For some works, such as software, I can easily imagine the number being a lot shorter.

      Life terms are totally unacceptable. They make the system unpredictable: author A could have a copyright that lasts fifty years, and author B could have a copyright that lasts one. Adding yet more time doesn't help. And as already noted, the economic worth to authors is usually minimal. The CTEA extension was valued on average at about a nickel, IIRC, and that was 20 years more. Better to have a fixed length term (or better still, to make it granular with many short terms that need to be renewed) so that artists know that there is a time limit, and the public can anticipate the regular release of works into the public domain and act accordingly. (E.g. you can run a business when you know that you can reprint a book in 20 years, but you can't when it could be any damn time in the future)

      Long copyrights do not help provide for artists in their old age, or for their families, except in the rare cases mentioned above (in which case it is almost certain that the author already got a lot of money). This is because old copyrights are usually not valuable. If artists want to be secure in the future, they should rely on the same things everyone else relies on: savings, investments, pensions, social security, life insurance, etc. Not only is it more fair, but artists have far, far better odds of being better off with these things than betting that their book will still sell very well decades in the future and against all odds.

      Long copyrights as a widows and orphans fund is as irresponsible as giving them scratch off lottery tickets would be. The only people who do tend to come out well are the ones that got rich right at the beginning, and they don't really need our help to become much more rich, do they? They're not going to be struggling in their old age, unless they're crazy irresponsible, right? Why are we treating them specially then?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  2. That gives them seven years... by Shadow+Wrought · · Score: 4, Insightful

    To get the laws changed. More than enough time. Ask Disney.

    --
    If brevity is the soul of wit, then how does one explain Twitter?
  3. Not "owners" by slavemowgli · · Score: 4, Insightful

    Please, stop using the words "owner", owns" etc. when you're talking about copyright and similar things. For that matter, please stop talking about "intellectual property", too - there is nothing here that's property or being owned.

    What copyright *is* is a time-limited monopoly granted by the state, with the expectation that you will use this incentive to create stuff that society as a whole benefits from; it's not and never was supposed to be a never-ending money making machine.

    Using words like "property" and "own" to describe copyright just reinforces the (wrong) idea that copyrights should not ever run out in the minds of the general, uninformed public.

    --
    quidquid latine dictum sit altum videtur.
  4. Duration by ackthpt · · Score: 4, Informative
    While consumers stand to benefit from competing releases of the materials, the copyright owners are of course terrified. And the artists? This one doesn't even seem to affect them."

    Which is one of the reasons Disney was among those who fought tooth and nail to get copyrights extended to 70 years after the creator's death. Now they've re-acquired the rights to the first character Walt created and lost to someone else, back when he was paying his own dues.

    Of course it's rarely the dead guy who cares about making more money, it's those who feel some eternal sense of entitlement.

    Just imagine where we'd be if Mozart's works were still held by his heirs. Back in his day after the initial performance works fell to the public domain, which was to encourage the creator to be more productive. Now we have a system where the same tired crap gets dragged out for years and years and someone build theme parks around it.

    When was the last time Mickey Mouse actually appeared in an original cartoon or film?

    --

    A feeling of having made the same mistake before: Deja Foobar
  5. It's essential that this happen. by Overneath42 · · Score: 5, Insightful

    Limited copyright is an essential element to maintaining a consistent creative human spirit. By allowing works to be protected for a limited amount of time, the artist can comfortably turn some profit on their creation. But by allowing that protection to lapse, another creator can pick up the work of the original artist and manipulate it, turning it into something different. The whole of human creativity depends on building upon the works of others.

    It's pretty frightening to think about the incredible lengths that IP holders are going to these days to increase the length of copyright ever further, all in the name of limited, short-term profits. They represent an immeasurable threat. Think about it: if copyright never expired, where would the motivation to innovate come from? There would be none, if you could indefinitely profit from one or two ideas.

    Free Culture by Lawrence Lessig has some very enlightened analysis on this subject.
  6. Don't even need the US congress! by ackthpt · · Score: 4, Funny
    It's highly likely that copyright in the USA will be extended again by then. History tells me that much.

    You don't even need the US congress! I got an email just today:

    e><t3nd y0ur c0pyr1ghts!

    Mexican pharmacy can provide you with all meds you are need of! Get more satisfactions! Fast and descreet deliverie!
    --

    A feeling of having made the same mistake before: Deja Foobar
  7. Compromise by Tlosk · · Score: 4, Interesting

    The most reasonable compromise I've seen suggested is to have them expire by default, but allow extensions for a fee. Making available all the out of print works that would languish in obscurity otherwise, while still allowing the truely valuable properties to continue.

