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GDC - Ron Moore Keynote

Ronald Moore may have done a lot for the Trek series of shows, but recently he's been making new fans with his work on the Battlestar Galactica title. He was invited to speak at GDC to relate ways in which intelligent folks can adapt an existing franchise. He focused on not only adapting and improving the original, but maintaining the core goodness of the inspiring work. Read on for notes from his talk. Update: 03/22 22:11 GMT by Z : Fixed Adama/Psylon spellings. I need a nerd-friendly spellchecker. I got here late, but not before the montage of Battlestar footage had ended. Ron More comes on from stage left. He's here to talk about the process of developing and adapting the original show into the popular sequel series.

What are the fundamentals of Battlestar Galactica? Cylon attack on the colonies. Original show is very dark. A show of survival, not the normal s/f pablum. Footage from the original show compared to the new show, with the attack on the homeworld. Side-by-side comparison of the old footage with the new footage of the genocidal attack. Realistically, you don't want to have 'fun' with the attack. It's not that it can't be entertaining, but there has to be a fundamental realism. With the new show, a lot of the attack was off-screen, to make it about the character's reaction rather than just special effects. Somewhat topical, as the pitch for the new show came soon after the September 11th attacks. "You know what it is to wake up one day and find that the world has changed forever." Out in the fog, terrible things are happening, an important element of the show.

The characters are the core of the show: 'The Family Adama'. Everything rotates around the Family of Adama. Footage of the family, side by side, in the old and new. In the old show 'not credible' to have his whole family on the ship. To make the show rooted in our reality, he avoided the hierarchical military state by having Apollo come aboard later in the show. You lose Athena, who had no real purpose. The role of Athena is taken by Starbuck. Instead of Zach dying in the pilot, he's part of the backstory. Welds together how Starbuck, Adama, and Apollo interact.

Footage of new and old Adama. He's key both as the father of the family, but he's also the father-figure for audience and survivors. A man of principle and true beliefs. He's a believer in democracy, and ethics, honorable person. Mixed with the realities of a ship at war, crossing some ethical lines. He's not perfect, 'a human man for a human story.'

Problem with the original story was that there was nothing to balance Adama as an authority figure. Balanced, of course, with the Madam President. Compared with the old show's aging president (weak, non-threatening). President is important in three ways: Balance of military and civil authority, Mother figure of the show (though there is little sexual tension), she is a reminder of the apocalypse. She grounds the series in the context of the tragedy that began the show.

The government: the Quorum of Twelve. The original was a bunch of straw men with stupid ideas ("Let's trust the Cylons!") This time around, a group with more of a backbone. A show about democracy, what it means to be in a society during a time of war. There still has to be a civilian government despite the time of war. Not only that you survive, but the way you survive. The decision to make Starbuck into a woman... lots of 'comment'. Comparison of old starbuck and new Starbuck. Starbuck is a 'load-bearing member' in the architecture of the show. Making her a woman was almost random. Original Starbuck was a cliche (hot-shot pilot, womanizer, gambler), only really worked because of the actor. His attitude made the character okay. The new show: Don't let things be 'okay'. Don't have fun. Everything has consequences. 'This is a screwed up person.' She's been really damaged, and is only functioning in the military environment because it's all she knows.

Colonel Ty, another part of the Family Adama. Provides contemporary for Adama, a confidante for the head of the family. He's a drinker because he wanted the character to be fundamentally different than Commander Riker. Riker's job was to say 'me too'. He wanted an XO with more truth to him, because he's the guy everyone hates. 'The captain's whipping boy'. Make him a screwed up guy so that one of the folks close to Adama can be a poor choice to listen to.

Boomer, very little thought. An extension of family and a second family unit. The part where Boomer was a Pylon suggested by co-producer. "That is fucking brilliant!" Designed to be a very human element, Cylon change made without changing any of her dialogue.

Cylons! Old and new. Comparison between old and new bad guys. The limitations of TV actually help, in ways. Real stuff out of the question. CGI was originally thought to be out of the question. 'What if they look like us?' That idea opened up a lot of the stuff that's the basis of the show. If this was a videogame, they would have spent all their time making 'really cool Cylons'. The limitations of TV actually helped the show a lot by making them do somethiing they might not otherwise have ever done.

