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First Blu-ray Drives Won't play Blu-ray Movies
aapold writes "Sony officially announced its BWU-100A product at its "Experience More 2006" event in Sydney yesterday, all the while acknowledging that there's significant room for improvement before the product is viable for integration into media centre PCs. Sony's product manager for data storage, told CNET.com.au that due to copy protection issues and lagging software development, the drive will only play user-recorded high-definition content from a digital camcorder, and not commercial movies released under the BD format." All this hullabaloo makes me want neither side to win. If only I didn't desperately crave HD content on my TV!
1 GB per dollar - Memorex Blu-Ray write-once disc: $25, 25 GB6 4669100&rf=froogle&dfdate=08_10_2006&sid=362233316
2 E16822152020
http://focuscamera.com/sc/froogle-lead-1.asp?id=9
2.9 GB per dollar - Samsung Spinpoint: $55, 160 GB harddrive
http://www.newegg.com/Product/Product.asp?Item=N8
And that is just the blu-ray disc, not the drive.
A computer once beat me at chess, but it was no match for me at kick boxing.
a little tip - www.divx.com - DivX 6.1 Supports 720p. plans for 1080i and even 1080p in the works, all with advanced MPEG-4 encoding features, to preserve high quality at extremely low bitrates. DVD players should be out in time for Xmas, at price points only slightly above current SD DVD players. DivX 6 can squish a full length HD movie onto a single DVD, including multiple audio and subtitle tracks. screw new discs, new hardware, new DRM, and new high prices. kthnx.
"The GPL is viral by design, like any good religion."
"A high quality DVD rip of a movie is around 2GB"
Wrong. A high quality DVD rip of a movie is around 5-7GB. Your definition of high quality must be lacking.
double the resolution, and you end up with at most....
I don't want to double the resolution, I want HD. 1080p video has double the frame rate, a higher colour depth and four times as many pixels as a DVD. With normal MPEG 2 your 8GB DVD becomes more like 64GB. Then factor in your newer compression techniques and we come back down to 30-40GB. You're not going to get a HD movie on a disc for less than 25GB.
Shit, the HD video I shoot with the HDR HC1 isn't even full 1080i res and it comes to 10GB an hour.
When the posters fear their moderators, there is tyranny; when the moderators fears the posters, there is liberty.
Funny you ask, we recently had a special edition of The Natural in the shop...
For picture, the best you can get is either an interpositive (which is just one generation down from the camera negative), or the camera negative itself. The camera neg is often in not great shape, though, since it's been cut and A-B rolled. Also dust on the interpositive looks black, whereas dust on the cam neg looks white, and camera neg doesn't have the printer lights from timing I recall (I'm a sound guy, if someone at a lab is reading, please correct me). Interpositives are low-contrast prints of the camera negative, on one strip, and they're usually only run thru a printer a few times, once to strike the IP itself, and once to strike a few internegatives (these are what release prints are struck from).
For sound, the sound optical is usually contact printed onto the IP, but we almost always go back to the original Dialogue/Music/FX stems, which are recorded on 35mm magnetic film. 35mm mag film actually has quite high fidelity, nearly 70dB dynamic range and at least 15 kHz on the high end, so often the the mag sounds a bit better than what is on the optical. As well, the stems will have the discrete speaker channels (particularly the center speaker and surround), which are derived from the optical but do not actually exist on it, so we can "widen" the original mix from it's original format (either 4-channel Dolby Stereo or less) into a true 5.1.
If the filmmaker is still alive, he/she'll often sit thru the mix (my end of it) and have some new sound FX cut to modernize the sound, and maybe even try to rearrange some dialogue he didn't like or tweak the music levels (since we have separated stems, he can change either DIA, MX or FX without affecting the other two.) The Superman DVD WB has out right now is a good example of this from a sound point of view (also a great movie).
Coincidentally, The Natural was released and is owned by TriStar Pictures, which was bought in the late 80s by Columbia, which was itself bought in the early 1990s by... Sony. (fair disclosure: Sony PIctures Entertainment is my current employer).
Don't blame me, I voted for Baltar.