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Downloadable Film Commentaries Becoming Popular?

FilmFan writes "Now that Kevin Smith is offering a downloadable commentary for Clerks 2, will other Directors follow in his footsteps? Some studios think so and are already offering similar content for shows such as Battlestar Galactica, Dr. Who, and Star Trek: Enterprise. Other websites offer fan-created content and even offer a free DVD player capable of playing these downloaded commentaries in sync with a DVD."

8 of 101 comments (clear)

  1. Oh, can't wait. by sammy+baby · · Score: 4, Funny

    The commentary for Enterprise must have been great.

    "We really liked the way the "spreading the goo" scene... uh... brought out the... um..."

    "Characters?"

    "Yeah! The characters, and their, um... personalities."

    "Yeah. It really heightened the dramatic..."

    "Drama."

    "Or something."

    1. Re:Oh, can't wait. by Russ+Steffen · · Score: 5, Funny
      You think that's bad, check out some of the commentary from the DVD....

      Director 1 : (snoring)

      Director 2 : (snoring)

      Recording Tech: Are you guys going to do some commentary, or just sleep out the rest of the episode?

      D1: *wakes up* What?

      D2: *wakes up" Where am I?

      RT: You're recording comentary for "Enterprise", Season 4, Episode 11, titled "Observer Effect"

      D2: Hey, are like one of those super-nerd fans that has every episode memorized?

      RT: No. I've got it written on a fucking sticky-note so that there's at least a chance it will end up attached to the right episode on the DVD. No one - and I mean no one - has your show memorized.

      D2: (Dejected) Oh

      D1: Wait, so what was happening before we nodded off?

      RT: Well, we got through the opening credits okay.

      D1: Excellent.

      RT: Then 3 minutes into act 1 you both got bored and wandered out to the parking lot and played hacky-sack for a while. Then you came back in here and slept for 20 minutes.

      D1: Hmmm.

      RT: I kept the audio track rolling the whole time.

      D2: Really? Why?

      RT: Frankly, the snoring was the most interesting thing I've heard come out of either of you.

      D1: Can I have you fired?

      RT: No. I don't work for you. And besides, I'm in The Union. I could piss in your coffee and all my boss could do is come in here and give me a stern look.

      D1: Odd that he's standing right next to you, giving you a stern look right now...

      D2: (distant slurp) Hey, does this coffee taste funny to anyone else?

      RT: Okay guys, we've got 3 minutes left in this episode. Either of you want to share any of your "razor wit" before we put this one in the can?

      D1: Yeah I got something to add.

      (Clears throat)

      At this point in the show I had the writing process nailed down to a science. It used to be that writers for Star Trek would use a little placeholder word, "tech," which would be filled in with other words, like "anomaly" or "photon torpedo", by the production staff.

      I went one step further. I fired all the writers and replaced them chimps. Chimps chained to typewriters. And those typewriters, had just two keys - "dialog" and "tech".

      And those chimps produced page after page of glorious manuscripts. They were like two-note symphonies of "dialog" and "tech". And those chimps did all of this for me out respect for my talent as a director. And fear of getting hit with a cattle prod. But mostly respect. And fear.

      So I would take these manuscripts and I'd have them sent off to some third-world country where 8 year old children, who spoke not a word of English, would slave away 20 hours a day in squalid and dangerous conditions to replace those "dialog" and "tech" placeholders with the dialog you hear in the show.

      D2: And the quality of that process really shows in the finished product.

      RT: Why, exactly are child labor and "squalid and dangerous" conditions necessary for this?

      D1: You have to suffer to produce great art!

      (contemplates)

      Anyway, someone has to suffer for my art.

      RT: Well, we are all suffering because of your art.

      D1: Yes, well. The streamlining of this process really helped me manage my time. I'm a very busy man.

      D2: Why don't you tell us all what keeps you so busy.

      D1: Ah yes. You see, I'm destroying science fiction. I buy the original master prints of classic science fiction films, and then I burn them.

      D2: You burn them?

      D1: Yes. Sometimes I shit on them first. But mostly I just burn them.

      In fact, while filming this episode I spent most of my time on the Paramount backlot burning the last master copy of "2001: A Space Odyssey".

      Actually, I didn't burn the whole copy, though. The makeup for the alien in this episode is made from little fragments of the famous "Starchild" scene. It gives the eyebrow ridges a

  2. Scrubs did this too by the_unknown_soldier · · Score: 4, Interesting

    Scrubs did this too, except while the show was on air. They released the commentary of a repeat and then you were meant to listen to the commentary while it was on NBC. It was a cool idea but I could never quite get it to sync up perfectly. The mp3's are still online too.

  3. iPod + Movie by MassEnergySpaceTime · · Score: 3, Interesting

    I guess having an iPod would drown out the noise from the crying babies, the ringing cell phones, and the talking loudmouth.

    More seriously (and less grumpily) though, it's definitely a neat way for fans who really enjoyed the movie the first time to get more out of it the second time. I give them credit for coming up with a new *positive* experience for watching movies, instead of advertisements and commercials, and etc etc.

    Prepare for the next buzzword: Moviecasts!

    --
    Respect the laws of physics, for the laws of physics have no respect for you.
  4. Second Aduio Program by redphive · · Score: 5, Interesting

    This would be an excellent use of Second Audio Program (SAP) for TV shows. It would always be in sync, it wouldn't require anything to download/play, and most modern TVs support it any way. Everyone speaks english, so what is the big deal?

  5. Shiny! by peacefinder · · Score: 3, Informative

    Don't forget the downloadable commentaries for Firefly.

    --
    With reasonable men I will reason; with humane men I will plead; but to tyrants I will give no quarter. -- William Lloyd
  6. It really works well for some films by ShaunC · · Score: 3, Insightful

    I have the DVD of "Good Night and Good Luck." I really enjoyed the film (and I recommend it highly, especially around here, where its political sentiment will likely ring true with many readers). One of the coolest things about that DVD is that, after watching the film, I was able to watch it again and hear George Clooney and Grant Heslov's commentary dubbed over the movie. I'm not a big fan of George Clooney, but I didn't care; it was really insightful to hear anecdotes and scene descriptions from the writers themselves. You can gain a real understanding for the composition of the film.

    You watch the film once and you interpret it in your own way. Then you can watch it again (and since you've already seen it, the voiceovers don't ruin anything) and you learn why certain scenes were included, why they contributed to the plot, why the actors were directed in a certain manner, etc. I think it's a cool feature. I'm not so sure about downloading a commentary, but having it on the DVD is a "value added" service that makes it worth owning, IMO...

    --
    Thanks to the War on Drugs, it's easier to buy meth than it is to buy cold medicine!
  7. Fantastic. by TheNoxx · · Score: 3, Interesting

    I don't know about the average man or slashdotter, but one of my favorite things in this world are commentaries on DVDs for good movies.... particularly for Kurosawa movies.

    One wierd thing I've noticed on commentaries for movies that were released before the invention of DVDs is that they, too, were recorded years before the DVD came onto market... I've heard several introductions for commentaries mark that they were created in '92 or so. I've always wondered why film studios would go to the trouble of booking notable figures in the film industry as well as prominent actors for commentaries before they knew what the hell kind of format would support them. Just a thought.

    --
    Ex nihilo nihil fit.