    But I would like to suggest one further refinement that would make it fair, any application for extension would automatically make ownership revert to the original creator or their heirs. Forty or fifty years ago when the rights were signed away it was under a framework that the rights were of limited duration. If they are going to continue in perpetuity, then fair selling price needs to be renegotiated.

    1. Re:Compromise by AeroIllini · · Score: 4, Interesting

      The most reasonable compromise I've seen suggested is to have them expire by default, but allow extensions for a fee. Making available all the out of print works that would languish in obscurity otherwise, while still allowing the truely valuable properties to continue.

      I agree, but where do we place the price point? Even if it's a million dollars a year, giant corporations like Disney will gladly pony up.

      I propose that once the copyrights expire (no more than 35 years after initial publication), the fee to renew for one year is $1.00. Then the fee doubles for every year after that.

      So if Disney wanted to extend copyrights an additional 35 years, they would be paying $2^33, or $8.5 billion, for the 35th year. That doesn't even count the $4.3 billion they paid for the 34th year, or the $2.2 billion they paid for the 33rd year, or...

      Nothing like exponential math to "promote productivity." Hey, we might even reduce the national debt!

      --
      For security, the MD5 hash of this message and sig is 09f911029d74e35bd84156c5635688c0.
  8. Why is copyright assignable? by snowwrestler · · Score: 4, Insightful

    The Constitution reserves for Congress the power to secure "for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."

    A lot of copyright problems would obviated if this were enforced as written. The Beatles' works for instance would be controlled by Sir Paul and Ringo. Mickey Mouse would be in the public domain because his inventor and author is dead. Bands, not labels, would control their music. Inventors, not IP holding corporations, would control their inventions.

    You cannot sign away your inherent legal rights--no matter how many contracts I sign with you, it does not allow you to act fraudulently or negligently toward. Imagine if copyright worked the same way--if it were illegal to sign away your copyright. A lot of bullshit would be avoided IMO.

    --
    Build a man a fire, he's warm for one night. Set him on fire, and he's warm for the rest of his life.
  9. Consumers vs. IP holders my foot! by Omnifarious · · Score: 4, Insightful

    This about those who would treat copyright as a pure property right vs. those who don't. Almost everybody who wants copyright treated as a pure property right doesn't create anything. They are a publisher or corporation who aggregates the copyrights of all its employees, or some other entity concerned with the accumulation of coprights.

    Accumulating an asset that has a built in time when it becomes utterly worthless is a very unpleasant proposition. It is much nicer and more convenient to treat the asset as some sort of durable good like a box of bolts or something. In fact, copyright has the potential for being the perfect asset since it doesn't decay at all!

    But, the people who do create know that being able to create relies on a rich environment of ideas to draw from. Treating copyrights as a pure asset destroys that environment and creates an environment where the only things that get created are those the primary holders of copyrights are willing to allow to be created.

    It really irritates me when I see the word 'consumer' when I hear talk about copyrights. There are no 'consumers', there are people. Everybody writes things and says stuff, and many people sing or dance or make up silly lyrics or any number of things.

    This isn't about 'consumers', those incredibly dumb entities that eat products and shit cash. Casting it as that kind of a fight is inane.

  10. Congress calls them "copyright owners" by tepples · · Score: 4, Informative

    Please, stop using the words "owner", owns" etc. when you're talking about copyright and similar things.

    Precise discussion about law uses words defined in the letter of the law. The statute in question, 17 USC 101 et seq., defines and uses the phrase "copyright owner".

    1. Re:Congress calls them "copyright owners" by David+Rolfe · · Score: 4, Insightful

      Precise discussion about law uses words defined in the letter of the law. The statute in question, 17 USC 101 et seq., defines and uses the phrase "copyright owner".

      This important distinction bolsters the grand-parent's point (well regarding the term intellectual property at least). One may own the copyright to a piece of creative work, but one does not own the idea. (Of course one may own any expression fixed in a tangible medium, because then we are talking about property.)

      There is no property in expressions and ideas. The term "intellectual property" is loaded in terms of public debate.

      I'm not debating your valid point that copyrights can be owned and have owners in the same sense that any monopoly may be owned and traded.

      Anyhow, if we're going to go with the language of the statute we're all going to stop saying "IP holders", "IP owners" and "music owners" and start saying "copyright holders" or "monopolists" (or "exclusive, time-limited rights holders"). Well that will never happen, because the moderators of public debate are the monopolists (i.e., corporate media). YAY!

      --
      Read Heinlein's 1953 Revolt in 2100, now more than ever.
    2. Re:Congress calls them "copyright owners" by thisissilly · · Score: 4, Insightful

      Which is a sad state of affairs. When I was a kid, people talked and wrote about the "copyright holder", not "copyright owner".

      Copyright is a limitted monopoly, granted by the public. If you are given one, you get to hold it for a number of years, after which, the monopoly is disolved, and the work becomes part of the public domain.

