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Death By DMCA

Dino writes "There's a good article in the IEEE Spectrum, titled 'Death by DMCA', which talks about how whole classes of devices were eliminated, and how others won't even see the light of day as a result of the Digital Millennium Copyright Act. One example is ReplayTV's TiVo-like devices which featured sharing capabilities, along with automatic ad skipping; the company was sued to bankruptcy, and the reincarnated device supported neither sharing nor ad skipping."

5 of 414 comments (clear)

  1. It was never about piracy by RatBastard · · Score: 5, Informative

    It was never about piracy. Domestic/consumer level piracy is so minor as to not make a difference in their bottom line. The real media pirates are the overseas DVD pressing plants that press legal DVDs by day and bootleg DVDs by night.

    This is about controlling what you watch and how you watch it. It's about protecting their advertising revenue. It' about making you buy a new copy of your favorite content every time they change formats.

    --
    Boobies never hurt anyone. - Sherry Glaser.
  2. here's the proof that they're evil by kaiser423 · · Score: 5, Informative

    The most tell-tale part:

    In 2003, 321 Studios, of St. Charles, Mo., launched a software product called DVD X Copy for these more typical DVD owners. The company built in aggressive measures to prevent piracy, including an antipiracy splash screen that appeared when viewing any copy and watermarks that would enable copies to be traced back to those who made them. The management at 321 Studios hoped that these cooperative measures would stave off Hollywood's wrath.

    The company was wrong. Before the DMCA, 321 Studios would have been on relatively safe legal ground. From the time of the Betamax case, U.S. courts had made it clear that copying devices were legal so long as they had any substantial lawful use. But the DMCA changed the rules. When the movie studios sued 321 Studios, the Hollywood contingent did not argue that any of their movies had been unlawfully copied. Instead, it said that the product circumvented a "technical protection measure," which in this case was the Content Scramble System (CSS) on DVDs.

    The CSS is the scheme Hollywood uses to encrypt movies on DVDs. Decryption requires a key, which manufacturers of DVD players obtain by signing a license with the DVD Copy Control Association, a consortium of movie studios, including Fox and Warner, and technology providers, such as Intel and Toshiba. This license, in turn, forbids licensed devices from making digital copies of DVD content or from offering playback modes that the studios disapprove of. (DVD recorders can copy only unencrypted digital material, such as home movies.) The licensing rules and DMCA put companies like 321 Studios in a quandary. If they signed the license in order to obtain the CSS decryption keys, the document prohibited them from using those keys in software capable of copying a DVD. If they didn't sign the license and forged ahead anyway, deriving the CSS keys on their own, they risked prosecution or a civil suit under the DMCA for circumventing the CSS. After consideration, 321 Studios opted to go forward without a license. The DMCA quickly washed away DVD X Copy. After the movie studios prevailed in court in 2004, manufacturers pulled DVD X Copy and similar ripping tools off the U.S. market.

  3. oops by svallarian · · Score: 4, Informative
    --
    I patented screwing your mom. But it got revoked for "prior art."
  4. The article is incorrect regarding ReplayTV. by Richard+Steiner · · Score: 4, Informative
    TFA states the following:

    One example is ReplayTV's TiVo-like devices which featured sharing capabilities, along with automatic ad skipping; the company was sued to bankruptcy, and the reincarnated device supported neither sharing nor ad skipping.

    I don't think SonicBlue actually went into bankruptcy, and its ReplayTV product was purchased by Digital Networks North America Company, a wholly owned subsidiary of D&M Holdings U.S., Inc. They own things like the Denon, Marantz, and Boston Acoustics brands as well as Rio and ReplayTV.

    SonicBlue 5000-series models supported internet and local program sharing and both manual (Show/Nav) and automatic commercial skipping as well as a 30-second FF button (QuickSkip). The commercial skipping features navigate between marks which are created at the start and end of commercial advertising blocks that the unit detects and marks at show recording time (it isn't just a simple time skip). Those units still perform as they did when initially purchased.

    Current 5500-series models still mark commercial blockss while recording and still fully support both Show/Nav (manual movement between block markers) and QuickSkip, so manual commercial skipping and the 30-second FF is still present, but the automatic commercial skip has been removed. Also, the internet sharing capabilities were removed.

    I believe a 5500-series ReplayTV can be made to temporarily regain both automatic commercial skipping and internet sharing capabilities if the disk is reimaged with a 5000-series formatted disk, but I can't personally vouch for that (I own a 5000-series box myself).

    --
    Mainframe/UNIX Bit Twiddler and long time Windows/Linux Hobbyist.
    The Theorem Theorem: If If, Then Then.
  5. Re:Non-U.S.'ers not safe either by Kjella · · Score: 4, Informative

    Remember, the guy who released deCSS was arrested for breaking no Norweigian law.

    Umm a couple points, one he was in fact arrested after Norwegian law, just never convicted. Secondly, the woman leading the investigation against him, Inger Marie Sunde, need no help from the USA to be a 1984-happy control freak. She's tried to ban anonymous email (yes, she wanted to outlaw using free webmails like Hotmail or Yahoo from Norway), she's managed to outlaw anonymous cell phones and registration without showing ID, she's been airing thoughts about requiring ID to use a webcafe, every time there's been something like the RIP act in UK or the data retention act in EU she's all for it and in the broadest scope possible. Her latest suggestion is to allow copyright holders like RIAA and MPAA direct access to subscriber information without police or court oversight, and I mean absolutely none at all.

    --
    Live today, because you never know what tomorrow brings