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How iPods Took Over the World
An anonymous reader writes "The Observer has a piece today about the iPod's ascension to dominance of the mp3 player market. The author argues that it's largely the result of clever business tactics and the iTunes music store." From the article: "The second thing about the iPod: it puts you, not them, in control. Basically, the record labels are devotees of the Henry Ford business model: 'You can have any music you want so long as it's what I want to give you.' But using the cyberspace jukebox, you're no longer at their mercy. You don't have to pay for the four filler tracks on every album. You don't have to buy albums at all. You can put country next to classical, punk next to jazz, Barry Manilow next to Placido Domingo (wait, that's a joke)."
... nobody in their right mind would listen to Placido Domingo.
"You don't have to pay for the four filler tracks on every album."
Wow, I just had a great idea. Record companies could have sold a smaller record with just one song on it and sold it for less money. Wait. Since there are two sides of a record, they could put another song on the other side. They could have called these records something like a SINGLE. They could have had some of the advantages of the iPod years ago.