      At least, that is how I remember how things used to be. I am sure whoever sponsored changing the language from "holder" to "owner" was intentionally slanting the language in this war of perception, much like the push to stop calling things "infringement" and instead "theft".

  11. Legitimate points by blibbler · · Score: 4, Funny

    I know that there will be a lot of anti-recording industry comments on here, but it is clear that their main interest in extending the copyright period is to protect us from low quality Beatles compilations. Consider the irreversable damage that could be caused to children if their first experience of the Beatles has the songs in a less than ideal order.
    Please think of the children.

  12. The Corruption of Copyright Law by Anonymous Coward · · Score: 4, Informative



    In 1790 Congress passed the Copyright Act, which set the period of a copyright at 14 years, with the opportunity for the original author to renew for a second 14 years if he was still alive. This law existed unchanged for the next 100 years. The feeling of the original lawmakers, who were, incidentally, the same people who wrote the Constitution for the most part, was that copyrights and patents encourage authorship, science, and industry by providing a limited monopoly to authors and inventors. This monopoly was required to expire after a short time so that the public could then reap the benefits of these new works in their turn. There was, therefore, a balance between the good of encouraging authorship and invention with a limited monopoly, and the good of public ownership after a short period of time.

    Since 1890 Congress has seen fit to extend the term of a copyright eleven times. It has gone from a maximum of 28 years in 1790 to the life of the author plus 70 years currently, or 95 years if the ownership is corporate. The issue that prompted congress to enact all of these extensions had nothing at all to do with encouraging invention, art, or science, and everything to do with the fact that valuable corporate properties such as the copyright for Micky Mouse were due to expire. The clear and unequivocal result of this Congressional effort is that the public suffers by not being able to freely access and use works that would have long since become public property under the intent of the constitutional framers . . . and the corporate copyright owners maintain their lucrative legal monopolies. There is no question at all of public benefit here, only corporate subsidies at public expense.

    http://breakthelink.org/Costs.php

  13. Yestarday by Gromius · · Score: 4, Funny

    Yestarday, all my copyrights expired so far away
    Now* it looks as though they're here to stay
    Oh, I belive in royalty pay


    *thanks to Evil Mega Corp (c) lobbying agency

  14. Explain this to me then by Mistshadow2k4 · · Score: 4, Insightful

    Copyrights on songs by the Beatles are about to run out but Robert Jonhsnon's lyrics are still copyrighted? Robert Johnson died during the 1930s and his works should be public domain but apparenlty aren't. And who owns the copyright anyhow? It damn well can't be his heirs because he didn't have any (legitimately that is... you know how bluesmen are). Is Robert Johnson's work relevant now? Ask Eric Clapton. And since they aren't RJ's heirs why should they have the copyrights anyway? I mean, I can understand Janie Hendrix having the copyright to Jimi's work but someone unrelated to him decades from now?

    As to the Beatles copyright holder being terrified... too bad. Want to make money? Do something! I haven't been living comfortably off something someone else did for decades, why should you? Why should anyone be able to do something like write a song or a book and live off it their whole lives when the rest of us can't live off a few months of work our whole lives? That's why the entire system is completely screwed. I don't know how many times every day it's pounded into our heads "think of the artists" but if they've made plenty of money off of something already why should I care? Not only that but some corporation can apparently just take the copyright to a dead man's work and keep it out of the public domain decades after it should've passed into that as well. The original 14 years is plenty of time and no one but the heirs of someone should be able to have the copyright after their death. It may be legal but as far as I'm concerned this is just copyright theft.

    Think about that the next time someone calls file-sharers thieves. Legally, a corporation can own the copyright long after the person who made the work is dead. They can legally steal from us, the people, but we can't legally steal anything back.

    --
    I dream of a better world... one in which chickens can cross roads without their motives being questioned.
  15. Congress is not so disrepectful yet. by twitter · · Score: 4, Informative
    Quote a little more next time. While he might be confused by the publishing industry, Congress is not. Here's your definition: "Copyright owner, with respect to any one of the exclusive rights comprised in a copyright, refers to the owner of that particular right.

    They own the copy right, not the work. The right is the exclusive ability to duplicate the work. A right is never property, even when it's artificially created by the state and may be traded for real property. People get confused about that, which lends to the disgusting coporate welfare known as perpetual copyright. If you can own a song, like a bag of marbles the ownership should never end. Your government is not yet so asinine as to say a song can be owned.

    Indeed, Congress does not even believe in "Intellectual Property". While the terms occurs some nine times in the definitions and scope you cited mostly referencing a 2002 law which is named that way. There is no definition and, hopefully, never will be.

    --

    Friends don't help friends install M$ junk.