Podcasting Goes Pay-to-Play
James Draven writes "For the last year, people have been wondering - how to make money off podcasts? Some have dabbled with advertising, some with user donations, but now the most popular podcast on iTunes is moving to a subscription model. Bit-Tech is reporting that the Ricky Gervais Show will cost $7 a month starting next week."
You've been able to subscribe to NPR podcasts on Audible for quite a while - before the term podcast was widespread anyway. Recently, a few good ones like "Wait wait, don't tell me" have become free via sponsors, while others like "This American Life" are still only available for download for a fee (streaming is free).
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Did either the submitter or the editor bother to read TFA?
The only "news" here is that a single, previously free podcast is now going to sell itself on Audible.com and remove itself from the iTunes Music Store. There is no new functionality being added to iTunes (such as a way for individual podcsters to sell their own content).
Nothing to see here. Please move along.
Jonathan
Not only that, but there are already numerous podcasts which charge money. For example, CarTalk is pay-to-listen if you want the podcast (the broadcast on radio is of course free), and Coast to Coast with ARt Bell is also for a fee, podcast-wise.
Currently hooked on AMP
The real advantage of Podcasts is that they can be accessed by anyone with a computer that has an RSS reader, and can be played back by any device that plays MP3. That's just about as darn near universal as I can imagine. And that IS a worthwhile contribution.
That it also lowers the barrier to entry of distribution is also valuable because podcasters HAVE to compete on quality, whether you are a megacorp with a $10Million dollar studio, or an amateur with just a mic and a dream, or anywhere in between, You compete based on quality of content.
Even better is that in terms of audio quality, studio equipment has become so inexpensive that with an investment of just one or two thousand dollars, it's possible to have quality indistinguishable from a huge studio to the average listener. It really is a means for democratization of the media.