Slashdot Mirror
Reuters Admits, Pulls Doctored Photos
fragmentate points to a post on PopPhoto which says "Reuters pulled a photograph of burning buildings in Beirut yesterday after a post on the Little Green Footballs blog outed it as digitally manipulated. The photo, filed on Saturday by freelance photographer Adnan Hajj, ran with the caption "Smoke billows from burning buildings destroyed during an overnight Israeli air raid on Beirut's suburbs."
Fragmentate adds "Another image from the same photographer was found to have been doctored.
Whether you're a CNN fan, or a FoxNEWS fan, you have to wonder how much of what we see is fake, or exaggerated."
These days pros shoot digital. I am a pro, I shoot digital. Somehow people have this impression that only what comes "out of the camera" is "real," but a digital photo is just an A-D conversion with a given set of parameters. I can significantly change the look of a scene just by changing the settings of the camera.
More to the point, I often shoot RAW, which REQUIRES "development" in order to be shown online or printed, since as a file it's just an uncalibrated sensor dump, meaningless data, not an image at all. But the look of a RAW image can change DRASTICALLY when converted to JPG based on the choices I make when selecting things like white balance, exposure, sharpness, contrast, etc. (and these have to be manually selected--i.e. the choices must be made by me in order to get an image file out the other end, there is no "real" initial image).
The point is that the camera is only, and has always only been, a tool for realizing the vision of the photographer. It is not "objective" in any sense (and wasn't in the film days either, even film had to be "developed" and this process could vary an image quite a bit). Photoshop/GIMP/Silkypix/any other image processor is no different, and represents just an extension of the photography/development process.
If a JPEG image comes out of the camera with very low contrast, why is that the "real" scene and not an incorrect camera setting (contrast turned too low)? And if I then take a low contrast image in GIMP and adjust the contrast for better clarity, why is that a "fake" scene and not the "real" scene that I saw?
The logical extreme of such arguments is that the only "real" images in the digital age are taken with black-box cameras with all settings on "auto" and nothing adjusted afterward. Only people forget that digital cameras are just glorified A-D converters and that all of the "auto" settings are calibrated and coded by programmers who are also making decisions about how images will look (high contrast vs. low contrast, expose for shadows vs. expose for highlights, compensate for differences between human lens and camera lens or don't, etc.)
Every step of the photo process, from selecting the camera + lens in the first place all the way to selecting the compression level of the file after all else is said and done, is "editing." All photography is propaganda by the photographer and anyone that doesn't realize this is both naive and missing a great deal of the appreciable "art" involved in the process.
STOP . AMERICA . NOW
These photos are the latest chapter in a long-running problem of the press... and I think it's time for the American press to finally come out and say what it is - biased. ALL press is biased, period. But only here in the U.S. do we all happily assume that, somehow, our press holds itself to its lofty goals.
Almost all of the European press is up front about its bias - left, right, or otherwise. It's liberating, it's informing, it's better for consumers. If I want to read the French press and see what's going on in the right, I read Liberation, the far-left (communist), L'Humanite, the right, Le Figaro, a center-left, Le Monde. By reading articles from each newspaper on a subject, you can hear what all sides are saying quickly and get much more information.
But here in the U.S., such a bias is reviled. Fox News, for example, is looked down on for its conservative bias. I look down on them as well - not because they have a bias, at least they're more open about it - but because they try to conform to the American press ideal of supposedly unbiased reporting by claiming they're "fair and balanced". Just come out and say it!
I don't care if the NY Times is left-leaning, either. That's fine. But they should at least ADMIT it.
Americans, journalists in particular, need to embrace their biases. Let us know where you're coming from so we CAN get the message from both sides, not some filtered down, biased report passing itself off as "both" sides of the story.
I have a friend who's a sound engineer and he says he always hears library sounds on news reports. e.g. A report from Iraq may have some standard AK47 shots dubbed on to make it sound more interesting.
I guess I see a serious moral difference between a side that drops leaflets warning civilians of incoming attacks and encouraging them to move/leave, so that military targets and weapons caches can be destroyed with a minimum of civilian casualties, and a side that straps bombs to 15 year olds and sends them into a Sbarro's to blow up 40 people who are trying to enjoy lunch.
Perhaps you don't see any difference, and that's your prerogative, but that kind of thinking ("we're no better because we do rotten stuff too") is exactly what is going to lead to the downfall of Western civilization. What scares me even more is that a lot of people think we deserve it. What scares me even more than THAT is that the people who think we deserve it are almost without exception educated an enlightened liberal thinkers who cherish the progress made in the name of liberty - desegregation, women's sufferage, the gradual triumphs of the gay rights movement, etc. These things would fly right out the window across the globe in the absence of countries like the U.K. and U.S.
"I have never won a debate with an ignorant person." -Ali ibn Abi Talib