The Story of Tron
An anonymouse reader writes "Tom's Hardware has a feature up on the makings of Tron which may interest latent fans. Through interviews with the creators they explore the makings of Tron, from how it came to be picked up by Disney to how the effects were put together ('While the majority of the film takes place in the computer world, only 15 minutes worth of footage actually used CGI', because it would have taken years to make the film otherwise). They then explore why the film flopped at the box office. 'It was like we put LSD in the punch at the school prom and it was just way more than they can handle,' said Steven Lisberger."
Special effects != Return Investment
May the wind be always at your back,
-Empyrealmortal
The rumours few around a few years back but with this years aquissition of Pixar by Disney it could be a huge blockbuster.
They started with a lousy script, and an implausibly silly plot that its very hard to look past. The market for movies that look pretty but don't engage on a human level is very, very small.See? That's dialogue bad enough to have come from one of the Matrix sequels.
Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
Slightly OT, but i'd like to read TFA, but I ran out of patience clicking "next" and "next" and then watching as some overlay pops every time i accidentally move my mouse over underlined words. Sheesh. No wonder nobody reads TFA
Lone Gunmen crew.
...was a really great sequel to TRON.
Or at least that's what I think.
Check out the website of Wendy Carlos, who composed and performed the soundtrack...her website is: http://wendycarlos.com/
ttyl
Farrell
CAN-CON 2019 - Ottawa's only book oriented Science Fiction Convention! October 18-20, Sheraton Hotel, Ottawa, Canada h
1982 it was not "cool" to be a geek. It was not cool to "live" inside the computer. 1982 was a time when computers (and even more consoles) were considered toys, not an essential part of our life.
Especially, the audience for such a movie was too small. And the studio was the wrong one. First of all, it's Disney. Back then, what did you get from Disney? Cute li'l films about cute fuzzy animals having some cute adventures. So people did not expect a "serious" science fiction movie.
Second, it was the wrong kind of science fiction for this time. Science fiction back then was either in a galaxy far, far away or equally far away in the future. But most certainly not NOW. How can you make science fiction in the NOW? Now is the real world. The movie was simply not credible for the audience of then.
Before someone quotes E.T.: E.T. was credible for the simple reason that it was a "real" drama movie with an alien element. Not a "real" science fiction movie. There were no laser beams and no robots.
Tron was also not the stereotypical science fiction movie, it didn't carter to the SciFi crowd of those times. No aliens, no space battles, no epic hero. Instead a very dramatic personal battle for Flynn and Tron, with a lot of abstraction that only someone who has at least a clue about computers can comprehend and appreciate.
In total, it is a movie for computer and game geeks. And those were rather scarce back then.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
A good rule of thumb is that you need to earn 4x the budget to break even.
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Man, I hadn't remembered that those came out the same year. I biked maybe five miles to see Tron at the local theater that was showing it, at least a few times. I remember locking the chain around the bike rack and walking from the summer heat into that run down theater with its thinning carpet and whiff of warmed popcorn. That movie made frisbee extra fun that year. Later on the Intellivision games, with the Recognizer "bosses"...
"Blade Runner" we were too young for, it being an R, so my older brother took us to that for my birthday. That means it was late June. What the heck was anyone doing releasing that movie as a summer blockbuster? The theater was basically empty except for us.
Neither one of them got the box office that its studio was expecting. As investments, though? I'm not that keen on either one as a work of high art, but the ripple effect they had was really something, culturally.
"Fundamentalism" isn't about divine morality. It's about human authority.
When I was a kid, especially in '82 (age 9), I didn't really focus on the directing, writing, and point of a film.