Not just 'an attack from the black', but a betrayal. Baltar. Why did he do this? Interesting that he gave up his own race. A lot of problems from within rather than without. He sells out the entire race ... for a woman. He's not even paying attention, but sells out the race just the same. He's kept in the show, with the crew, to make that betrayal last and last. Mmmm torture. Otherwise you end up with a guy chewing the scene and twirling his mustache.

Vipers basically unchanged. Why change something that works? The use of the handheld camera in space grounds a non-real moment in reality. Comparing it with shots of the Enterprise. Audiences are smart, even if they're non-technical. Tying the hands of the animators to make sure that there was always 'a cameraman' for every shot. New locations were guided by the philosophy: People actually live there. Make the controls workable. "Why did all those people in Star Trek have pictures of space on their walls?" They want things that comfort them.

The myth of Kobal and the 13th tribe: the underlying story of the show. Stayed very far away from Egypt/Greece, going for a more pagan/greco-roman element. 'What kind of universe do they live in?' They lost the Star Wars/Star Trek 'populated universe' idea. He was tired of having lots of alien races. Philosophically, he wanted a drama more than s/f. No aliens, no time travel, no evil twins. "You're forcing the show to be internally driven." The story is about the character's lives, not something from outside. The Search for Earth is the underlying driver of the show: Going to the 13th colony. A refuge from the Cylons. The challenge was to make it 'real'. "Why are you only now mentioning Earth?" is the reaction from the audience. Adama is lying, reaffirms what the audience is thinking while making the situation believable. "It's not enough to survive."

Ultimately, he didn't want to destroy the show to save it. Don't wipe the slate clean, take what was important to the show and translate that to a new audience. Telling the same story in different way. They're unique, very special shows. They're different, but they're both very much Battlestar Galactica.

Overall a nice talk by a very talented speaker. Not really sure why this was here ... the organizers may have wanted more Q&A to bring out aspects for game design, but they ran over time.

7 of 180 comments (clear)

  1. Editor! Please Edit! by republican+gourd · · Score: -1, Offtopic

    Spelling, please fix:

    r/Odama/Adama/g
    r/Psylon/Cylon/g

  2. OUTGOING by Anonymous Coward · · Score: -1, Offtopic

    HELLO WORLD
    05562 05562
    HELLO WORLD
    94525 94525 79767 79767 42701 42701 67977 67977 85877 85877
    63487 63487 02535 02535 64215 64215 04533 04533 60447 60447
    38130 38130 81453 81453 93817 93817 23315 23315 93109 93109
    19235 19235 30367 30367 14166 14166 53008 53008 96390 96390
    61816 61816 72576 72576 96746 96746 19014 19014 66521 66521
    90109 90109 38468 38468 83959 83959 94850 94850 01446 01446
    15711 15711 15333 15333 77321 77321 86435 86435 12001 12001
    94933 94933 88634 88634 70932 70932 01301 01301 15636 15636
    01910 01910 15510 15510 11328 11328 89669 89669 83255 83255
    22674 22674 21296 21296 26856 26856 77335 77335 78601 78601
    02578 02578 18889 18889 95927 95927 78280 78280 76133 76133
    94084 94084 86024 86024 22675 22675 20985 20985 25393 25393
    80826 80826 82665 82665 70268 70268 67977 67977 07050 07050
    54789 54789 37475 37475 84650 84650 66323 66323 53799 53799
    K-BYE

  3. spelling? by jaredcat · · Score: -1, Offtopic

    wow.. if you're going to post a write up of an event, at least get the names and spellings right.

    Its Cylon, not Psylon. Its Adama, not Odama... 5 minutes worth of due dilligence and fact checking would have made a big difference here.

  4. Whoever wrote this up by John+Harrison · · Score: -1, Offtopic

    has no familiarity with the material or any concept of how to spell. Here's a hint: Cylon. Here's another: Adama.

  5. Spelling and why... by Elfboy · · Score: 0, Offtopic

    Odama is spelled Adama (as has been pointed out) and it has been suggested that the name was chosen as a combination of 'Adam A' as in the root/head/etc...

    --
    * We dance where angels fear to tread *
  6. I was going to complain by John+Harrison · · Score: 1, Offtopic

    I thought that the editors didn't bother to read this given all the errors, but it turns out that and editor wrote it, right?

  7. Zonk uplifting his own status by geekoid · · Score: 0, Offtopic

    " I need a nerd-friendly spellchecker."

    pfft, I have my doubts Zonk is a nerd. Geek, yes, but not a nerd.

    I could be wrong, I wonder what he did before /.?

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect