FairUse4WM Breaks Windows DRM
An anonymous reader writes "FairUse4WM, according to engadget, "can be used to strip Windows Media DRM 10 and 11". What does the slashdot community think of this development in the ongoing cat-and-mouse game going on between big media and what is available online?"
FairUse4WM Breaks Windows DRM
should read:
FairUse4WM Fixes Windows DRM
'cause it makes something previously unusable, usable. (Not that I will ever be using this app, I've never been stupid enough to buy a DRM encumbered piece of content).
Oh - and for those hoping it stripped the DRM from WMV9. Nope, WMA DRM only.
There are shills on slashdot. Apparently, I'm one of them.
You have the right to manipulate the magnetization on your harddisk in any way, right?
They've already written a follow-up: An open letter to Microsoft: Why you shouldn't kill FairUse4WM.
This whole thing reminds me of Cory Doctorow's DRM and MSFT: A Product No Customer Wants.
Come singularity I want to be able to buy music, not just rent it.
But I'd rather these services died a market death than a technolocial one. Then maybe the media companies would realize that people don't want to pay for something continually.
And, well, if other idiots think that renting music is better than buying than maybe they should be allowed too.
'Sensible' is a curse word.
the term cat and mouse game implies that there is a chance for the big media companies to win. For every programer that they employ to create DRM, there are at least 10 hackers sitting around with nothing better to do than to break this, and many of them come from countries that either do not respect US IP laws (Korea, China), or that do not have such insane IP laws like ours to begin with (Sweden). To be blunt, they do not have a chance to win at all.
First they need to figure out if it's dead or alive, and whether it should be treated as both.
Then when they are cetain that the cat is alive|dead, they need to figure out where they are.
"Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
Everyone knows the DRM is nothing but an inconvenience to normal users suckered into repurchasing music they have owned for decades in format after format. It had zero impact on wholesale media rip off, where "pirates" duplicate the original distribution medium. It's had zero impact on file sharing. Sooner or later, legitimate users are going to get fed up with format changes and eternal copyright. DRM is the last gasp of industries that depended on expensive physical distribution and government broadcast franchises to survive. No one else wants it and it's going away. Until it does, I've given up on their content. Big media won't be seeing any of my money till they make life easier for me and their artists.
Friends don't help friends install M$ junk.
Granted, a better way to be would simply to have avoided buying DRMed music in the first place, but not everyone has that foresight.
That would be better, if music distribution was not run by a cartel, repeatedly convicted of abusing their control of the market. I'd love to see everyone become enlightened and move to all DRM-free indy music, but realistically, the market will not properly counter a monopoly or cartel and the legal system and legislature are corrupt and easily bribed.
You have the right to tear down your home and put up a scale replica of the Taj Mahal, right?
As zoning laws apply to your property by precdent, licensing applies to the ones and zeros on your HD by precedent.
Wow. that's quite the analogy.
I don't understand how one is related to the other. Putting up a replica of the Taj Mahal is (arguably) an eye sore, and should have community consultation before said replica is built. I don't understand the parallels you've drawn. I don't understand how doing anything to my hard drive has any affect on my neighbours.
09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
But they didnt.
Wincopy
The iTunes music store is quite clear that if you accidently delete your iTunes downloads, you're SOL. There are plenty of accounts of people who've lost iTunes downloads who've had Apple tell them to repay to redownload or fuck off.
Plus, once you've gone past five times that Apple's decided your computer is different, you also lose all your music. Gone. Locked out.
Apple is just as evil as the rest of them. At least the "rent music" places are telling you up front that you're just renting and that you can lose the ability to play your downloads at the drop of a hat.
Does this tool work for Janus-locked files (commonly used in "ToGo" services)?
A little backdrop for context -
Like a lot of people, I travel a lot (commute to work, business trips, family, etc...). I have a Creative Zen Touch 40GB w/PlayForSure update that I've been pretty pleased with for the past year. However, last April I was doing my semi-annual reinstall of Windows on my Tablet PC. Being quite naive, I just assumed backing up My Music would be sufficient for license back-up -- after all, it contains the "My License Backup" folder. So you know, just going with that. Noooo sirreee, Rhapsody will have none of that. It informed me that each DRM'd file I had used with RhapsodyToGo didn't have a valid license or was corrupt. The only way I could get the files to update their licenses was to queue the files needing a license update for download, pause the download, then cancel the download. This worked great for files on my computer, but the licenses wouldn't transfer to my MP3 player. Additionally, my playlists were broken because of this mess. These inconveniences, coupled with the fact that I don't feel like browsing through Rhapsody's unresponsive IE-control and manually selecting the gigabytes of locked-up and unplayable files on my tablet and MP3 player forced me back to BitTorrent.
Words cannot capture how fucking frustrating it is to have a 5 hour drive ahead of you and be presented with a "No License To Play File" message when you try to play half the files on your MP3 player. No warning, no hint, not even a goddamn "License will expire in x days" message when I downloaded the file originally. Which brings me to another point -- I pay my RhapsodyToGo subscription quarterly, why the fuck should I have to update once a month? . Or put more accurately -- GUESS when I should have to update during the month, because that's part of the fun - YOU NEVER KNOW WHAT DAY THE FILES EXPIRE.
Anyways, I got kinda off track there. I simply downloaded MP3s and FLACs of the music I wanted and replaced most of the DRM'd horseshit, but certain artists (e.g., Robert Johnson, Blind Willie Johnson, Muddy Waters, hell even mainstream artists like Jeff Beck) are harder to find on P2P networks and BitTorrent trackers. So a tool which could unlock the files I've legitmately acquired would be really great.
If anyone from Microsoft or RealNetworks is reading this -- I'm trying to do the right thing, but you're making it so fucking difficult. It's almost as if you want me to pirate the music.
"You and your third dimension."
Haven't tried them myself, so watch out for viruses etc, but here's a coral cached forum post @ doom9 linking mirrors etc: Download mirrors
The analogy I prefer is that the pro-DRM argument is a lot like the anti-gun-control argument. They're both wrong.
--- What?
No, the people who are complaining the most and trying to find software to break DRM protections are the people who don't want to pay for the latest CD they heard on the radio. That is all that this discussion is about.
Umm... No. People that Pirate don't give a fuck about DRM because they are already circumventing it and hence do not complain. These people are either using audio video hijack programs and analog loop holes and don't really care about quality as long as its free.
The people that are complaining about DRM are those who are getting fucked by it or can't buy online media because they don't want to have to be tied in to that companies DRM and loose all their music when the company goes bankrupt or a software glitch hoses their authorization key.
Its why I won't buy iTunes music... I really don't like the idea of a hard drive crash killing my music and I have to pay for it all over again because I had to jumps through hoops of fire to back that data up (yeah I could burn it to audio cd and then back again but each time you burn from lossey and re-encode to lossey formats from that cd you loose quality big time. Not to mention you will have to manually type in the CD track names over again).
Until I get unecumbered MP3 downloads, I won't pay for it online. I'll stick to going to the local indie store and buying it there and then ripping it.
On the same note, I won't pirate a song either because the music I like is hard to find and online music sounds like crap or cuts out at the end. I'm willing ot spend that extra money for the quality but at the same time I don't want to pay for it twice if something goes wrong on the technical side of DRM.
"I am the king of the Romans, and am superior to rules of grammar!"
-Sigismund, Holy Roman Emperor (1368-1437)
I understand that, given the chance, most consumers will steal media without a second thought.
I think this is true, although perhaps a bit too strong. What's interesting to me is *why* it's true, because I've found that most people are quite honest. They wouldn't dream of stealing a CD from a store, so why would they create an infringing copy of the same content?
I think the answer is: Because the media industry has screwed itself.
I think the reason people don't see infringement as immoral is because they don't understand the social contract that underlies copyright law. And that's because the social contract has been trashed so thoroughly by the media industry that it's effectively invisible. Joe Average isn't stupid, but he's not an IP lawyer and given that he has never seen any copyrights expire during his lifetime, and may never see it, the notion that copyright is a tradeoff of short-term disadvantage for long-term advantage never occurs to him, because as far as he knows it's just a permanent restriction. Ask Joe who owns the copyright to Shakespeare's works and he's likely to think it's a reasonable question.
Since Joe doesn't see that tradeoff, he evaluates infringement in its most direct, immediate terms: Who does it hurt, who does it help, and how do those balance? Who does it hurt? Well, no one, really. Perhaps Joe might have paid for it if he couldn't copy it, but maybe not, and besides those musicians are already millionaires, so it's not like anyone is going to go hungry. The pain inflicted by the loss of a single sale on someone who lives in a mansion and drives a Ferrarri is negligible. Who does it help? Why, Joe. Not in any huge way, but it gives him some music to listen to that he might not have otherwise been able to afford.
Ignoring the issue of what copyright is supposed to do, Joe's moral calculus is compelling. Weighing a clear good against a questionable and negligibly-small bad, the result is a no-brainer. If you throw in arguments about what would happen if everyone copied instead of buying, the waters are muddied a bit, but since that's not in imminent danger of occurring, it's a red herring.
If the media industry wants Joe to feel some moral obligation to honor copyright, they should push to go back to reasonable copyright terms, so that Joe can see the value of the copyright system as evidenced by the flow of materials into the public domain. When there's lots of stuff that he can copy, legally and without qualm, he'll be more concerned about the propriety of making infringing copies.
Personally, I saw that evolution in myself with respect to software. Before I switched over to using primarily Free software, I had no qualms about copying software that I knew I wasn't going to purchase -- and that even though I was a software developer making my living from copyrighted software. When I found that I could do most of what I needed to without infringing, though, I began to be offended by the idea of casual infringement. After a few years of Free software usage, I actually get angry at people who illegally copy software, and I don't use any commercial software without paying for it. I also don't copy music or movies illegally. I do download TV shows, but only because I can justify that I could have sucked them off the cable, albeit less conveniently.
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