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Podcasting Goes Pay-to-Play
James Draven writes "For the last year, people have been wondering - how to make money off podcasts? Some have dabbled with advertising, some with user donations, but now the most popular podcast on iTunes is moving to a subscription model. Bit-Tech is reporting that the Ricky Gervais Show will cost $7 a month starting next week."
Good luck getting subscriptions at that rate. HBO is only like $25.
The submission says, "For the last year, people have been wondering - how to make money off podcasts?" But Apple said when they first released podcasting support in iTunes that there would be support for podcasts you'd have to pay for. So really, nobody's been wondering this for the last year.
"Sufferin' succotash."
A man plays a violin sitting on a park bench. He is relaxing after a hard day of work, and indulging his personal hobby in a pleasant environment. People in the park pass by and enjoy his music, and he does not care whether they listen or not.
Another man plays on a street corner, an upturned hat at his feet with a few coins inside for people to get the idea. He would play no matter how many generous souls pass him by, he always did like the attention you see - but he could use some more cash and he is making a polite request that those who listen show their appreciation through payment.
Yet another man plays in a nice restaurant, lending a pleasant atmosphere for dining, and on occasion for romance. Not only does the establishment pay him, but he also receives tips from patrons that feel either obligated or grateful.
Is there not a place for all such men in the world? Is one nobler than the others? They are all performing for some reward - one for his own contentment, another for attention, and the other for money - they merely have different definitions of reward. Or should we expect all men of such talents to resign themselves to park benches and play for our delight?