Canadian Record Industry Disputes Own P2P Claims

CRIAWatch writes "The Canadian Recording Industry Association has quietly issued a new study that contradicts many of its own claims about the impact of P2P usage on the music industry. Michael Geist summarizes the 144 page study by noting that the research 'concludes that P2P downloading constitutes less than one-third of the music on downloaders' computers, that P2P users frequently try music on P2P services before they buy, that the largest P2P downloader demographic is also the largest music buying demographic, and that reduced purchasing has little to do with the availability of music on P2P services.'"

Comments

Re:The Fault

[MightyMartian]

Quite frankly I think the root of the problem is that the record companies have become so overwhelmingly corporate in nature, so dominated by dull, unimaginative accountants and MBEs that they've forgotten the precise nature of the business. I really can't believe that the early 1990s saw the last gasp of groundbreaking music, but the last decade has basically saw a cookie-cutter approach, with forgettable boy bands and female stars who require odd sounds and digital enhancements to make their "dance" records even work in any sense of the word.

Record companies are blaming a lot of people for their own failings. Right now the next Beatles or Led Zeppelin could be slogging away unnoticed, but record companies don't seem at all interested in encouraging and developing artists, and they're reaping what they sow, and all the anti-consumer DRMs and legislation won't give these incredibly musically inept corporate types what they need.

Besides, these are the same pack of crooks who spent the last fifty years screwing artists every which way, so I figure that a good deal of payback is in order.

Arctic Monkeys shows what can be done

[Nice2Cats]

Interestingly enough, Wired currently has a longish story about a group called Arctic Monkeys that bypassed all the industry stuff and has been a big success because, not despite them giving songs away:

Their story is remarkable because of one fact: grassroots communication channels like MySpace and P2P file trading networks worked better than the major-label hype machine. The Arctic Monkeys became hugely popular because they wrote good songs, made them available to their fans for free, and encouraged them to share the MP3s with their friends.

Given my two latest, disasterous experiences with major-label hyped artists -- Enya and Kate Bush, whose new albums should both best be avoided -- I'm more than willing to look in other places.

Notice who the CRIA blames

[davebarnes]

I did read (well, skimmed) the Comment and the 2 Appendices.
The CRIA blames "big corporate radio" for the downturn in CD sales.