Canadian Gov't Gives Big Bucks to Copyright Lobby
5degreez writes "The Toronto Star is reporting
that the Canadian government is providing
hundreds of thousands of dollars to a copyright lobby group that claims
that education groups are 'devoted to abolishing creators' rights on the
Internet.' Documents obtained under the Access to Information Act by Prof Michael Geist
reveal that government officials recognized that the funding
established a bad precedent, yet they still plan to pay big bucks until
2008."
Depends by what you mean by *AA.
The money goes to the Creators' Rights Alliance. They include groups that represent poets, songwriters and composers. I do not believe that the CRIA (the Canadian equivalent of the RIAA) is part of this alliance.
Here in the USA, there are groups that represent the media companies (the RIAA and the MPAA), and there are groups that represent artists (ASCAP and BMI). This distinction doesn't matter to many Slashdotters, but for background it's important to understand that the RIAA and ASCAP/BMI are often at odds with each other. Generally speaking, if you're a "little guy" composer or songwriter, ASCAP/BMI are your friends, and the RIAA is not.
Many people reading this will fall into a couple of camps:
If you are in the "hate the big record companies, respect the artists" camp (the "the artists are needy" group), then you might be okay with this.
If you think that anybody fighting for their rights -- whether they're a big media conglomerate, or a poet making $50 a year -- is out of line, or if you believe that any organization made up of initials and which fights for copyright protection is evil (the "the artists are greedy" camp), then this news may upset you.
I hope this answers your question.
Sitting in my day care, the art is decopainted.
"bzzzzttt...wrong. ASCAP and BMI are colleciton agencies. These are the guys who around to venues and make sure artists are bgine rightfully compensated for the use of their music. If a bar, restaurant, or other establishment has a stereo system larger than a boombox then they have likely been visited by ASCAP and.or BMI."
Correct. ASCAP and BMI collect on behalf of the artists. This is why I wrote that ASCAP and BMI represent artists (as separate and distinct from the RIAA, which represents record companies). When ASCAP or BMI comes a callin', the money goes to the artists, not the record companies.
"The RIAA also collects royalties but this is on msuic sales. Artists can be compensated by both organizations."
The RIAA is a trade group that represents record companies, but it is the record companies that are responsible for calculating and distributing royalties based on CD sales. I know that many people like to use "RIAA" and "big record companies" interchangeably, but it's important to understand that for as much as the RIAA talks about how they are helping the artist, it is the record companies that they represent. Money goes to the RIAA to cover lobbying efforts, lawsuits, and so on, but you won't see the RIAA issuing checks to musicians. That is not their job.
This is why I wrote that the RIAA represents record companies, while BMI and ASCAP represent artists.
Let me know if I'm being unclear, or if you still believe that I'm incorrect.
Sitting in my day care, the art is decopainted.